McCartney's early solo gear
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shamustwin
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- atomic_punk
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Confirmation from Guitar Player, July 1990, interview with Paul McCartney.
John Hammel on Paul's Guitars
John Hammel has worked with Paul McCartney for the past 15 years. Here he takes us backstage to rummage through Paul's touring equipment.
"Paul's main stage guitar is a cherry sunburst 1960 Gibson Les Paul that we got from Rick Nielsen of Cheap Trick. Paul loves it. What's great about it is that it has the type of neck that they quit using when they brought out the SG-type Les Pauls. It has a great feel. For a backup electric, he has a left-handed '57 goldtop Les Paul. It's quite rare. We got it from the Left-Hand Guitar Shop.
"His main acoustic is a black Alvarez, which Carl Perkins got for him. The guitar had a right-handed neck, and the dots were on the side facing away from Paul. Someone from Alvarez found out Paul was using one of their guitars, so they made two for the tour with the dots on the proper side. The second one is tuned down a whole-step for "Yesterday." The Alvarez doesn't have a soundhole, and it has a pickup built into the bridge. It has bass, treble, midrange, and master volume controls. You can turn it flat out, and there's no feedback. So for live work, my prayers are answered.
"The acoustic goes into an amp, and then the signal's sent to the P.A. If anything went wrong with the amp, it would still come out front and through Paul's monitors.
John Hammel on Paul's Guitars
John Hammel has worked with Paul McCartney for the past 15 years. Here he takes us backstage to rummage through Paul's touring equipment.
"Paul's main stage guitar is a cherry sunburst 1960 Gibson Les Paul that we got from Rick Nielsen of Cheap Trick. Paul loves it. What's great about it is that it has the type of neck that they quit using when they brought out the SG-type Les Pauls. It has a great feel. For a backup electric, he has a left-handed '57 goldtop Les Paul. It's quite rare. We got it from the Left-Hand Guitar Shop.
"His main acoustic is a black Alvarez, which Carl Perkins got for him. The guitar had a right-handed neck, and the dots were on the side facing away from Paul. Someone from Alvarez found out Paul was using one of their guitars, so they made two for the tour with the dots on the proper side. The second one is tuned down a whole-step for "Yesterday." The Alvarez doesn't have a soundhole, and it has a pickup built into the bridge. It has bass, treble, midrange, and master volume controls. You can turn it flat out, and there's no feedback. So for live work, my prayers are answered.
"The acoustic goes into an amp, and then the signal's sent to the P.A. If anything went wrong with the amp, it would still come out front and through Paul's monitors.
"They make great f***'n basses". - Lemmy, NAMM 2009
Steve, that sounds like John's comments were from the 89/90 tour. I don't think he's played that Alvarez since that tour.
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Steve, See how well I pay attention. Thanks for the Guitar Player reference. I really need to stop reading these so quickly when I'm at the office.
Paul, I believe says in that same issue that his Epiphone Casino is his favorite electric, but that it is too hot to play live.
Paul, I believe says in that same issue that his Epiphone Casino is his favorite electric, but that it is too hot to play live.
LET THE WORLD KNOW YOU WANT PAUL TO BRING BACK THE 4001. JOIN OUR FACEBOOK GROUP!! http://www.facebook.com/group.php?gid=147641915268984
- revolver323
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skeeterbuck
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Posted on Wednesday, May 03, 2006 - 01:56 pm:
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There's a picture inside the Ram album of him playing a non-reverse Gibson Firebird. I forget which model. P90's of course.
It's a non-reverse Firebird VII in Pelham Blue w/gold hardware and 3 mini-humbucking pickups...not p-90's!
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There's a picture inside the Ram album of him playing a non-reverse Gibson Firebird. I forget which model. P90's of course.
It's a non-reverse Firebird VII in Pelham Blue w/gold hardware and 3 mini-humbucking pickups...not p-90's!

