{"id":132,"date":"1999-09-03T10:01:51","date_gmt":"1999-09-03T14:01:51","guid":{"rendered":"http:\/\/www.rickresource.com\/wordpress\/?p=132"},"modified":"2013-10-04T09:46:45","modified_gmt":"2013-10-04T13:46:45","slug":"rickenbacker-bass-models","status":"publish","type":"post","link":"https:\/\/www.rickresource.com\/wordpress\/?p=132","title":{"rendered":"Rickenbacker Bass Models"},"content":{"rendered":"
\""She's<\/p>\n

“She’s A Woman”
1967 4001 Fireglo
Photo \u00a9 1999 Nicole Albertson<\/p>\n<\/div>\n

Rickenbacker Bass Models and Specs<\/h1>\n
\n
\nThe following article is a compilation of data from various sources describing the different Rickenbacker bass models. This article also gives as brief history as to when the different features were added or discontinued.<\/div>\n
<\/div>\n<\/div>\n
\n
\nDates in parentheses are from various sources. If you can confirm or deny these dates please contact me<\/a>.\n<\/div>\n
<\/div>\n<\/div>\n

2000 Series<\/h2>\n

The basses in this series have the following features, unless otherwise noted, bolt-on neck, double cutaway maple body, non-cresting headstock, unbound Padouk fingerboard, dot inlay, 20 frets.<\/p>\n

2020 “Hamburg”<\/h3>\n

(Second Version)<\/h4>\n

This instrument is the revised bass version of Hamburg guitar.
\nFeatures: Two single-coil pickups, active circuitry, chrome plated hardware, maple fingerboard, and fixed bridge.
\n1992 – Introduced
\n1997 – Discontinued<\/p>\n

2030 “Hamburg”<\/h3>\n

(First Version)<\/h4>\n

This instrument is the bass version of Hamburg guitar.
\nFeatures: Two single coil pickups, active circuitry, 2 tone and 2 volume controls, selector switch, chrome plated hardware, Padouk fingerboard, 9 dot inlays, rear access control panel, and fixed bridge.
\n1984 – Introduced
\n1992 – Discontinued<\/p>\n

2030GF “Glen Frey”<\/h3>\n

(Limited Edition Series)<\/h4>\n

Features: Two humbucking pickups, chrome pickguard with signature, chrome controls (2 volume, 2 tone), 3 position mini switch, black hardware, ebony fingerboard, fixed bridge, chrome logo plate. Available only in Jetglo finish.
\n1995(1992) – Introduced
\n1995(1997) – Discontinued<\/p>\n

2050 “El Dorado”<\/h3>\n

Features: Two pickups, active circuitry, and gold plated hardware.
\n1984 – Introduced
\n1992 – Discontinued<\/p>\n

2060 “El Dorado”<\/h3>\n

Features: Two pickups, active circuitry, gold plated hardware, and double bound body.
\n1992 – Introduced
\n1997 – Discontinued<\/p>\n

3000 Series<\/h2>\n

The basses in this series have the following features, unless otherwise noted: Bolt-on neck, double cutaway maple body, non-cresting headstock, Padouk fingerboard, 9 dot inlays.<\/p>\n

3000<\/h3>\n

This bass was originally designed as a low-priced, economical, student model. Features: Short scale (30″), single high-gain hum-canceling pickup, 21 frets, 2 controls knobs (volume and tone), unlaquered fingerboard. Available in natural satin maple and Colorglo finishes
\n1971 – First version was introduced and abruptly discontinued because the original prototype was unsatisfactory
\n1975 – Second version an improved model was reintroduced with a different bridge, electronics and pickguard.
\n1984 – Discontinued<\/p>\n

3001<\/h3>\n

This is a full-scale version of 3000 model
\nFeatures: Long scale (33-1\/2″), single high gain hum-canceling pickup, 20 frets, 3 controls (volume, treble boost, bass boost), maple and walnut laminated neck.
\n1971 – First version was introduced as a prototype (30″ scale) and abruptly discontinued. The first version had a bound body, bound neck, crescent shaped finger rest, single tone and volume controls, and a different tailpiece\/bridge.
\n1975 – Second version, an improved model, was reintroduced
\n1984 – Discontinued<\/p>\n

