
Chris Squire on tour again
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sabbath_of_bass
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- Joined: Tue Jun 21, 2005 4:16 pm
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I agree with Jeffery, I have Keys to Ascension I. Chris's tone and technique are second to none on "Revealing Science of God" and also "Awaken". Production is exceptional for a live album.
Chris is known for his tone and aggressive playing style, but what strikes me down on this album are his dynamics and sometimes very subtle touch.
Alot to be learned if you listen closely, when it comes to Chris's true voice of the instrument , sometimes less is more.
If your a true Squire fan, you know exactley what Im rambling about.
Chris is known for his tone and aggressive playing style, but what strikes me down on this album are his dynamics and sometimes very subtle touch.
Alot to be learned if you listen closely, when it comes to Chris's true voice of the instrument , sometimes less is more.
If your a true Squire fan, you know exactley what Im rambling about.
"Knowledge is Power"
- squirebass
- Veteran RRF member
- Posts: 1581
- Joined: Fri Oct 13, 2000 11:05 pm
I totally agree, Scott... I love the live stuff on Keys much more because of the wonderful, clear mix... Such a spare band, with so much ROOM for all of those guys to play...sometimes, anyway. Jacob, to answer your question, I would recommend "The Yes Album" because it was the one that did it for me...
"This is the big one, Elizabeth, I'm coming to join ya, honey!"
Download the free Netscape Radio, under "artists" Yes has it's own "station". I listen all day at work. It shuts off after about 3 hours but if you clear your browser cache, you can get back on again. Netscape Radio plays a wide variety of Yes music, it's nice. (Speaking of Squire Basses, I was talking to Jim Mouradian yesterday...sounds to me like he's thinking of making CS-74s again, real ones like the "Green Machine", talk about an awesome Bass Guitar!!!)
Bob, if I was you, I would call Jim at Cambridge Music and let him know you are interested. When he and I spoke, Jim asked me for and took down my phone number. I hope it was for some kind of "list". Back in the early 90's, I owned a beautiful White CS-74. In a stupid-stupid-stupid moment of extreme weakness I sold it to someone who kept throwing $100.00 bills at me. Dumb. If I'm fortunate enough to get a second chance at a Mouradian CS-74, I'll never let it out of my family. EVER!!!
There were two Mouradin CS-74's The one's that were made in Winchester, Mass and the "production" basses that were made in Japan. (See Pat Badger from Extreme). Jim could tell you how many were "made in USA" VS the over-seas instruments. I bought my White/sparkle CS-74 From Greg Ozenoff (rep for JBL/Alesis/Zildjina) about 1992 and I had my choice of the white one or a black/sparkle one. I think the black/sparkle one I passed on went to Ed Roman. I'm not sure of this but I think that was what happened. FWIW the CS-74 Kick'ed the s**t out of my 1975 4001. I'm one dumb-*** for selling that bsss. It had Bartolini's in it. Chris's Bass has Semour Duncan "P" Bass (50's single coil type) pickups in it and Jim made some kind of Custom cover for them. He told me about it recently. News to me! I think if the bass in question has the angled pickups it's a Japan made, if it has the straight pickups it USA, but check with Jim Mouradian at Cambridge Music in Mass for confirmation.
