4001 Fretless with fretlines???
Moderators: rickenbrother, ajish4
4001 Fretless with fretlines???
There's a 4001 Fretless with fretlines on ebay.
It's the first time I see a 4001 Fretless with such a feature.
There's no news under the sun, I quess.
It's the first time I see a 4001 Fretless with such a feature.
There's no news under the sun, I quess.
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jeff_ulmer
- Intermediate Member
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ricnvolved
I have a Zeta Crossover 4-string that is an unlined fretless. Making the transition from frets is manageable, but it does take considerable work. (DUH!!) The difficulty increases the higher you go up the fretboard. You will find out very quickly how good your ears are at discerning pitch, and if they ain't good, then playing fretless will not be fun or practical.
A lined fretless makes things a LITTLE easier, but not as much as you might think. Like the unlined version, you STILL have to fret the note where the fret was/should be. If you subconsciously forget and fret the note in the "middle ground" area between the fretlines the way you would on a fretted model, then you're automatically going to be flat. I'm not sure I can explain why, but my 4004 Cheyenne I (now converted as a lined fretless) is about as difficult to play as my Zeta. The fretboard dot markers are pretty much useless in that situation. I find the SIDE dot markers on my Zeta much more useful. Again, I'm not sure I can explain why. Regardless, it takes steady practice and is not for the timid.
Are there any other fretless players here in the forum who can add their own experience and perspective?
A lined fretless makes things a LITTLE easier, but not as much as you might think. Like the unlined version, you STILL have to fret the note where the fret was/should be. If you subconsciously forget and fret the note in the "middle ground" area between the fretlines the way you would on a fretted model, then you're automatically going to be flat. I'm not sure I can explain why, but my 4004 Cheyenne I (now converted as a lined fretless) is about as difficult to play as my Zeta. The fretboard dot markers are pretty much useless in that situation. I find the SIDE dot markers on my Zeta much more useful. Again, I'm not sure I can explain why. Regardless, it takes steady practice and is not for the timid.
Are there any other fretless players here in the forum who can add their own experience and perspective?
- headbanger
- Veteran RRF member
- Posts: 735
- Joined: Sat Jan 20, 2001 10:06 pm
For the entire decade of the 1990's the only axe I was using was a fretless Charvel Jazz bass. It has an ebony fingerboard with no markings (dots or lines). It does have dots on top of the neck directly over where the fret *should* be (as opposed to in between the frets on a regular bass). I have another fretless with the lines accross the neck as well. I find the lines to be more of a distraction. Jeffery is correct that you've got to have a very good sense of pitch to play comfortably. The lines won't save you. Once you're acclimated, you'll find that fretless offers a lot of subtleties that you just can't get with frets (rolling in and out of notes, true vibrato, beautiful slides). But the flip side is you lose some of that biting edge on your tone. Fretless isn't as difficult as seems, you just have to use more ear, less sight when playing.
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anonymous
Here's another one on ebay now:
1983 4001 FL Jetglo with fret lines.
1983 4001 FL Jetglo with fret lines.
