RicCon II pix
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- bassduke49
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- Joined: Wed May 14, 2003 5:00 am
Yeah, I lucked out on the lighting. My plan was to light the studio setup with two strobes through soft boxes (Jeff S. knows what I'm talking about), but I couldn't get the strobes to cooperate. I noticed how evenly the basses were lit by the four banks of fluorescent lights in the room (that's a reflection of a light bank on the Blackstar fingerboard) and figured I could shoot them that way. The nice thing about pro-quality digital cameras is that you can change the "white balance," the "color" of white that changes with the light source. Fluorescents are actually greenish light compared with daylight, incandescent bulbs are orangey. With my new Nikon 8700, I could just spin a dial and choose among a wide selection of light source compensations, and the nifty thing is that in doing so, it changes the color right on the camera screen! Spiffy! So I ended up shooting all the basses this way and they'll look fine. More shortly.
Author: "The Rickenbacker Electric Bass - 50 Years As Rock's Bottom"
- bassduke49
- Senior Member
- Posts: 6580
- Joined: Wed May 14, 2003 5:00 am
Sure, Steve. To translate well to the printed page, I need at least high-resolution jpgs, preferrably shot with a 5-meg (and up) digital camera. Old-fashioned film or slides is fine, too. Usually, pocket-sized digis that are less than 5-meg can't provide the resolution or file size that can survive being translated into "CMYK" (cyan, magenta, yellow, black) for book printing.
Obviously, good focus and lighting help also. Let me know what you have. You should be able to see my e-mail address on my profile (click on my name at left).
Obviously, good focus and lighting help also. Let me know what you have. You should be able to see my e-mail address on my profile (click on my name at left).
Author: "The Rickenbacker Electric Bass - 50 Years As Rock's Bottom"
- bassduke49
- Senior Member
- Posts: 6580
- Joined: Wed May 14, 2003 5:00 am
- bassduke49
- Senior Member
- Posts: 6580
- Joined: Wed May 14, 2003 5:00 am
- bassduke49
- Senior Member
- Posts: 6580
- Joined: Wed May 14, 2003 5:00 am
- bassduke49
- Senior Member
- Posts: 6580
- Joined: Wed May 14, 2003 5:00 am
- bassduke49
- Senior Member
- Posts: 6580
- Joined: Wed May 14, 2003 5:00 am
Also in black with white trim, Jeff Scott's 4005WB (white bound) in Jetglo. This hollow body was from the class of 1967. He modified it with Hipshot Ultralite tuners and installed a Ric-O-Sound jack in the pickguard. Jeff says this was his first bass, purchased in '73 for $175. OK, everybody: Bwaaaah!


Author: "The Rickenbacker Electric Bass - 50 Years As Rock's Bottom"
- bassduke49
- Senior Member
- Posts: 6580
- Joined: Wed May 14, 2003 5:00 am
- bassduke49
- Senior Member
- Posts: 6580
- Joined: Wed May 14, 2003 5:00 am
One more from Jeff Scott, his 2004 fretless 4003 Mapleglo with Toaster-Top pickups and the new Hipshot bridge. He had Tony Dudzik of Pickguardian make a new "vintage" white pickguard (slightly larger). Jeff says this is a great sounding fretless. Closeup shows the beautiful figuring in the maple.




Author: "The Rickenbacker Electric Bass - 50 Years As Rock's Bottom"





