My "improved" Rickenbacker 360/12v64

Vintage, Modern, V & C Series, Signature & Special Editions

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arnold_grove
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My "improved" Rickenbacker 360/12v64

Post by arnold_grove »

Hey all,

I'm new around here but I just had to post up when I got my guitar back from Mark Arnquist.

A little history:

When I bought my v64 off ebay in 2002, it was in stunning condition. I'm not very particular about the exactitudes of the Beatles' gear, but I knew this guitar was pretty damn close, cosmetically, to the HDN 12. My main concern, however, was playability.

I've used it for the last three years and, for the most part, I was able to get by on it. I've played a few other Ricky 12s (mostly late 80s and early 90s 360/12s) and, for as much as I knew, that was just the way they played. So, I adapted and got used to the feel.

What was REALLY bothering me, however, was that I couldn't get the intonation right. As soon as I got past the 7th fret, it would be pretty horrible. Also, when fretting open position chords, it wouldn't stay in tune. I had to 'compensate' by slightly flattening some open strings to get my open E and A chords to ring 'true'.

I decided I had enough and I sought out someone to fix the problem(s). Again, my main concern is playability not cosmetics.

After Googling and searching on some other boards, the name Mark Arnquist kept popping up. So, I contacted Mark, and explained my situation. Within a few hours, he got back to me and presented me with DETAILED pictures of what he does. I was both impressed and convinced that he would do the 'right' job.

That was three weeks ago. The guitar arrived today and all I can say, with all honesty, is WOW!! I can actually PLAY this guitar without having to fight it. Also, it stays in tune, right up the neck and the open chords ring cleanly and, most importantly, in tune.

Mark's obsession with detail is impeccable. The truss cover and pickguards have been nicely rounded-over, giving the guitar a 'finished' look. The new 12 saddle bridge has been been finished and rounded over, so there are no burrs or sharp edges.

The neck and string height have been properly set up so I can actually play barre chords without having to clamp down on the fretboard. Mark, in jest, asked me if I was playing "slide guitar" with it! :-) I could never get the action right on this guitar...obviously!!

But, the BEST feature, bar none, is the string pairing. The guitar has a new nut and it is situated such that the strings are grouped closely together, but far enough away so they don't 'bump' into each other. It's almost like playing a six string...how cool is that!!

I am completely satisfied with Mr. Arnquist's workmanship and professionalism. Not many techs with Mark's credentials would go through all the step by step detailing of each phase of the process. Also, the turn-around time was great. How many techs can turn out a guitar in less than a week? It took more time for me to wait for UPS than it took for the guitar to be completed.

THANK YOU MR. ARNQUIST!!!

Best regards,
AG
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loverickbass
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Post by loverickbass »

Welcome Arnold, sounds great! Got any before/after pics?

Cole
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steverok
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Post by steverok »

Arnold, he recently did the same to my 360/12VP, and the difference in playability and tunability is night-and-day. What is your opinion of the tone of with 12-saddle bridge ? The overtones seem to be a little more "gamey" with this bridge, but I sent it back to him, and he is re-working it now.
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scoobster28
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Post by scoobster28 »

Arnold, you are new here so I will let you know something. Mark was a member here a couple years ago and he used to be the "in house" tech for the RICKENBACKER TECHNICAL FORUM. Then he got too busy with repairs and left here. However, long time members know that he does really smashing work. Good to hear that your guitar came out great!
"Here he is, come to pay homage to the Rickenbacker display!" (Said to me by owner Bruce at the "Great House of Guitars" in Rochester, NY)
arnold_grove
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Post by arnold_grove »

Hi all,

Thank you all for the warm welcome! J.C. I do have before/after pix that Mark was kind enough to supply. I will ask him if it's cool, then I'll post 'em up! Steve, I haven't taken it out on a gig yet, so I can't really say one way or another. But, from my few test runs, I can't really notice that much of a difference between the 6-string and 12-string bridges. Benjamin, thanks for the info. I kinda figured he may have been known in the Rick 'circles'.
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tony_carey
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Post by tony_carey »

Welcome to the forum Arnold & glad everything worked out.

How I WISH we had Mark Arnquist in the UK!
'Rickenbacker'...what a name! After all these years, it still thrills me.
arnold_grove
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Post by arnold_grove »

I have some Before and After photos of Mark's work, but the board won't permit an image bigger than 36KB. Can I use an HTML "IMG SRC=" tag so I can show the pictures from my webspace??

Thanks,
AG
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Post by admin »

Welcome Arnold. You can post links here. Just check on the Coding link on the menu at the left of this page for the details.
Life, as with music, often requires one to let go of the melody and listen to the rhythm

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golfo
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Post by golfo »

welcome!!
where is mark's shop? can you post his e-dress?

regards
geoff
arnold_grove
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Post by arnold_grove »

Hey all!

Thanks for the info Peter. Here's links to the photos...

Top view of bridge
12 saddle Bridge AFTER
Top view of nut
Nameplate
Pickguards

Left picture is "before", right is "after"...thanks MA for the pictures!


Geoff, here's Mark Arnquist's info:

[email protected]

He's located in the Seattle, Washington area.

Regards,
AG
bill_yantz
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Post by bill_yantz »

Arnold, beautiful.

Is there any way you could take height measurements of each string set at the nut?

Thanks.
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bill_yantz
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Post by bill_yantz »

Beautiful work by Mark Arnquist.
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steverok
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Post by steverok »

I wonder if the height of the strings at the nut has something to do with it tuning up better? Mine tunes up so well after he modified mine. If he didn't live in Seattle, I would have him go through all of my Ric's !!

BTW, that original nut shipped by Ric is, er, well, can't they do better on a $2000 guitar ?
I guess, when you get a 360 12-string, you should just assume up front that it will need a new nut to suit your tastes.
"Say what you like about the tenets of national socialism, Dude, at least it's an ethos." - Walter Sobchak.
arnold_grove
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Post by arnold_grove »

Hey all,

Bill, I don't really have the proper measuring tools to give you an accurate figure. Also, I would think that each guitar may have a different measurement (string gauge, type, etc.). Why not drop give MA an email? He may be better able to answer that question.

Steve, I couldn't agree more. Intonation and staying in tune with the open position chords are spot on!

Regards,
AG
bill_yantz
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Post by bill_yantz »

Thanks Arnold. I hope mark doesn't mind me saying but he has already contacted me and offered to help. Man, what a nice gesture. I have nothing but the highest respect for someone who responds in this manner - professional.

I remember with fondness how much time and effort Mark took to respond to hundreds of questions like mine in the Vibrola Tech section. I believe his knowledge and experience is greatly missed by many here who love this site. Thanks Mark.
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