Elvis
Elvis
Was just watching the Elvis Special on TV. He was singing "Trying to Get To You" , an outtake. All I can is that "In Spite Of All The Danger" was a complete ripoff of that song. Hmmm.
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roadrunners
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roadrunners
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I know the 50's and the 60's music like the back of my hand as that is all I listen to.......I dont listen to the radio. I buy large quantities of 50s and 60s 45s and listen to them (like the lots on ebay, or at garage sales) As that is all I do, I can safely conclude that In spite of all the danger (early beatles song) sounds alot like quite a few songs even some that were written and recorded after it. Gary U.S bonds has a rare song that sounds like it too
"This is my personal quote"
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scottpro1969
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scottpro1969
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Aaaahh, you're right, Nate. I just listened to the Macca bootleg I wrote about and he says In Spite was the very first RECORDING that he did with John & George. Actually he says it was him, John, George, and 2 other guys named Colin and Duff. Interesting. Good catch there, Nate. Thanks for the correction!!!
- jingle_jangle
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Amen, one of the liveliest pre-Invasion sounds going on. He always makes me smile!
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
- jingle_jangle
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Oh, yeah..."Palisades Park" was the #2 song in Chicago when I graduated 8th grade in June '62. "Soldier Boy" by the Shirelles was #1.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
yup, Gary US Bonds is the real deal.... and he's still doin it.....
After moving to the Norfolk, VA, area in the mid-'50s, young Gary Anderson began plying his vocal wares, first in church, later with a local group called the Turks. When he was not yet 21, he was approached by local record producer Frank Guida to join his tiny Legrand label. Guida changed Anderson's name to U.S. Bonds, hoping the first release would get extra airplay by disc jockeys mistaking it for a public-service announcement. The result was the classic "New Orleans," combining rock-combo raunch with impassioned, scorched soul-singing that set the stage for all that would follow. Guida double- and triple-tracked Bonds' voice and the resulting murky production gave all the hits (including "Quarter to Three," "School Is Out," and "Dear Lady Twist") a party-in-outer-space quality all their own. Though he kept recording, making a couple of excellent solo albums in the early '80s with the help of Bruce Springsteen, Bonds is best seen today dotting the landscape of oldies shows the world over, singing the songs that made him famous. ~ Cub Koda, All Music Guide

After moving to the Norfolk, VA, area in the mid-'50s, young Gary Anderson began plying his vocal wares, first in church, later with a local group called the Turks. When he was not yet 21, he was approached by local record producer Frank Guida to join his tiny Legrand label. Guida changed Anderson's name to U.S. Bonds, hoping the first release would get extra airplay by disc jockeys mistaking it for a public-service announcement. The result was the classic "New Orleans," combining rock-combo raunch with impassioned, scorched soul-singing that set the stage for all that would follow. Guida double- and triple-tracked Bonds' voice and the resulting murky production gave all the hits (including "Quarter to Three," "School Is Out," and "Dear Lady Twist") a party-in-outer-space quality all their own. Though he kept recording, making a couple of excellent solo albums in the early '80s with the help of Bruce Springsteen, Bonds is best seen today dotting the landscape of oldies shows the world over, singing the songs that made him famous. ~ Cub Koda, All Music Guide

“The urge to save humanity is always a false front for the urge to rule it.” ....H. L. Mencken