The 4000 Series<\/h2>\n

The basses in this series have the following features, unless otherwise noted, neck through construction, cresting wave headstock, cresting wave body, finished Padouk fingerboard, 33-1\/2″ scale, 20 frets, Schaller Deluxe BM machine heads, combination tailpiece\/bridge assembly with string mutes.<\/p>\n

4000 MODELS<\/h2>\n

4000<\/h3>\n

\n

\n
This bass is the first bass model that Rickenbacker produced<\/div>\n
<\/div>\n<\/div>\n

Original Features: Single pickup, chrome 1 volume and 1 tone control, mono output, unbound body, dot inlay, clear plastic pickguard with gold back painting, cresting wave headstock, unbound rosewood fingerboard, 8 dot inlays, clear plastic finger rest, Schaller BM nickel machine heads. Originally available only in Mapleglo and older style Fireglo (2 tone brown sunburst) finishes.
\n1957 – Prototype sent for photographing in April
\n1957 – Introduced in June
\n1957 – (Late) movable bridge with string mute
\n???? – Chrome plated knobs replace black “flying saucer” knobs
\n1958 – Walnut neck replaced mahogany neck
\n1958 – White pickguard became optionally available
\n1959 – Neck width narrowed
\n1960 – Maple and walnut neck replaced walnut (or mahogany) neck
\n1960 – “Fireglo” (red sunburst) finish became optionally available
\n1961 – Body became slighter, slimmer and more contoured
\n1963 – Bridge\/tailpiece with under string mutes replaced bridge with sliding mute.
\n1963 – Jetglo and Autumglo finishes became optionally available
\n1963 – White pickguard replaced gold pickguard
\n1963 – Black bakelite knobs replaced chrome knobs
\n1969 – High gain pickup and cover replaced horseshoe bridge pickup
\n1969 – Headstock shortened
\n(mid 70’s) – Set neck design replaced neck-thru design
\n1971 – Grover sealed back machine heads replaced Schaller open back nickel machine heads
\n1974 – Gap in center raised lip of bridge eliminated
\n1974 – Pickguard shortened 1\/2 inch
\n1975 – Cast chrome plated zinc bridge\/tailpiece replaces chrome plated cast aluminum bridge\/tailpiece.
\n1975 – Schaller BMC chrome open back machine heads replaced Grover sealed back machine heads
\n1984 – Model 4000 removed from price sheets
\n1987(1985?) – Discontinued<\/p>\n

4000FL<\/h3>\n

This bass is the fretless version of 4000 model
\nFeatures: Single pickup, volume and tone controls, mono output, unbound body, dot inlay, gold pickguard, cresting wave headstock, 33-1\/2″ scale, unbound rosewood fretboard. This bass was a special order only.
\n1960 – Introduced
\n???? – Discontinued<\/p>\n

