Searchers Sing Searchers

by Roy Clough



A Compilation of Searchers' Original Compositions


Following on from the success of my first Fantasy Album -Yesterday, Today, Tomorrow (thanks to Tim and Sue West for making it near to reality), I thought it a good time to come with a follow-up album. Whilst one accepts The Searchers were not in the Lennon -McCartney league when it came to songwriting, I believe that even the band themselves underestimated their own potential. The Searchers have released 44 tracks during their career which have been credited to either individual band members or a collaboration of members. Of those 44 tracks, two also credit someone who is not a band member, although there is somewhat of a question mark on one of those tracks. In fact, whilst researching this article, as all the good journalists would say (Having nowt better to do - a good Yorkshire saying -is probably nearer the truth), I did note a number of discrepancies relating to the credits on certain tracks. However, I'll list those later, For now, I'll concentrate on the tracks for my fantasy album Searchers Sing Searchers. I have gone for a 20 track album, about right for a CD, if any Record Executives read this.




"Well Composed Foursome"
The Searchers in 1964
Jackson, Curtis, Pender and McNally



Review of Tracks 1 - 10


Track One - It's All Been A Dream

This was the "B" Side of Sweets for my Sweet, back in the Halcyon days when a single was exactly that - 7" piece of vinyl with one track on one side called the "A" Side and one track on the other side, called - strangely enough - the "B" Side. Nowadays you get the CD version, the cassette version, the limited edition version, the 12"version the club mix, the remix and any other ploy that the marketing people can come up with to get gullible fans to part with their money. Life was much simpler then, or am I just getting old? Don't Answer! This track, in my view, would still have been a hit even if it had been the "A"Side. Simple melody, jangling Guitars. The song is credited to C Crummy on the actual single. This, I am led to believe, being the real name of Chris Curtis. Some compilation albums actually credit the song to C Curry.


Track 2 - I Pretend I'm with You

Again a C Curtis penned number and in my view, this should have been the follow up single to Don't Throw your Love Away rather than the "B" side of same. I personally consider it -bearing in mind the year of release- to have been a stronger number than Someday We're Gonna Love Again which was the actual follow up release. As far as I know, this is the only "Searchers" penned number to have been recorded by another artist(s). It appeared on an Album by The Rapiers, an excellent sixties sound band, in the early 90's, Frank Allen did the sleeve notes for this album.


Track 3 - I'll Be Missing You

The first "B" Side to feature Frank Allen and whilst I can't say that my best friend of 35 years is a Searchers Avid, like myself, this is his favourite number by them. In fact the only Searchers Single I recall him buying is When You Walk in The Room which was the "A" Side of course. The song is credited to all of the band members at the time and states Allen, Curtis, McNally, Pender. However on later compilations the running order changes to Curtis, McNally, Pender, Allen. What cannot be correct however is the credit given to Frank Allen, mainly because, the band were performing this song in Liverpool in 1963.


Track 4 - Till I met You

The song introduced by Frank nowadays as the one John wrote for his wife, Mary. The songwriting credits on the single and the numerous compilations, etc, show it as Curtis, Pender, Allen, McNally. One assumes therefore that this was done for financial reasons or that the lyric's were John's with input from the others. What is clear however, in my not so humble opinion is that the song should have been the follow up to Goodbye my Love rather than wasted on the "B"Side. I firmly believe it would have been a massive hit in it's own right and could have become a classic. Bearing in mind the year both songs were written, I genuinely feel this song is every bit as good as Yesterday. If Lennon -McCartney had written this, it would have been hailed as a classic, I reckon.


Track 5 - Don't Hide It Away

A McNally, Pender, Allen song and one of my personal favourites. This song was on the "B" Side of Take It Or Leave It. but is, in my view, far better. A great lilting melody and features what I suspect is Tony Hatch on piano.


Track 6 - If I Could Find Someone

Again a Chris Curtis song featured on the band's fourth album and I sometimes think that Chris Curtis's contribution to the band's ' Golden Years' so to speak is overlooked. The Band's fourth album 'Sounds Like Searchers' was far more polished than the first three and some of the rawness that had perhaps contributed to the Band's early success was missing. I believe Frank and Mike were using 'Burns Guitars' which were in vogue at the time. John still used a Fender.


Track 7 - I'll Cry Tomorrow

One of the writing anomalies for this track - credited to Pender, McNally on the single - was the "B" Side of Western Union" but on some later compilation releases credited to Pender/McNally/ Stevens. Some great raunchy guitar on this track, possibly played by John, although Mike was always stated during the PYE years as being Lead Guitar. A POUNDING bass courtesy of Frank on this track. Incidentally the album 'Sounds Like' is the only Searchers album ever, to not feature a track released by the band as a Single either "A" or "B" side.


Track 8 - Lovers

A McNally Pender collaboration on this track - great sound. Whilst it is easy to be a critic, I would have liked to have seen this featured on the excellent Triple CD release. Two "B" Sides were dropped, due to space constraints probably, but the track Too Many Miles could have gone into the album section of the release. The reason being is that this track was the only PYE album track to feature on a "B" side.


Track 9 - Don't You Know Why

A song on the last official PYE album - a McNally solo effort.


