Good headphones?
Good headphones?
I know it was mentioned on some other thread but what is the brand/model of headphones that were used and recommended? It's for a studio environment.
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trancedental
- Junior Member
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Beyer Dynamic DT 100 are studio standards, great for mixing & critical listening. Plus all parts are available for repair, I 've had mine 12 years & will be getting new ear foam pads soon so they will go on for a while yet!
If looking for H/P for musicians playback you can get away with cheaper models. Even domestic models if you must!
Sennheisers, AKG, Audio Technica are other good makes of studio H/P.
If looking for H/P for musicians playback you can get away with cheaper models. Even domestic models if you must!
Sennheisers, AKG, Audio Technica are other good makes of studio H/P.
Destroy DJ Rap & Synths / Robot Music!
I'm partial to Sony MDR-7506 for tracking. They're clean & clear and have a closed ear design so sound doesn't leak into the mics.
For critical listening, I like Grado headphones.
http://www.gradolabs.com/
Here's a site with info on headphones:
http://www.goodcans.com/
Cheers,
Bill
For critical listening, I like Grado headphones.
http://www.gradolabs.com/
Here's a site with info on headphones:
http://www.goodcans.com/
Cheers,
Bill
- tony_carey
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John's right...the Beyer 100's are pretty much standard in many pro studios, but as Bill says though, there are others. As with monitors, it's also a question of what you're used to listening on. If you listen to music on headphones, then try them in the studio...as long as they're closed back!
'Rickenbacker'...what a name! After all these years, it still thrills me.
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jeff_ulmer
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AKG K240s were the standard for years, but I've been using an older version of GK Music's Ultraphones (http://www.gk-music.com/ultraphones.htm) for tracking vocals and drums. There is virtually no leakage to the vocal mic, and for the drummer, the acoustic level attenuation allows him to actually hear what he's playing to without running the headphones at damaging volumes.
As has been said, if you are trying to do critical listening, it is imperative that you learn what the monitoring system is really telling you. I am often faced with players unfamiliar with the monitors asking for more bass, treble or midrange - they expect the studio to sound like their heavily EQ'd car systems. When you know what things should sound like on your system your mixes will translate a lot better.
As has been said, if you are trying to do critical listening, it is imperative that you learn what the monitoring system is really telling you. I am often faced with players unfamiliar with the monitors asking for more bass, treble or midrange - they expect the studio to sound like their heavily EQ'd car systems. When you know what things should sound like on your system your mixes will translate a lot better.
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trancedental
- Junior Member
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I've got the AKG K240's as well, but I think they are too bass heavy, I think AKG bought out another model with extended high end?
It's always good to check the mix & recording on as many headphones & speakers as you can, even **** ones.
I just use headphones for double checking tracks & mixes & try not to use them too much as I think they might cause hearing problems from overuse!
It's always good to check the mix & recording on as many headphones & speakers as you can, even **** ones.
I just use headphones for double checking tracks & mixes & try not to use them too much as I think they might cause hearing problems from overuse!
Destroy DJ Rap & Synths / Robot Music!
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shinynewtoy
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- sloop_john_b
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