1961 Hofner 500/1 vs. 1963 Hofner 500/1
1961 Hofner 500/1 vs. 1963 Hofner 500/1
Here's a question I have. I never really noticed that the original 500/1 didn't really have a bridge pickup. I'm curious about the differences in sound between these two instruments. Is there a noticeable difference on Beatles recordings? At what point did Macca begin using it in the studio? I know he got in in late autumn of '63, but I'm wondering about tonality. Did it REALLY make a difference in their sound or Macca's playing?
I know the Ric did, but I'm wondering if there really is any difference in THESE two instruments or at least anything anyone has noticed or can point to. Much appreciated gents.
I know the Ric did, but I'm wondering if there really is any difference in THESE two instruments or at least anything anyone has noticed or can point to. Much appreciated gents.
Presumably so.
Pauly's original "Cavern Hofner" had the pickups very close to the neck as may recall, verses the newer Hofner that was a gift from the Selmer people to PM in autumn of 1963.
This had to make a difference in the sound.
One thing many have noticed. He had intonation problems with BOTH Hofners that you can hear on the Beatles' records.
Hofner did some work on the the 1963 Hofner in the early 1990's and Paul started using it again.
Supposedly, Hofner did more work on it in the 2000's and the "intonation problems" appear to be rectified.
Pauly's original "Cavern Hofner" had the pickups very close to the neck as may recall, verses the newer Hofner that was a gift from the Selmer people to PM in autumn of 1963.
This had to make a difference in the sound.
One thing many have noticed. He had intonation problems with BOTH Hofners that you can hear on the Beatles' records.
Hofner did some work on the the 1963 Hofner in the early 1990's and Paul started using it again.
Supposedly, Hofner did more work on it in the 2000's and the "intonation problems" appear to be rectified.
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Yep, I've never had any intonation problems with mine, it's never given me a problem. And that's averaging 100 gigs a year, a lot of which is in extreme Texas weather.
I don't remember Hofner doing work on PM's bass but I do know Mandolin Bros. did the work that allowed it to be brought back into service.
I don't remember Hofner doing work on PM's bass but I do know Mandolin Bros. did the work that allowed it to be brought back into service.
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if i'm not mistaken, Paul only used/uses the neck (bass) pickup on his Hofner. all close ups of his control panel, and having one myself, have the knob and switching configuration soloing that one. so, it would be a very similar sound to his Cavern bass.
his: solo (on), bass pickup (on), treble pickup (off)
i, honestly don't know if he even realizes it.
his: solo (on), bass pickup (on), treble pickup (off)
i, honestly don't know if he even realizes it.
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10 ohms!!!
Those aren't pickups...they're analogue synthesizer square wave generators!
...with dual overhead cams and Smittys!
Those aren't pickups...they're analogue synthesizer square wave generators!
...with dual overhead cams and Smittys!
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
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Does anyone hear an appreciable difference when the '63 makes its first appearance on a session?
Is there a particular track anyone can point to to illustrate the legendary intonation problems? Is one especially egregious?
Nice story about the bass in Staten Island. Another warm and fuzzy moment brought to you by the people at Macca...
Is there a particular track anyone can point to to illustrate the legendary intonation problems? Is one especially egregious?
Nice story about the bass in Staten Island. Another warm and fuzzy moment brought to you by the people at Macca...
- soundmasterg
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