4001 MODELS<\/h2>\n

4001<\/h3>\n

This is the deluxe two-pickup version of the 4000 model. The neck pickup was added to give greater tonal flexibility and greater bass response. This bass was originally designed for use with flat-wound strings.
\nFeatures: Bound body, bound Padouk fingerboard, triangle inlays, two pickups, separate volume and tone controls, mono-output, truss rods adjust at head. Originally this bass was only available in a Fireglo finish.
\n1961 – Introduced
\n1963 – Bridge with under string mutes was added
\n1965 – Black plastic seven-sided knobs with silver tops replaced all black Bakelite knobs
\n1965 – Mapleglo finish became optionally available 1965 – Three special six-string 4001 basses were produced
\n1969 – Ric-O-Sound became standard instead of an optional feature
\n1969(1971) – High gain single-coil pickup and cover replaced horseshoe bridge pickup.
\n1969 – Headstock was shortened
\n(????) – 9th dot inlay position marker was added in between the 18th and 19th frets
\n(????) – Three special 30 inch scale 4001 basses were produced
\n1971 – Starr Stowe was featured in the February 1978 issue of Playboy magazine holding an Azureglo 4001 owned by Gene Simmons.
\n197? – Some set neck basses produced
\n1971 – Grover sealed back machine heads replaced Schaller open back machine heads
\n1972 – Maple headstock wings replaced contrasting walnut headstock wings
\n1972 – Center walnut stripe running the length of the instrument was introduced
\n1972 – High gain neck single-coil pickup replaced toaster neck pickup
\n1972 – Clear plastic finger rest was eliminated
\n1973 – Schaller BMC chrome open back machine heads replaced Grover sealed back machine heads
\n1973 – Single color (white or black) body binding replaced block binding
\n1973 – Smaller pearloid fingerboard inlays replaced crushed pearl large triangle inlays
\n1973 – Pickguard was shortened by moving back from bridge pickup surround
\n1973 – Large bridge pickup surround was made smaller and more rectangular
\n1974 – Gap in center raised lip of bridge eliminated
\n(mid 70’s) – Set neck design replaces neck thru design
\n1974 – Neck pickup was moved 1\/2 inch closer toward the bridge pickup
\n1974 – Pickguard shortened 1\/2 inch
\n1983 – Discontinued<\/p>\n

4001FL<\/h3>\n

This bass is the fretless version of the 4001 model. This model was only available as a special order.
\nFeatures: Two pickups, separate volume and tone controls, stereo and mono output, bound body, 9 dot inlays, bound Padouk fingerboard, truss rods adjust at head.
\n1960 – Introduced
\n198? – Some set neck models produced
\n1989 – Reintroduced with dot inlay (????) – Discontinued<\/p>\n

4001S<\/h3>\n

The designation “S” stands for “Special”
\nThis bass is a simplified “no frills” model of the 4001. This bass is also known as export model “1999” sold in Europe by the Rose, Morris & Company.
\nFeatures: Horse shoe bridge pickup, toaster neck pickup, separate volume and tone controls, mono output, unbound body, 9 dot inlays, unbound Padouk fingerboard, clear plastic finger rest, truss rods adjust at head.
\n1964 – Introduced
\n1967 – Bridge with understring mute was added (1967?) – Bridge with under string mutes was added 1969(1967?) – Discontinued being sold by Rose Morris
\n1980 – Reintroduced as standard US model with center stripe walnut laminate, high gain neck pickup, high gain bridge pickup and cover, no finger rest.
\n1986(1984?)(1985?) – Discontinued (replaced by 4003S model<\/p>\n

4001V63<\/h3>\n

Vintage Reissue Series<\/h4>\n

This bass is similar to the 1963 model 4001S
\nFeatures: Horseshoe bridge pickup, no body binding, mono output, 9 dot inlays, no neck binding, toaster neck pickup, contrasting walnut headstock wings, (Kluson style) Schaller vintage machine heads and black knobs. Available only in Mapleglo and Fireglo finishes.
\n1984 – Introduced
\n1986 – 8 dot inlays with 1 inlay removed from in between the 18th and 19th frets
\n1986 – Bass lengthened 9\/16 inch to an overall length of 45 1\/16″ from 44 1\/2″
\n1986 – Neck profile narrowed 1\/16″
\n1999 – Currently still in production<\/p>\n

4001CS “Chris Squire”<\/h3>\n

Limited Edition Series<\/h4>\n

This bass is the Chris Squire signature model similar to Chris Squire’s 1965 model 1999. [Note: Chris Squire’s original bass had finger rest mounting holes, different shaped headstock, different tuners, and stereo output.]
\nOnly 1000 of these basses were produced.
\nFeatures: Horseshoe bridge pickup, no body binding, mono output, 8 dot inlays, no neck binding, toaster neck pickup, contrasting African Vermilion headstock wings, clear plastic back painted pickguard with signature, more rounded shaped neck profile. Available only in Cream Colorglo finish.
\n1991 – Introduced
\n2000 – Production completed March 15, 2000<\/p>\n

