
Diamond Compressor
Diamond Compressor
Has anyone used the Diamond Compressor. If you have I would be interested in your comments.


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- captsandwich
- Intermediate Member
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- Joined: Tue Jan 31, 2006 6:13 am
- captsandwich
- Intermediate Member
- Posts: 1312
- Joined: Tue Jan 31, 2006 6:13 am
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trancedental
- Junior Member
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- Joined: Thu Sep 29, 2005 4:42 am
Don't think the Diamond has been out as long as the Janglebox. If you do a search on the thegearpage.net you'll find plenty of opinions there with both & others options mentioned.
I was under the impression that the JB is based on the circuitry installed in Roger McGuinns 12 string Rickenbacker on in the '60's.(that's what I've read before on various sites?) where as the Diamond is based on Opto studio compressors & made as a guitar recording pedal that can be used live as well. So the circuitry & ideas are different.
Now I have not read from anyone on here who has heard both compressors or compared them to any other models. I've only heard the Janglebox demo's that's all so I can't really compare them both.
All I know is what a good studio compressor sounds like & for years would not use a pedal even for live use because every pedal compressor I tried was sterile & lifeless & sucked up tone! Guitarists for years have used Studio Compressors on many of the records we have heard.
What makes the Diamond compressor very useful is that it is optimised for guitars during recording & does sound as good as studio compression, in fact it's much easier to use than a studio compressor, we all know how tricky they can sometimes be to set up!. The EQ feature is also very useful & can be bypassed by a switch inside if not needed. (There's also a hi-cut filter switch) It has the warmth & sparkle combined with very low noise & transparency.
Turn the comp level & tone upwards & the diamond of course does The Byrds sound then ease back & it's more versatile for other styles from Funk / Soul to Country chicken picking etc;
The latest ones have a different value comp pot installed which achieves even more squash & sustain, if that's what you're after. I'm still thinking about getting the part to upgrade it myself? Only problem with the Diamond is that you never want to turn it off!
PS. I was wondering when Roger McGuinn got the compressor circuitry installed in his Rickenbacker? As I read that he used a pair of LA2 Optical Compressors in series on the early recordings?
I was under the impression that the JB is based on the circuitry installed in Roger McGuinns 12 string Rickenbacker on in the '60's.(that's what I've read before on various sites?) where as the Diamond is based on Opto studio compressors & made as a guitar recording pedal that can be used live as well. So the circuitry & ideas are different.
Now I have not read from anyone on here who has heard both compressors or compared them to any other models. I've only heard the Janglebox demo's that's all so I can't really compare them both.
All I know is what a good studio compressor sounds like & for years would not use a pedal even for live use because every pedal compressor I tried was sterile & lifeless & sucked up tone! Guitarists for years have used Studio Compressors on many of the records we have heard.
What makes the Diamond compressor very useful is that it is optimised for guitars during recording & does sound as good as studio compression, in fact it's much easier to use than a studio compressor, we all know how tricky they can sometimes be to set up!. The EQ feature is also very useful & can be bypassed by a switch inside if not needed. (There's also a hi-cut filter switch) It has the warmth & sparkle combined with very low noise & transparency.
Turn the comp level & tone upwards & the diamond of course does The Byrds sound then ease back & it's more versatile for other styles from Funk / Soul to Country chicken picking etc;
The latest ones have a different value comp pot installed which achieves even more squash & sustain, if that's what you're after. I'm still thinking about getting the part to upgrade it myself? Only problem with the Diamond is that you never want to turn it off!
PS. I was wondering when Roger McGuinn got the compressor circuitry installed in his Rickenbacker? As I read that he used a pair of LA2 Optical Compressors in series on the early recordings?
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Ah! A Keeley - I think you're right, Kevin. Dean took more interest in the comparison than me... he was in the market for a compressor and I was too busy looking for a drink! The Diamond was impressive 'live', though.... as is my JB.
Hopefully he can chime in soon......
Hopefully he can chime in soon......
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