JOHN LENNON'S 325 RESTORATION--WHAT CAN WE LEARN?
Moderator: jingle_jangle
Here is a photo from the Albert Marrion 1961 session.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
Please join the Official RickResource Forum Facebook Page https://www.facebook.com/groups/379271585440277
Please join the Official RickResource Forum Facebook Page https://www.facebook.com/groups/379271585440277
So, John, the rumor is that the guitar is indeed in Japan, but the one on display is usually a fake? That's interesting. The friend of mine who made the call to the museum was thinking that Yoko wouldn't leave the guitar so far away from her residence for so long, which is why he inquired as to its authenticity. So much for his theory as to why there's a replica there!
- jingle_jangle
- RRF Moderator
- Posts: 22679
- Joined: Wed Dec 22, 2004 6:00 am
- Contact:
I still don't think that "fake" is a proper term; it carries a connotation of dishonesty with it that I do not think was the intention of creating these.
Anyway, my intention in mentioning these clones was not to try to intimate that there was something shifty was being perpetrated on anyone, especially the really rabid fanatics, like the kids over at...
...for whom rumors and innuendo are the stuff of life.
I wanted to open this up a little. Mr. Di Marino, to be fair, may have been operating on strict instructions from Lennono. And, at the time that John died, remember, the collector guitar market was still relatively tame. (As I've mentioned before, I saw Roger's Light Show for sale by a dealer in '81 for $1500.00.) So "historical accuracy" was probably not high on the list in the Di Marino restoration.
Anyway, my intention in mentioning these clones was not to try to intimate that there was something shifty was being perpetrated on anyone, especially the really rabid fanatics, like the kids over at...
...for whom rumors and innuendo are the stuff of life.
I wanted to open this up a little. Mr. Di Marino, to be fair, may have been operating on strict instructions from Lennono. And, at the time that John died, remember, the collector guitar market was still relatively tame. (As I've mentioned before, I saw Roger's Light Show for sale by a dealer in '81 for $1500.00.) So "historical accuracy" was probably not high on the list in the Di Marino restoration.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
Joe: You're very right about the lack of info regarding Rickenbacker guitars in the late seventies. In 1979, I bought a '64 325 FG from a major guitar shop and they couldn't identify the year or model. They tagged it as "Old Rick". In 1980, I bought a '64 ES16 JG. A local guitar shop told me it was a "Danelectro like the one Jimmy Page uses as a slide guitar". It wasn't until the Smith book came out in the mid-eighties that I was able to identify my guitars!
Paul: I picked up a lot of cool gear back then. In 1980, I found a '65 Vox AC30 Super Twin Reverb (angled head with top boost, speaker cabinet, chrome trolley stand and covers) in NOS condition sitting in the back room of a tiny music store. It had been sitting there since it was sold new and returned because it hummed. I got it for $200. I took it to a well-known Vox guy who located a bad solder joint. Those were the days!
- jingle_jangle
- RRF Moderator
- Posts: 22679
- Joined: Wed Dec 22, 2004 6:00 am
- Contact:
That's also the year I got my '66 Jazzmaster, a '60 Fender Pro 15 in chocolate Tolex, and '63 black Tolex Fender Reverb, all factory-mint and untouched, for $900.00 flat.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
In '82, I went into Manny's in Manhattan on a Saturday, just to look around. There, right up front, was a bizarre looking Telecaster with some kind of after-market kit dropped into it...the counter guy told me it was mid-sixties vintage, and that a guy in NYC bought them up for a while and did these conversions...it was called a Sustainer, and consisted of a small battery-powered pre-amp affair which powered a 2' speaker mounted in the body directly under the strings. And the price? $350...I put $100 down and said I'd be back the following weekend to pick it up.
When I got there the next Saturday, I went right up to the counter and told an older guy working there that I had come to get the Tele...turns out it was Manny himself. He turned towards the back of the store and called out in a loud voice: "Oh Bill...your mistake is here!" I don't know what it should have cost, but I'm sure it was more than I paid. I've had it ever since...it's been to 'the World's Bottom' several times.
When I got there the next Saturday, I went right up to the counter and told an older guy working there that I had come to get the Tele...turns out it was Manny himself. He turned towards the back of the store and called out in a loud voice: "Oh Bill...your mistake is here!" I don't know what it should have cost, but I'm sure it was more than I paid. I've had it ever since...it's been to 'the World's Bottom' several times.
I didn't get where I am today by being on time...
So has it been all it was cracked up to be Dane?
Life, as with music, often requires one to let go of the melody and listen to the rhythm
Please join the Official RickResource Forum Facebook Page https://www.facebook.com/groups/379271585440277
Please join the Official RickResource Forum Facebook Page https://www.facebook.com/groups/379271585440277
Oh yeah...it's great. A real workhorse, and it seems to have thrived on the abuse...more so than it's owner, anyway.
It's hilarious to play without an amp...doesn't get really loud, but louder than you might think, and when it feeds back, the resultant scream will last as long as the life of the batteries...perfect for rockin' out on a subway platform for spare change.
"You can go for a bite and come back, and you'll still be hearin' that one..."
It's hilarious to play without an amp...doesn't get really loud, but louder than you might think, and when it feeds back, the resultant scream will last as long as the life of the batteries...perfect for rockin' out on a subway platform for spare change.
"You can go for a bite and come back, and you'll still be hearin' that one..."
I didn't get where I am today by being on time...
- jingle_jangle
- RRF Moderator
- Posts: 22679
- Joined: Wed Dec 22, 2004 6:00 am
- Contact:
2" speaker--you should hook up a Frampton voice tube setup.
You'd look like a one-man ER. But the sound would be something to remember. And, with the addition of a Tonelab SE, the mind boggles.
You'd look like a one-man ER. But the sound would be something to remember. And, with the addition of a Tonelab SE, the mind boggles.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut