MELIBEE'S KIDDEES
Moderator: jingle_jangle
Brilliant Paul. I would be most interested in how you selected the colour and whether much trial and error testing was required to get it just right.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- jingle_jangle
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Peter, the color was matched to a sample of fabric which Melissa sent along with the guitar, which is her favorite shade of purple. I typically formulate a urethane-based dye in a very intense shade, then cut it with reducer and add a touch of basecoat converter (binder and stabilizer). It ends up a very thin and weakish transparent purple. The three distinct colors you see in the burst are a result of thickness of application. In indoor lighting the purple along the edges is almost black. In daylight it comes alive. The pictures in the links above are quite accurate, finally.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
The dyes that bind. Marvellous results. Thanks for the additional information.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- jingle_jangle
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Yes it would, now that you mention it.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- melibreits
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- jingle_jangle
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- jingle_jangle
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Mark, someone else thought it was a reflection of a flower.
It is, in fact, unplanned, and is a reflection of my Carlo Alberti "Googie" sweater (made in Australia!), which is every darned color of the rainbow and is really unique. It was a brisk morning on my deck Sunday.
I thought the Kaufmann (which is pinned, so it is strictly cosmetic), looked fabulous on the 381. There were no tuning problems. It found its way to the 325 after I did a refin on the 325. Looks very nice there, too...
The 381 will eventually get a handmade vibrato. I'm planning on machining it out of billet aluminum to my own design. It'll be a roller-bearing unit using geometry borrowed from a Bigsby--just different appearance from any Bigsby.
My '60 Capri, which has a badly-worn "Accent by Paul" vibrato, will receive a new Kaufmann which I just acquired, and a new roller bridge, too, in the course of its restoration.
It is, in fact, unplanned, and is a reflection of my Carlo Alberti "Googie" sweater (made in Australia!), which is every darned color of the rainbow and is really unique. It was a brisk morning on my deck Sunday.
I thought the Kaufmann (which is pinned, so it is strictly cosmetic), looked fabulous on the 381. There were no tuning problems. It found its way to the 325 after I did a refin on the 325. Looks very nice there, too...
The 381 will eventually get a handmade vibrato. I'm planning on machining it out of billet aluminum to my own design. It'll be a roller-bearing unit using geometry borrowed from a Bigsby--just different appearance from any Bigsby.
My '60 Capri, which has a badly-worn "Accent by Paul" vibrato, will receive a new Kaufmann which I just acquired, and a new roller bridge, too, in the course of its restoration.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut


