1970 21 fret 4001FG in Ebay!
Moderators: rickenbrother, ajish4
Bob,
As far as I know, the neck of a 21-fret 4001 is indeed longer for the string length of the 21st fret and the bridge is located closer to the neck accordingly to maintain the 33 1/4" scale length.
The pickups seem to be where they usually are. No binding at the end of the fingerboard though.
Don't you think RIC will have a smash hit if they produce 21-fret 4003 and 4004? Or even better, "reissue" the early '70s 21-fret 4001 basses equipped with the modern truss rod system, neck-end binding and checkered binding?
Oh well, I know I'm only daydreaming. RIC doesn't need a smash hit anyway. They make hits everyday.
(Still, give us a smash hit please, Mr. Hall.)
As far as I know, the neck of a 21-fret 4001 is indeed longer for the string length of the 21st fret and the bridge is located closer to the neck accordingly to maintain the 33 1/4" scale length.
The pickups seem to be where they usually are. No binding at the end of the fingerboard though.
Don't you think RIC will have a smash hit if they produce 21-fret 4003 and 4004? Or even better, "reissue" the early '70s 21-fret 4001 basses equipped with the modern truss rod system, neck-end binding and checkered binding?
Oh well, I know I'm only daydreaming. RIC doesn't need a smash hit anyway. They make hits everyday.
(Still, give us a smash hit please, Mr. Hall.)
This has been discussed before but I certainly would like to see 21 frets be the standard. It bothers me that Ricks are 1 semi-tone short of three full octaves. Even Fender has gone to more frets on their basses. So many times I am working in the upper range and really need that high E. All Rickenbacker need do is extend the fingerboard a little bit into the body, maybe 1/2 inch, and you'd have plenty of room for the fret.
-
ricnvolved
Paul-- 21 frets should be standard on all Ric basses, and a white capped toggle should be standard on ALL Ric instruments in Mapleglo (perhaps even Fireglo?) And now that you mention it, checkered binding would be another nice standard feature. Certainly I'd be willing to pay extra for it.
By the way, I'm still campaigning for "Apple Corps. Green" for 2004. Are you still on the bandwagon, Paul?
By the way, I'm still campaigning for "Apple Corps. Green" for 2004. Are you still on the bandwagon, Paul?
Of course, Jeffery.
I want one in that finish.
However, it seems no more than 10 people were really for it in that Greenglo thread. The snowball didn't roll big enough for us to carry on the campaign...
I figured the best way to get one is to buy a beat-up but structurally healthy mapleglo 4001/4003 and have her professionally refinished to my ideal green shade.
I'm also thinking about getting an extra wavery grained mapleglo with white binding and have her refinished in translucent sea water blue so that the bass looks like being made of sea water. That should give the "Cresting Waves" headstock and horns a vivid presentation. "Oceanglo" would be the name.
I'd be willing to pay extra for the checkered binding and 'the 21st fret" too!
As for the white cap, may I suggest adding one to every instrument's manual/polish cloth/hex wrench bag so that the buyer can alter between black and white to his/her liking.
I want one in that finish.
However, it seems no more than 10 people were really for it in that Greenglo thread. The snowball didn't roll big enough for us to carry on the campaign...
I figured the best way to get one is to buy a beat-up but structurally healthy mapleglo 4001/4003 and have her professionally refinished to my ideal green shade.
I'm also thinking about getting an extra wavery grained mapleglo with white binding and have her refinished in translucent sea water blue so that the bass looks like being made of sea water. That should give the "Cresting Waves" headstock and horns a vivid presentation. "Oceanglo" would be the name.
I'd be willing to pay extra for the checkered binding and 'the 21st fret" too!
As for the white cap, may I suggest adding one to every instrument's manual/polish cloth/hex wrench bag so that the buyer can alter between black and white to his/her liking.
I had a white Gibson toggle button on mine for a long time. The threads are wrong, but it worked. If I were King of the Forest, I'd either convert to the Gibson toggle switch ***'y or have the existing one redesigned with a longer threaded shaft, so the button doesn't break so easily.
21 frets is the way to go. I'm always tempted to to hit a 4 octave run as fast as possible at the end of anything in E.
21 frets is the way to go. I'm always tempted to to hit a 4 octave run as fast as possible at the end of anything in E.
- squirebass
- Veteran RRF member
- Posts: 1579
- Joined: Fri Oct 13, 2000 11:05 pm
Absolutely.
VVT controls + flush control cavity cover would "give wings to a tiger" (old Chinese saying) on the 4004Cii.
How about the 2 volume knob acting as push-pull coil split control + matching woodgrain and finish flush control cavity cover made from the same body wood to round out, Jeffrey?
Sure sounds enchanting to me.
VVT controls + flush control cavity cover would "give wings to a tiger" (old Chinese saying) on the 4004Cii.
How about the 2 volume knob acting as push-pull coil split control + matching woodgrain and finish flush control cavity cover made from the same body wood to round out, Jeffrey?
Sure sounds enchanting to me.