4001V63PMC “Paul McCartney”<\/h3>\n

This bass was designed for the Japanese market and based on Paul’s 1964 Model 1999.
\nFeatures: Horseshoe bridge pickup, no body binding, mono output, dot inlay, no neck binding, toaster neck pickup, large white pickguard, left handed only, right-handed headstock. Available only in Fireglo finish.
\n???? – Introduced
\n1999 – Currently still in production<\/p>\n

4002 MODEL<\/h3>\n

This is a deluxe version of 4001. The 4002 model was a limited edition and in terms of features the fanciest bass that Rickenbacker ever produced.
\nThe two pickups were moved to have the same location as a Fender Jazz bass. The original price tag in 1977 was $1250. One white bass was produced.
\nFeatures: Ebony fingerboard, pearl dot inlays, block bound body, two humbucking pickups, low impedance (XLR) output, 3-ply black\/white\/black laminated pickguard, truss rods adjust at head, 21 frets, black headstock binding, black fingerboard binding, contrasting walnut headstock wings, chrome Schaller M-4 tuning machines. Available only in Mapleglo and Walnut finishes.
\n1975 – Introduced
\n1984 – Discontinued<\/p>\n

4003 MODELS<\/h2>\n

4003<\/h3>\n

This bass is the improved version of the 4001 model. The improved 4003 truss rods in neck are designed for use with round wound strings.
\nFeatures: Two-piece pickguard, improved truss rod design, truss rod adjustment at body, triangle inlays, bound body, bound fingerboard, mono and stereo output, Grover sealed back machine heads.
\n1980 – Introduced (replaced the 4001 model)
\n1982 to 1983 Rickenbacker B Series of Fireglo colors (three-color sunburst finish: black\/red\/yellow)
\n1983 – Schaller BMC chrome machine heads replaced Grover sealed back machine heads
\n1985(1984?) – One piece pickguard replaces two-piece pickguard
\n1985 (1984?) – Bridge modified
\n1985(1984?) – Truss rod adjustment changed to headstock end
\n1988\/1989 – Bridge pickup capacitor removed and replaced with a shunt.
\n1995 – Schaller strap lock system replaces standard strap buttons.
\n1999 – Currently still in production<\/p>\n

4003FL<\/h3>\n

This bass is the fretless version of the 4003 model.
\nFeatures: Bound body, 9 dot inlays, single color bound Padouk fingerboard, mono and stereo output. (Refer to 4003 for specifications and changes.)
\n1980 – Introduced
\n1999 – Currently still in production<\/p>\n

4003S<\/h3>\n

This model replaced the 4001S.
\nFeatures: No body binding, mono output, 9 dot inlays, unbound Padouk fingerboard, truss rod adjustment at body, two-piece pickguard. (Refer to 4003 for specifications and changes.)
\n1980 – Introduced
\n1995 – Discontinued in November<\/p>\n

4003SB<\/h3>\n

This model is similar to 4003S and the 4001V63.
\nFeatures: No body binding, mono output, 9 dot inlays, unbound Padouk fingerboard, horns wider than V63, toaster neck pickup, clear plastic pickguard and logoplate. Only available in Mapleglo.
\n1982 – Introduced
\n1983 – Discontinued<\/p>\n

4003S\/5<\/h3>\n

This bass is a five string version of 4003S with a low B string added.
\nFeatures: Unbound body, 9 dot inlays, mono output, unbound Padouk fingerboard, Schaller M4 machine heads.
\n(1986)1987 – Introduced
\n1995 – Schaller strap lock system replaces standard strap buttons.
\nStill in production<\/p>\n

4003S\/8<\/h3>\n

This bass is an eight string version of the 4003S model.
\nFeatures: Unbound body, 9 dot inlays, mono output, unbound rosewood fingerboard, toaster style neck pickup, Schaller M4 machine heads.
\n1987 – Introduced
\n1995 – Schaller strap lock system replaces standard strap buttons.
\n1999 – Currently still in production<\/p>\n

4003 “Redneck” or “Bloodstar”<\/h3>\n

Limited Edition Series<\/h4>\n

This bass is similar to the 4003 model.
\nFeatures: Ruby red finished fingerboard, black hardware, black pickguard and truss rod cover, 9 black micro dot inlays, Ruby red finished unbound body
\n(1987?) – Introduced
\n(1987?) – Discontinued<\/p>\n

