The Key To Lennon
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craviola990
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craviola990
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The Beatles' played in many keys. The point of this thread was that the compositions in the key of G have gone on to be number one hits more often than compositions in any other key. There may be no rhyme nor reason to this fact, but I suspect it is not a random event.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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What I find interesting is while Lennon composed a number of his early hits in G, after early '67 none of his more famous releases, A or B sides, were in G. As best as I can tell few if any of his future compositions were in G, but were in a variety of keys. I can't be definitive on this but it appears so.
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Music is too important to be left to professionals.
Music is too important to be left to professionals.
This is indeed interesting Stan and certainly shows his development as an artist. I think that this observation is some bit of proof that he played in G early on as it was, perhaps, as throwback to his more limited guitar skills in the beginning. As Christian has pointed out, he wasn't a one-key writer.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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In addition to his growth as an artist I also think Lennon was done with writing the consummate 'pop' single. If you look at their hits after '66, only three were penned by Lennon. McCartney cranked out another seven. Prior, it was Lennon who had written the vast majority of the groups hits, or co-authored them with McCartney.
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Music is too important to be left to professionals.
Music is too important to be left to professionals.
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craviola990
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craviola990
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I agree Christian, one need not restrict this discussion to one key. It just seemed to me that providing a long list of songs and the keys they were recorded in, may not provide a meaningful answer to the intial question posed.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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chingnchime
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And a very good thought at that James.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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