Who Cares?
Some bands were just better live and could never really be captured as well on tape. The Who were a good example, and another one which comes to mind was Buffalo Springfield. Great live! And in their case as well, bad production for the most part. Their managers acted as producers on their first release and they didn't have a clue.
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Music is too important to be left to professionals.
Music is too important to be left to professionals.
Right on Stan
Produced by wannabees. Spell check that one.
Jeepers it caught it. I thought Peter said spell check worked for both American and English
Produced by wannabees. Spell check that one.
Jeepers it caught it. I thought Peter said spell check worked for both American and English
“We can't solve problems by using the same kind of thinking we used when we created them.” - Albert Einstein
"You do not really understand something unless you can explain it to your grandmother" - Albert Einstein
"You do not really understand something unless you can explain it to your grandmother" - Albert Einstein
- jingle_jangle
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That's funny...that spelling is perfect.
It did not catch my misspelling of "breast" as "breat" in a previous post. You'll have to read the post to get the context, though...
It did not catch my misspelling of "breast" as "breat" in a previous post. You'll have to read the post to get the context, though...
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
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shamustwin
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Out here (L.A.) as a kid I remember My Generation and I Can See For Miles being played on the Boss 30 stations, right next to Sinatra and the Beatles. Those are fairly early and cool singles. I saw them around '70, at Angel Stadium with that "Ride Captain Ride" band and I think one more, more famous, band.
Jerry, I saw them at the arena next to the Coloseum, where the old Lakers used to play, right after Keith died and Kenny Jones took over. We got down closer to the stage toward Entwistle and after about 15 minutes -- had to leave. Not move back to our seats -- leave. It was insanely loud! Our ears hurt for days!!
Leprosy is rare & scarce but nobody wants that!
... and now he's somewhat deaf. Permanent hearing damage anyways. (cool photo)
I once had a similar experience with "Los Lobos" at a relatively small club. I pushed to the front before the show only to be physically blown back when they started. WAY too loud.
I once had a similar experience with "Los Lobos" at a relatively small club. I pushed to the front before the show only to be physically blown back when they started. WAY too loud.
“The urge to save humanity is always a false front for the urge to rule it.” ....H. L. Mencken
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chingnchime
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A few posts back someone said the Who's early records weren't recorded well. Everyone's entitleD to their opinion, but to my ears things like HAPPY JACK, I CAN SEE FOR MILES and MAGIC BUS are excellently recorded, though not representative of their live sound at all. The vocals were crisp and out front, the drums were clean yet punchy.
Seems like the acoustic guitars dominated the recordings (except maybe on MILES).
I've spent years trying to recreate the layered acoustic sound, but as in many circumstances, the sound Pete got was/is IN HIS HANDS. Now early Rolling Stones records-the sound really sucks!
Seems like the acoustic guitars dominated the recordings (except maybe on MILES).
I've spent years trying to recreate the layered acoustic sound, but as in many circumstances, the sound Pete got was/is IN HIS HANDS. Now early Rolling Stones records-the sound really sucks!
I'd like to weigh in on the Pete vs. Roger vocal quality issue...Pete's solo albums and the demos of Who tunes he sang on have certain endearing qualities, but a better voice than Roger??? Not in my book...
Just try to picture Pete screaming that note at the end of Won't Get Fooled Again...uh, no thanks...
Just try to picture Pete screaming that note at the end of Won't Get Fooled Again...uh, no thanks...
I didn't get where I am today by being on time...
There are a couple of Townshend vocals that aren't bad, but overall I like the vitality of Roger's voice better. I don't think "The Kids Are Alright" (one of my personal favorites) would have been nearly as powerful by Pete. He has a more "introspective" quality that I don't think would have carried the song.
In fairness, I've never heard a Pete version, though.
In fairness, I've never heard a Pete version, though.
I've heard Pete do TKAA live and it worked beautifully. His voice is perfect on some songs (Imminence Front comes to mind). It works nicely when he and Roger sing together too (Baba O'Riley).
In the end though, it's his guitar style and songwriting which, when paired with Roger's voice (and the mighty beast of a rhythm section), puts the Who over the top.
In the end though, it's his guitar style and songwriting which, when paired with Roger's voice (and the mighty beast of a rhythm section), puts the Who over the top.
Shaking the floor of Heaven
Noel: I agree, you have touched upon the salient factors that made the Who renowned performers.
I wonder whether this may be a case of "live by the sword die by the sword" in terms of their overall success as a group.
Notwithstanding their compositional talents, I have often wondered if their forcefulness with regard to performance and tonality kept them off the main stream charts.
The charts are certainly not the last word on playing or performing excellence, nor would we really want them to be. Getting back to the origin of this thread, however, I still find it curious that their success on the charts did not measure up to their talents?
I wonder whether this may be a case of "live by the sword die by the sword" in terms of their overall success as a group.
Notwithstanding their compositional talents, I have often wondered if their forcefulness with regard to performance and tonality kept them off the main stream charts.
The charts are certainly not the last word on playing or performing excellence, nor would we really want them to be. Getting back to the origin of this thread, however, I still find it curious that their success on the charts did not measure up to their talents?
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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