4003 “Tuxedo” or “Whitestar”<\/h3>\n

Limited Edition Series<\/h4>\n

This bass is similar to the 4003 model.
\nFeatures: White lacquered fingerboard, black hardware, black pickguard and truss rod cover, 9 black micro dot inlays, white finished unbound body.
\n1987 – Introduced
\n1987 – Discontinued<\/p>\n

4003\/SPC “Blackstar”<\/h3>\n

Limited Edition Series<\/h4>\n

This bass is similar to the 4003 model.
\nThis is a Mike Mesaros (The Smithereens) signature model.
\nOnly 200 basses were produced
\nFeatures: Jetglo finished fingerboard, black hardware, black pickguard and truss rod cover, 9 white micro dot inlays, Jetglo finished unbound body.
\n1987 – Introduced
\n1990 – Discontinued<\/p>\n

4003 “Shadow”<\/h3>\n

This bass is similar to the 4003 model.
\nFeatures: Black bound Padouk fingerboard, 9 black dot inlays, black hardware, black old style knobs, black pickguard and truss rod cover, block binding, Jetglo finished body and neck.
\n(1986-89?) – Introduced
\n(1989?) – Discontinued<\/p>\n

4004 MODELS<\/h2>\n

4004C “Cheyenne I”<\/h3>\n

This is an updated more contemporary bass model.
\nFeatures: Features: No pickguard, unbound natural oiled walnut body, unbound maple fingerboard, contrasting walnut headstock wings, gold-plated hardware, 9 black dot inlays, 2 humbucking pickups, tone and volume control, mono output, black truss rod cover, Schaller M4 machine heads, combination tailpiece\/bridge assembly.
\n1994(1993) – Introduced
\n1995 – Schaller strap lock system replaces standard strap buttons. 1999(1997) – Discontinued<\/p>\n

4004C “Cheyenne II”<\/h3>\n

This bass is the revised version of 4004C Cheyene I.
\nFeatures: No pickguard, unbound character maple and natural walnut body, unbound Bubinga fingerboard, contrasting walnut headstock wings or matching body color headstock, gold-plated hardware, 9 black dot inlays, 2 humbucking pickups, tone and volume control, mono output, black truss rod cover, gold Schaller M4 machine heads, gold combination tailpiece\/bridge assembly.
\n1999 – Introduced
\n1999 – Currently still in production<\/p>\n

4004L “Laredo”<\/h3>\n

Features: No pickguard, unbound Jetglo hardwood body, unbound maple fingerboard, chrome-plated hardware, 9 black dot inlays, 2 humbucking pickups, tone and volume control, mono output, black truss rod cover, chrome Schaller M4 machine heads, chrome combination tailpiece\/bridge assembly.
\n1994(1993) – Introduced
\n1999 – Currently still in production<\/p>\n

4004LK “Lemmy Kilmister”<\/h3>\n

Limited Edition Series<\/h4>\n

This is the Lemmy Kilmister (Motorhead) signature series model.
\nFeatures: (To be announced)
\n(TBA) Introduced
\n1999 Not currently in production<\/p>\n

4005 MODELS<\/h2>\n

4005<\/h3>\n

This bass is a hollow body model.
\nFeatures: Offset double cut semi-hollow away body similar styling to 1965 model 360-375 guitar, single bound edge on the back of the body, unbound rounded front edge, bound cat’s eye soundhole, teardrop shaped pickguard, clear plastic finger rest, large crushed pearl triangle inlays, 2 toaster pickups, R tailpiece, 2 volume\/2 tone\/mix controls. Available only in Fireglo and Mapleglo finishes.
\n1965 – Introduced
\n1969 – Headstock shortened
\n197?) – Colorglo finishes available 1972 – High gain pickups replaced toaster pickups
\n1973 – Single color (white or black) binding replaced block body binding
\n1973 – Smaller pearloid inlays replaced crushed pearl large triangle inlays
\n1974 – Gap in center raised lip of bridge eliminated
\n1984 – Discontinued<\/p>\n

