12-String Battle Royale

Vintage, Modern, V & C Series, Signature & Special Editions

Moderators: rickenbrother, ajish4

User avatar
jingle_jangle
RRF Moderator
Posts: 22679
Joined: Wed Dec 22, 2004 6:00 am
Contact:

Post by jingle_jangle »

Todd, you've given me an idea on guards which I'm going to try out on one of my FGs.

This place remains inspirational in its creativity!
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
User avatar
winston
Membership Admin
Posts: 11010
Joined: Mon Jul 11, 2005 5:00 am

Post by winston »

"for those who are symmetrically inclined" Yep that's me Todd. Great job on the guards. Wow! I love the TRC too.

Overall your guitar is an absolute beauty. I'll bet you are a happy man.
“We can't solve problems by using the same kind of thinking we used when we created them.” - Albert Einstein

"You do not really understand something unless you can explain it to your grandmother" - Albert Einstein
User avatar
teb
Advanced Member
Posts: 1536
Joined: Sun Jul 17, 2005 7:39 pm

Post by teb »

Yep, everything worked out well. I didn't have to do any kind of damage control and managed to complete the whole process without doing anything typical, like accidentally dropping the vice-grips on the top. I REALLY like these guards and can't see ever owning another white-guarded Ric with the solid white plexiglass. These are much more elegant and only cost me $8 to build. A fair amount of labor though - it makes Tony's Pickguardian price of $60 or so per set look like a pretty decent deal. I tried to shoot a couple photos that would show how much visual depth the polished edges give and these are about as good as I could manage.

http://webpages.charter.net/tbradshaw/jg%20002.jpg
http://webpages.charter.net/tbradshaw/jg%20004.jpg

Naturally, this raises the question "OK, that's pretty cool, what other interesting variations can you come up with?" I went back and forth about whether or not to put guards on my Jetglo 2030 bass replacement body at all, since it looked pretty cool without them. I finally did add white plexi guards in the end but might try building a set of black back-painted guards with polished edges to see how they look.

I started playing guitars in about 1965 and all my life if someone had asked me "If you could only own one guitar, what would it be?" the answer has always been a Rickenbacker 12-String. This one seems to be getting pretty close to what I've always had in mind.
rick12dr
Veteran RRF member
Posts: 1209
Joined: Wed Sep 06, 2000 7:51 pm

Post by rick12dr »

Todd; cool what ya did. I did the polish- the- edge thing on white nameplates years ago; it Does look cool. As to the idea of clear plexi with black sprayed back; well, one persons' experience[mine]; I did it as an experiment to see if it would look better than stock solid black Plexi; IMO, it did Not. But it Does work with white. YMMV.FWIW...Now, get your 12 to Arnquist and be prepared to get your 12 Maxed out...
User avatar
ted_williams
Veteran RRF member
Posts: 318
Joined: Wed Jan 17, 2001 12:58 pm

Post by ted_williams »

If you go with a 620/12, I would recommend switching to a trapeze tailpiece. The R tailpiece seems harder to work with when it's time to change strings (at least for me) when it's that close to the bridge.
Image
By the way, Teb, where in Madison are you? I'm in Middleton. Maybe we should have a mini-confluence sometime.
User avatar
teb
Advanced Member
Posts: 1536
Joined: Sun Jul 17, 2005 7:39 pm

Post by teb »

Near west side, close to the Whitney and Old Middleton intersection, so we must be pretty close. If I plug in my 360-12 and crank my 200 watt Trayner up you can probably hear it!...at least you will after my windows blow out... Gee, I wonder why I have Tinnitus?...I can still hear my old Sunn folded horns and I sold them off about 1978...

Speaking of 620-12's, I got a batch of photos from Mark Arnquist yesterday showing a full-blown, max-width treatment that he just finished on a 620-12. They're pretty interesting. He turned the bridge around for access to the intonation screws, since the R tailpiece was in the way, and did a full-neck-width re-fret along with the standard wide nut spacing treatment. The added playing width is pretty amazing and I wondering about having the same thing done on my 360-12WB. I'll stick a copy of the photo folder in my web-closet in case anybody wants to see it. Most are captioned, so it's not too hard to see what's going on.

For some reason, my web closet keeps scrambling the photo order, but I numbered the pictures 1-31. If you open them in order you'll see the process from start to finish. The last two photos are the "before" and "after" shots. Here's the link.
http://webpages.charter.net/tbradshaw/Arnquist%20Mods
User avatar
ted_williams
Veteran RRF member
Posts: 318
Joined: Wed Jan 17, 2001 12:58 pm

Post by ted_williams »

So you're near GoodNLoud. I've given up trying to talk Max into carrying Rickenbackers. I'm a few blocks from the old Regenberg store (now a Papa John's), so we're about 5 minutes away from each other. I'll be listening for your 360-12.

In those Arnquist pictures, it looks like he re-shaped the TRC, although it's not mentioned.
User avatar
teb
Advanced Member
Posts: 1536
Joined: Sun Jul 17, 2005 7:39 pm

Post by teb »

Yes, he trims the TRC to help it clear the strings as they make their way from the nut to the tuners. It was mentioned in the text he sent, but not included in the photos.
User avatar
steverok
Intermediate Member
Posts: 1139
Joined: Mon Mar 14, 2005 7:16 pm
Contact:

Post by steverok »

I second the vintage trapeze, especially on a toaster-equipped Ric-12, it looks very cool.
"Say what you like about the tenets of national socialism, Dude, at least it's an ethos." - Walter Sobchak.
User avatar
teb
Advanced Member
Posts: 1536
Joined: Sun Jul 17, 2005 7:39 pm

Post by teb »

I thought the look of the unvarnished fingerboard and having the frets run all the way out to the edges might bug me, but for the extra width offered, I think I could certainly live with it. My 2030 has an unvarnished fingerboard and it looks quite good. Image
Post Reply

Return to “Rickenbacker Guitars: by John Simmons”