Question for John Hall
Moderators: rickenbrother, ajish4
I remember that, but I thought he was asking us if we had ever heard one, and by that implying that we really didn't know what we were talking about, that most of us had never realy heard one. If so he's probably right too but I would buy one anyway.
What's the difference between the Chicago and the Skyline? Skyline a budget bass?
Jeffrey I couldn't get the rhythm right of the cellos: booom bump boooom bump! played quickly but actually it's nar duh nar duh nar duh.
What's the difference between the Chicago and the Skyline? Skyline a budget bass?
Jeffrey I couldn't get the rhythm right of the cellos: booom bump boooom bump! played quickly but actually it's nar duh nar duh nar duh.
A few years ago I was looking for a well made hollowbody and ended up purchasing a U.S. Lakland. Although John Hall tried to scare us off with the possible retail price of a new 4005, the U.S. Lakland is probably in the same ball park price wise.
A couple of years ago you could have made the arguement that a new 4005 would cost in the neighbourhood of a vintage one, (when they were in the $2500-3000 range), so why not go find a vintage 4005? With the skyrocketing prices in recent years, most of us would be hesitant about plunking down $4K+ for an original 4005. A reissue in the $2-3K range? Sign me up!
A couple of years ago you could have made the arguement that a new 4005 would cost in the neighbourhood of a vintage one, (when they were in the $2500-3000 range), so why not go find a vintage 4005? With the skyrocketing prices in recent years, most of us would be hesitant about plunking down $4K+ for an original 4005. A reissue in the $2-3K range? Sign me up!
Just for the record I do know what a 4005 sounds and plays like but sadly don't have either of mine from the old days.
I prefer the 4005 and its 360 like curves over the WB models.
That said I would order an 4005 MG if they ever become available as a reissue model, although I would wonder if they would be available in COY option models too.
I prefer the 4005 and its 360 like curves over the WB models.
That said I would order an 4005 MG if they ever become available as a reissue model, although I would wonder if they would be available in COY option models too.
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los_sentidos
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I remember John asking if I'd ever heard the 4005. The answer was yes. I have heard it a couple of times and Mani of the Stone Roses is probably most remembered for his use of his customized 4005 - I have seen pictures of it and I think it was a mapleglo but then guitarist John Squire got hold of it and did a 'Pollock' to it!
I think it was used a lot around the time of their seminal debut 'The Stone Roses' check out the tracks for the rich, low rumblings. Try an listen to 'I wanna be adored' 'Waterfall' and 'I am the Resurrection' if you've never heard their stuff.
I love that tone, rich, warm but with bite. As much as I love my 4003's I think the added warmth would be a good option to have live and in the studio.
If they were reissued I'd probably get 2 one to keep and then a player. My Midnight Blue 4003 is battle scarred but it's there to be played where as the Montezuma is back up and still in amazing condition as I've probably played it less than 10 times!
I think it was used a lot around the time of their seminal debut 'The Stone Roses' check out the tracks for the rich, low rumblings. Try an listen to 'I wanna be adored' 'Waterfall' and 'I am the Resurrection' if you've never heard their stuff.
I love that tone, rich, warm but with bite. As much as I love my 4003's I think the added warmth would be a good option to have live and in the studio.
If they were reissued I'd probably get 2 one to keep and then a player. My Midnight Blue 4003 is battle scarred but it's there to be played where as the Montezuma is back up and still in amazing condition as I've probably played it less than 10 times!
Tell me does it feel the same when you've set upon a change but your heart's in the old times?
Bob: Wasn't that the bassist for your favourite artist, Moms Mabley?
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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