700 series acoustics
Moderators: rickenbrother, ajish4
My 730L MG does not have the E3 option, so I will need to record it on my Korg D16 through my Shure SM57 microphone. I will try to do that this week. In the meantime, here is a little bit of my first attempt at multitrack recording:
http://www.geocities.com/glclauson/SoundBytes/YGTHYLA3.MP3
(If you have trouble accessing it, try later, as GeoCities has restrictions/limitations on my bandwidth.)
The acoustic guitar heard is my 730L MG through the SM57, but this was originally a 4-track analog tape (Tascam Portastudio 3) transferred over to the Korg D16 with the guitar part double-tracked (from the original single analog track; some interesting phasing stuff going on later in the song), then other instruments and vocals were added as separate tracks, with a final mix-down to L/R stereo 2-track.
The bass was one of my 4003s, but I can't remember which one.
http://www.geocities.com/glclauson/SoundBytes/YGTHYLA3.MP3
(If you have trouble accessing it, try later, as GeoCities has restrictions/limitations on my bandwidth.)
The acoustic guitar heard is my 730L MG through the SM57, but this was originally a 4-track analog tape (Tascam Portastudio 3) transferred over to the Korg D16 with the guitar part double-tracked (from the original single analog track; some interesting phasing stuff going on later in the song), then other instruments and vocals were added as separate tracks, with a final mix-down to L/R stereo 2-track.
The bass was one of my 4003s, but I can't remember which one.
It is better, of course, to know useless things than to know nothing. - Seneca
I do record but I'm in the middle of building a studio so most of the recording gear is packed. I'll try to get over to a friend's house at some point to record on his gear. I'll try to get some stereo samples up using SM81's, AT 4033s and a mono with a KSM44. Time is tight so it may be a while.
The Comstock sounds BIG. It has a huge low end and a sparkling, clear top. Best sounding acoustic 12 I've heard or played and many who've heard it agree, including the store that I bought it from.
The Shiloh is a bit quiet & tight but very well balanced tonally. I don't play it as much as the 12 and it needs to be played more to open up a bit. Never the less, a fellow acoustic player thinks it's the best Dreadnought he's heard. It plays like a dream. Similar to an electric and I've got .012s on it. I think I'll play it now.
Cheers,
Bill
The Comstock sounds BIG. It has a huge low end and a sparkling, clear top. Best sounding acoustic 12 I've heard or played and many who've heard it agree, including the store that I bought it from.
The Shiloh is a bit quiet & tight but very well balanced tonally. I don't play it as much as the 12 and it needs to be played more to open up a bit. Never the less, a fellow acoustic player thinks it's the best Dreadnought he's heard. It plays like a dream. Similar to an electric and I've got .012s on it. I think I'll play it now.
Cheers,
Bill
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