Track 10 - Second Hand Dealer

The last single on PYE unless you want to get technical and include all the countless reissues, etc Again, songwriting credits on the single go to McNally/Pender but later versions of the song on compilations state Allen/Pender or vice versa. Check those royalties John?




"The Swinging Searchers"
A delicate balance of music and personalities



Review of Tracks 11 - 15


Track 11 - Suzanna

A John McNally solo song and the "B" side of Liberty release Kinky Kathy Abernathy. In my view a vastly superior song to the aforementioned, although let's face it. It didn't take a lot to be better than "Kinky" However this should not detract from what is a fine song with very emotive lyrics. A good vocal performance from Mike Pender. I am also led to believe that this track was one, if not the only one, not to feature the rest of the band, but session musicians.


Track 12 - World Is Waiting For Tomorrow

The "B" Side of the RCA release Desdemona, and in this instance not as strong as the "A" Side. However a lilting melody and catchy chorus line make the song for me. The song is credited to Allen, McNally, Pender, although one suspects that commercial reasons now dictated songwriting credits rather than who wrote the song. During the time at RCA the band released five singles excluding a rerecorded version of "Needles" and one album although I suspect they would rather forget about the album.


Track 13 - Come On Back To Me

I prefer this song to the "A" Side that it appeared on, another RCA release "Sing Singer Sing" although this song was also a band original All songs written by the band and released during the RCA years were credited to Allen. McNally, Pender although not always in that order. Sometimes it was McNally, Pender, Allen or Pender etc. which possibly gave an indication as to who actually wrote the song. Incidentally with the exception of"World is Waiting" all other credits on RCA state Allan.


Track 14 - Little Bit of Heaven

The Sire period and probably my all time favourite Sire track. Great Guitar sound and credited to McNally, Pender, Allen. Indeed all the songs written by the band during the Sire period were credited exactly the same. I suspect John wrote most of these and had the biggest influence on the arrangements. Note this was one of two Sire tracks which were not on the CD version released in 99, despite the sleeve notes stating "All the recordings made in the Sire period"


Track 15- This Kind of Love Affair

The Sire period again, just love the guitar sound


Track 16 - Another Night

Released as a single on Sire I remember one review at the time, in one of the music journals, stated that if every DJ in the land was doing their job, this would be a number one. Regretfully, every DJ wasn't doing their job. I also recall the band doing a guest spot on a TV show built around some "Teenybop" band called 'The Moondogs'. If you can't remember their hits, it's not surprising, they didn't have any, yet some cretin gave them a TV series.


Track 17- Changing

The one Sire "B" side not to feature on either of the two Sire albums. I just love the "Jangling" guitar sound on this track . Superb The track did feature on the Raven CD however


Track 18 - Love Lies Bleeding

Into the Spencer James era. The band contributed 50% of the songs on Hungry Hearts the 89 album, on the Coconut label, originally only available in Europe. All credited to McNally, Allen, James except one track Baby I Do, which also credits T.Hendrick. Again as with RCA and SIRE commercial interests probably dictated the writing credits. The song title was no doubt inspired by the release of a 10 inch, vinyl release on PYE which featured four of the band's biggest hits, but for some inexplicable reason was called Love Lies Bleeding.


Track 19 - This Boy's in Love

Less use of the synths which were prominent on the Hungry Hearts album and some great Guitar and Bass on this track.


Track 20 - Fooled Myself Once Again

Love the arrangement on this track - great ballad



Summary and Final Comments


So there you have it, Searchers Sing Searchers. Hope some of you enjoyed reading this as much as I did in writing it. Perhaps Tim Viney or Peter McCormack could be persuaded to do a favourite song written by The Searchers poll. I suspect I know which song would come out top, but I'll keep that to myself. I stated at the beginning that there were a number of anomalies in the writing credits. Some I've mentioned, but these are the others for those avids like myself who may be interested. (My Wife can't be right, there must be somebody out there as mad as me).

Credit Anomalies

This Feeling Inside actual single credits McNally but on later compilations McNally, Pender, Allen are credited. One compilation also credits Curtis.

So Far Way Single states Curtis/Pender but on later releases states Curtis Only.

Crazy Dreams Single credits McNally/Pender, however, on later compilations credits just McNally.

No One Else Could Love Me Single credits Curtis only, while Curtis/Pender/McNally are credited on later releases.

Don't You Know Why original album credits McNally, but later releases credit Curtis/McNally/Pender/Allen

I'm Your Lovin' Man album credits Curtis/Pender but on later releases Curtis/McNally/Pender/Allen receive credit. Lovers Single credits McNally/Pender while one compilation credits McKuen!

Recently Michael Deneger produced a excellent 'Who Wrote What' list and Frank Allen has apparently confirmed, were he can recall as to actually wrote the song. Mike's List credits a song Think of My Life found on Taragon CD of RCA recordings to McNally. The song is actually listed as 'writer unknown' for credit along with Indigo Spring, Bite it Deep and I Really Don't Have The Time. If John wrote the former, did he write the other three.

God Rest Ye Merry Gentleman lists writing credit as Allen/James/McNally actually states ARR. for credit.

Saints and Searchers not on list but this credits, again for ARR/Crummy/Jackson/Pender/McNally.

Submitted May 14, 2001
© 1997-2001 Roy Clough. All rights reserved.






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