4005S<\/h3>\n

This bass is also known as Rose Morris European export model “3261”.
\nFeatures: Hollow unbound double cut away body similar to model 360 guitar, R tailpiece. Available only in Fireglo and Mapleglo finishes.
\n1965 – Introduced
\n1969 – Discontinued<\/p>\n

4005WB or 4005OS<\/h3>\n

This bass is the double-bound version of the 4005 model. Originally this model was called 4005 OS.
\nFeatures: Hollow double bound double cut away body similar to model 360 guitar, R tailpiece. Available only in Fireglo and Mapleglo finishes.
\n1966 – Introduced
\n1984 – Discontinued<\/p>\n

4005\/5<\/h3>\n

This bass is the five-string version of the 4005 model.
\nFeatures:
\n1972 – Introduced
\n(????) – Discontinued<\/p>\n

4005\/6<\/h3>\n

This bass is the six-string version of the 4005 model.
\nFeatures:
\n1965 – Introduced
\n1978 – Discontinued<\/p>\n

4005-6WB or 4005-6OS<\/h3>\n

This bass is the six-string version of 4005WB. Originally this bass was designated as 4005-6 OS. Hollow double bound double cut away body similar to model 360 guitar, R tailpiece. Available only in Fireglo and Mapleglo finishes.
\nFeatures:
\n1966 – Introduced
\n1984 – Discontinued<\/p>\n

4005\/8<\/h3>\n

This bass is the eight-string version of the 4005 model.
\nFeatures: The headstock was elongated in order to accommodate the 8 tuning machines.
\n1967 – Introduced
\n1984 – Discontinued<\/p>\n

4005 LS “Lightshow”<\/h3>\n

This bass is a special multi-colored light version of the 4005. It is the companion to the 331 model light show guitar. This was a special order item.
\nFeatures:
\n(1968?) – Introduced
\n(1968?) – Discontinued<\/p>\n

4008 MODEL<\/h2>\n

4008<\/h3>\n

This bass is the eight string version of the 4001 model.
\nFeatures:
\n1975 – Introduced
\n1983 – Discontinued<\/p>\n

\n
\n

Bibliography<\/h1>\n

The Bass Book<\/h4>\n

Tony Bacon and Barry Moore<\/p>\n

Forty Years of Rickenbacker Basses – Part I<\/h4>\n

Bassist Magazine June 1998<\/p>\n

Forty Years of Rickenbacker Basses – Part II<\/h4>\n

Bassist Magazine July 1998<\/p>\n

Blue Book of Electric Guitars 5th Edition<\/h4>\n

Steven Cherne Edited by S. P. Fjestad<\/p>\n

Gruhn\u2019s Guide to Vintage Guitars 2nd Edition<\/h4>\n

An Identification Guide for American Fretted Instruments<\/h5>\n

George Gruhn and Walter Carter<\/p>\n

Rickenbacker International Corporation<\/a>
\nJohn Hall, CEO<\/p>\n

Rickenbacker Registration Page<\/a>
\nPeter McCormack<\/p>\n

Rickenbacker Frequently Asked Questions<\/a>
\nGerard Lanois<\/p>\n

The Rickenbacker Connection<\/a>
\nMike Parks<\/p>\n

Bass Colors and Dating<\/strong><\/a>
\nThe Rickenbacker Connection\n<\/div>\n

<\/div>\n<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Rickenbacker Bass Models and Specs 2000 Series The basses in this series have the following features, unless otherwise noted, bolt-on neck, double cutaway maple body, non-cresting headstock, unbound Padouk fingerboard, dot inlay, 20 frets. 2020 “Hamburg” (Second Version) This instrument is the revised bass version of Hamburg guitar. Features: Two single-coil pickups, active circuitry, chrome […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-132","post","type-post","status-publish","format-standard","hentry","category-articles"],"_links":{"self":[{"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132"}],"version-history":[{"count":10,"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/132\/revisions"}],"predecessor-version":[{"id":583,"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/132\/revisions\/583"}],"wp:attachment":[{"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rickresource.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}