The
purpose of this page is to research the historical, social and psychological aspects contributing to the music of Liverpool from 1960-1969.
This city has a rich and fascinating history as a seaport isolated from the more
cosmopolitan southern regions of England. Its unique history is central to the development
of British Rock. Each of the
articles presented herein is a work in progress and attempts to identify those factors
responsible for changes in Liverpool's history and its music in the 1960s. As with all
serious research, academic critiques are both necessary and expected.
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