Bass Re-amping

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steverok
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Bass Re-amping

Post by steverok »

Hello, I am trying to improve the bass sound on my current record in progress. I recorded all the bass parts direct, through a tube pre-amp, and compressor. The clarity and power vary from song to song. I have a very hearty bass rig at my disposal, so I can run the dry bass part out, and into this beast. I also have an AKG D112 bass drum microphone. What is the best way to use what I have, and get the best bass sound ? Thanks -> Steve-O.
"Say what you like about the tenets of national socialism, Dude, at least it's an ethos." - Walter Sobchak.
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ram
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Post by ram »

I have used a SansAmp and a direct line in and have gotten some good stuff to work with.
The only thing we can perceive are our perceptions - George Berkeley
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steverok
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Post by steverok »

Did you mic the cab ?
"Say what you like about the tenets of national socialism, Dude, at least it's an ethos." - Walter Sobchak.
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ram
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Post by ram »

No. Just direct line into the board. Was cleaner and easier to work with. Got some good tone out of it - planning to split it next time (RoS) one SansAmp each channel see what the Engineer can do with it. This is fun!
The only thing we can perceive are our perceptions - George Berkeley
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tony_carey
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Post by tony_carey »

Steve, that is normaly exactly how I record bass for a serious project. I will put it down direct, usually through a Joe Meek VC 1, do all the editing & then run it back through a good valve bass amp & mic the cab with a D112.

The direct method can give good results, but a mic'd cab still takes some beating. If you compare the two afterwards, you'll find that the mic'd sound will be more 'alive' & authentic.
'Rickenbacker'...what a name! After all these years, it still thrills me.
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beatlefreak
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Post by beatlefreak »

If you've got the tracks available, why not do both, then mix and match?
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steverok
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Post by steverok »

The best result is when I mix them. You get the best of both worlds, it offers a sustained feeling of improvement, if that makes any sense. What about the distance of the mic from the speaker ? Is the original phase preserved at the speaker, and if so, what is the optimum distance, so that the best mixed result is achieved ? And, how loud should I play it out the cabinet ? Jeez, my whole house is shaking, as well as the next-door neighbors !
"Say what you like about the tenets of national socialism, Dude, at least it's an ethos." - Walter Sobchak.
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ram
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Post by ram »

If I recall correctly, the last time I actually mic'ed the cab we did two mics. One a few inches in front of the speaker from the edge of the speaker and the other a few feet (5 or 6) away to get a 'room feel'. These were then blended. I haven't been able to find the type of mics we used in my notes - bummer. The volume wasn't way up - but I think that would be dependant on what type of sound you are trying to achieve.
The only thing we can perceive are our perceptions - George Berkeley
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geddeeee
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Post by geddeeee »

I tend to record with a mic. I find that you do get that 'live' sound. I use 1 mic and then add a bit of 'room reverb' if I need it. I EQ my bass amp as if I was playing a live gig. That way I make sure I get a good tone. I've tried the DI route and then spent hours trying to get a good sound. I know it works for some people, but unfortunately not for me....
What d'ya mean... the bass is TOO loud!
blueflamerick
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Post by blueflamerick »

Try a BBE sonic maximizer to fatten things up.
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