Need a Small Amp for my 330 12
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- firstbassman
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My only experience with Tech 21 was with the Spider II 30. It was pretty good. Comes with four pre-sets. Decent price for the wattage. It did have the annoying habit though of always turning on with the Echo effect on.
I agree with Gerry, the Fender 25R is excellent. Great value.
[PS: I wish I could get to design an amp with a simple and logical user interface.]
I agree with Gerry, the Fender 25R is excellent. Great value.
[PS: I wish I could get to design an amp with a simple and logical user interface.]
- jingle_jangle
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I thought the Spider II 30 was a Line 6 product. I've got one on my office, and it doesn't say "Tech 21" anywhere on it...
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
- firstbassman
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You mean Paul you never heard of the special edition very rare Tech 21 Spider? It's three and a half times better than the Line 6! (Get it?)
Sorry. Hey, Tech 21, Line 6, they both have numbers, right? We all make mistakes. ("...got one ON my office...")
I have a SansAmp for my bass. That's from Tech 21, correct?
Must have had that on the brain.
Sorry. Hey, Tech 21, Line 6, they both have numbers, right? We all make mistakes. ("...got one ON my office...")
I have a SansAmp for my bass. That's from Tech 21, correct?
Must have had that on the brain.
- jingle_jangle
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Mark, it was a typo. And I was genuinely wondering myself if Tech 21 might've made a Spider, so no sarcasm was intended.
We all do make mistakes...
We all do make mistakes...
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
- studiotwosession
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>>Pick up a '60s or early '70s Fender Princeton Reverb, great chimey sounding all tube amp.<<
Fantastic advice. I played several guitars for years, in clubs and recordings, including Ric 6 and 12s and the Princeton was great (I didn't even have a reverb.) Ideal for rehearsals and clubs. Loud but not obnoxious to the point of having band members or sound techs want to kill you. And of course easy to carry around. Now I have two Princeton Reverbs, a 65 and 66.
Fantastic advice. I played several guitars for years, in clubs and recordings, including Ric 6 and 12s and the Princeton was great (I didn't even have a reverb.) Ideal for rehearsals and clubs. Loud but not obnoxious to the point of having band members or sound techs want to kill you. And of course easy to carry around. Now I have two Princeton Reverbs, a 65 and 66.
This is off the record
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steve_hershberger
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Howard - Jeff is just saying that Princeton Reverbs sound better than the Princeton (non-reverb) amps.
Seriously, it's because of the extra circuitry used in the reverb models. Anyway, in general, the non-reverb models usually sound cleaner farther up the volume dial as compared to the Princeton Reverbs - so, you might start getting a real nice "just breaking up" tone on a PR in the 5-7 range on its volume knob; and the regular Princeton might stay clean all the way up to 10.
Sorry, it's early in the morning, hope this makes sense.
Seriously, it's because of the extra circuitry used in the reverb models. Anyway, in general, the non-reverb models usually sound cleaner farther up the volume dial as compared to the Princeton Reverbs - so, you might start getting a real nice "just breaking up" tone on a PR in the 5-7 range on its volume knob; and the regular Princeton might stay clean all the way up to 10.
Sorry, it's early in the morning, hope this makes sense.
- tony_carey
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