Top of the Line 12 String Rickenbacker
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- epitreture
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craviola990
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For those who have a 660/12 and a 360/12, I would be interested in hearing your comments with regard to any difference between the two models with regard to the feel of the neck.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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- leftyguitars
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I have both, I find the 360 near impossible to get my fingers in and the 660 only marginally better. But that's just my hands!


"If only quilted maple grew on trees!"
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- tony_carey
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It's odd (& great) that we're all different! I owned a 660-12 for a week!!! IMHO, the sound was just a shadow of the thinlines, with highs & lows, but no mid......it just didn't compete with my 360V64-12, or 381-12.
Please don't think that I'm knocking you 660 fans, far from it, it's a beautiful gtr, but it's very interesting to note our little differences.
Please don't think that I'm knocking you 660 fans, far from it, it's a beautiful gtr, but it's very interesting to note our little differences.
'Rickenbacker'...what a name! After all these years, it still thrills me.
- epitreture
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- sloop_john_b
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Peter, I had a 370/12 Blue Boy that I had lots of difficulty with. The only thing I could ever really play cleanly on it were barre chords. Open chords would always be missing notes from my fingers accidentaly muting something, and forget about riffs.
I really liked the 12 string sound but I couldn't put up with the narrow spacing anymore. My local Manhattan Guitar Center/GCrep was selling a 660/12 Blue Boy, so I headed into the store to try it out. As soon as I wrapped my fingers around it, I had to have it. I traded big for it, but I didn't care.
It's now my favorite guitar, 6 strings included.
As for the sound, I pretty much play it through the Janglebox, always - as I did with the 370/12 as well - so my sound has stayed pretty consistent, even with the switch from 24 frets/higains/semi-hollow to 21 frets/toasters/solidbody.
I really liked the 12 string sound but I couldn't put up with the narrow spacing anymore. My local Manhattan Guitar Center/GCrep was selling a 660/12 Blue Boy, so I headed into the store to try it out. As soon as I wrapped my fingers around it, I had to have it. I traded big for it, but I didn't care.
It's now my favorite guitar, 6 strings included.
As for the sound, I pretty much play it through the Janglebox, always - as I did with the 370/12 as well - so my sound has stayed pretty consistent, even with the switch from 24 frets/higains/semi-hollow to 21 frets/toasters/solidbody.
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craviola990
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- tony_carey
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I might be wrong, but I seem to remember JH posting that the 360's now have the same nut....
The reason that the 360's didn't have it before is because the binding wasn't deemed part of the neck, so with that assumption, the 360 neck was actually treated as slightly narrower than the unbound neck.
The reason that the 360's didn't have it before is because the binding wasn't deemed part of the neck, so with that assumption, the 360 neck was actually treated as slightly narrower than the unbound neck.
'Rickenbacker'...what a name! After all these years, it still thrills me.
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craviola990
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Oooh...interesting Brian. I have a 360/12 and it's great but I feel like it would be totally out of this world with a sliver of extra spacing (and I'm far too scared and inept a craftsman to cut my own). I'm gonna get me a 330 nut...
Is the existing nut easy to prize off? what adhesive is used to fix the replacement on?
Is the existing nut easy to prize off? what adhesive is used to fix the replacement on?
- jingle_jangle
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Don't pry it off. Use a wood block and tap it with a hammer. You don't even have to remove the strings--just detune them and move them to either side (use a bit of masking tape to fix the tailpiece in place and to hold the strings on either side of the neck).
One tap and the old nut is off. Then use yellow (Titebond) glue--just a couple of small dabs--to fix the new nut into place and let it dry overnight before carefully reinstalling the strings into their slots and retuning to pitch.
One tap and the old nut is off. Then use yellow (Titebond) glue--just a couple of small dabs--to fix the new nut into place and let it dry overnight before carefully reinstalling the strings into their slots and retuning to pitch.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
