Just bought a Bass Pod XT
Moderators: rickenbrother, ajish4
Jeff, I have been out of town non-stop myself lately, preventing a good test of my new Bass PodXt. It seems like I have been on the road or catching up nonstop lately - Ohio last week, Arizona this week. I fully intend to give that thing a full-on test drive as soon as I get a good Saturday afternoon type block of time to do it. I'm hopeful it will work; will post one way or the other at any rate.
The verdict is in. I love my new Bass PODxt.
I have read the manual a couple of times and spent a few hours experimenting with the presets and all of the adjustable parameters, both with my 4003 and my Jazz bass with replacement EMG's. I was able to get great direct tones out of both basses, which is saying something (the Jazz can be lifeless; the POD made it sparkle).
The POD is as complicated as you'd care to make it. I like that, though. My previous direct recording effect was a SansAmp, which is good, but limited in options. The POD does everything I wanted plus more, and some wacky stuff, too. I think I came up with a synth fade-in intro for one of our songs that will be cool.
I still haven't even tried the POD for live playing; at some point I might, but right now, as I've been posting, I am 100% interested in using it as a direct recording tool. I think it's great for that. As a live preamp, I'm going to defer to Mr. Rath for now.
It's probably not for everyone, but it is going to make me much more versatile than my first time in the studio, 3 years ago.
I have read the manual a couple of times and spent a few hours experimenting with the presets and all of the adjustable parameters, both with my 4003 and my Jazz bass with replacement EMG's. I was able to get great direct tones out of both basses, which is saying something (the Jazz can be lifeless; the POD made it sparkle).
The POD is as complicated as you'd care to make it. I like that, though. My previous direct recording effect was a SansAmp, which is good, but limited in options. The POD does everything I wanted plus more, and some wacky stuff, too. I think I came up with a synth fade-in intro for one of our songs that will be cool.
I still haven't even tried the POD for live playing; at some point I might, but right now, as I've been posting, I am 100% interested in using it as a direct recording tool. I think it's great for that. As a live preamp, I'm going to defer to Mr. Rath for now.
It's probably not for everyone, but it is going to make me much more versatile than my first time in the studio, 3 years ago.
Jeff, I like several of the setups, depending on what I'm going for.
My #1 favorite (not suprprisingly, I guess) is the Ampeg SVT 8x10 model - it is the first preset, called "Classic Rock." The tone I was REALLY looking for, though, was a modification of the Geddy preset, "Tom Sawyer" - I backed off the distortion 5-10%, juiced the bass a smidge, and that was the Exact direct tone I was looking for for one of our new original songs.
I also really like the Sub Dub amp in general, as well as the Fender Dual Showman model (which was a big surprise). It really depends a lot on the song. I know it's almost blasphemy to mention models of some of these amps, but I went into it with the attitude of - I will let my ears be the final judge, preconceived notions be damned. I really liked what I heard for those models, as well as a couple of presets that I never would have guessed I would like, like the "Spinner" model, which is based on the Leslie Cabinet, and I love it! Who woulda thought?
I don't wanna sell this thing as a panacea to anybody, but I absolultely love it as a Direct Recording Device - if that's what you're looking for, it rules.
My #1 favorite (not suprprisingly, I guess) is the Ampeg SVT 8x10 model - it is the first preset, called "Classic Rock." The tone I was REALLY looking for, though, was a modification of the Geddy preset, "Tom Sawyer" - I backed off the distortion 5-10%, juiced the bass a smidge, and that was the Exact direct tone I was looking for for one of our new original songs.
I also really like the Sub Dub amp in general, as well as the Fender Dual Showman model (which was a big surprise). It really depends a lot on the song. I know it's almost blasphemy to mention models of some of these amps, but I went into it with the attitude of - I will let my ears be the final judge, preconceived notions be damned. I really liked what I heard for those models, as well as a couple of presets that I never would have guessed I would like, like the "Spinner" model, which is based on the Leslie Cabinet, and I love it! Who woulda thought?
I don't wanna sell this thing as a panacea to anybody, but I absolultely love it as a Direct Recording Device - if that's what you're looking for, it rules.
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jwr2
I agree. The SVT just doesn't sound like I think it should on the kidney bean model. The California (Mesa) model isn't bad for some things, but the 360 does most of what I need done. I haven't recorded with it yet, so other models may shine there.
There Is What You Can See. There Aren’t What You Don’t See. And That’s All There Is That You Get!
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jwr2
