First time Flatwound user
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4003360man
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First time Flatwound user
I just got a set of Rotosound Flats in the mail from Musicians friend. I want to make sure there wasn't some sort of shipping snafu at the warehouse.
I've never used flats before, so bear with me.
Isn't every string supposed to resemble the side of a nickle; as in no ridges?
Granted the ridges on the strings are less pronounced than the factory round-wounds that are currently on the bass. But I thought flats were supposed to be...well...flat.
What are flatwounds supposed to look and feel like?
I've never used flats before, so bear with me.
Isn't every string supposed to resemble the side of a nickle; as in no ridges?
Granted the ridges on the strings are less pronounced than the factory round-wounds that are currently on the bass. But I thought flats were supposed to be...well...flat.
What are flatwounds supposed to look and feel like?
"I don't mean to sound bitter, cold, or cruel, but I am, so that's how it comes out."-Bill Hicks
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shinynewtoy
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Craig: Flats have varying degrees of smoothness, depending on the material and construction.
Thomastik-Infeld being somewhat smoother that Pyramid and which in turn are smoother than Rotosound Flats.
Stainless flats are perhaps the smoothest I have encountered. So not all flats are equally flat.
Thomastik-Infeld being somewhat smoother that Pyramid and which in turn are smoother than Rotosound Flats.
Stainless flats are perhaps the smoothest I have encountered. So not all flats are equally flat.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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sabbath_of_bass
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- revolver323
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D'Addario makes "Half-Rounds.' Dean Markley used to make "Ground Round Wounds." Ken Smith has "Compression Wounds." Supermarkets have Super Lean Ground Chuck. The first three purport to be brighter than flats but less "zingy" than rounds. In my experience, TI flats are brighter than any of the xxx-rounds and a lot smoother. Super Lean Ground Chuck is smooth but doesn't last very long. Of course, you CAN eat it after the gig ... 

One thing you'll notice with the Rotos, espaecially the big standard set which I think is .105 or so, they are STIFF. I'll be surprised if you don't have some significant neck adjustments to make, especially after a few days. I use the .40-.90 set and they're barely tolerable, at least to my wimpy old hands. Stiffest flat I ever used, other than the LaBella Jamerson set.
Apr. '73 4001JG, Jun. '73 4001MG, Feb. '75 4001 WBT, Feb. '00 4001CS
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- 4stringnosing
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I use Dean Markley Blue Steels flats on my "other" bass and they are so smooth they almost look like they have no winding at all. I used to use Fenders on it and they had quite a noticible gap in the winding.
Also, Graham Maby from the Joe Jackson Band used Rotosound flats on the album "Look Sharp" and I never would have thought those weren't roundwounds on "Sunday Papers", "Got the Time", etc. Very bright flats indeed!
Also, Graham Maby from the Joe Jackson Band used Rotosound flats on the album "Look Sharp" and I never would have thought those weren't roundwounds on "Sunday Papers", "Got the Time", etc. Very bright flats indeed!
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Jeffery, I disagree...
From what I hear, TI Jazz Flats are very bright out of the box. And the Fender cables I use are fairly bright for a couple of weeks - uncomfortably bright on the fretless J, but pleasant on the 4001. That "piano-like" sustain is very evident in a fresh set of Fender 9050's on my 4001.
From what I hear, TI Jazz Flats are very bright out of the box. And the Fender cables I use are fairly bright for a couple of weeks - uncomfortably bright on the fretless J, but pleasant on the 4001. That "piano-like" sustain is very evident in a fresh set of Fender 9050's on my 4001.
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