Neck Too Thin ???
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clankchris
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jwr2
Well..........it was'nt the neck being too thin.........just a difference in tuning procedure . My wife tunes all stringed instruments to the attack of the pick.....I tune letting the strings sustain until the tuner settles on pitch........After reading about recording and tuning basses on the internet , I found out Her method is best . Better to be a little flat than sharp . Now we can finish our CD 

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- chefothefuture
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sabbath_of_bass
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Being a musician is expressive. I think Id drive Bill Gates bankrupt with everything I want.
So whats all this tuning stuff? I rarely ever look at a tuner. I normally just pluck until I think it sounds right or the tension feels right, then I tune to myself. Im normally playing alone tho. In group settings I normally tune to the guitarist. Simply because I figured I have fewer strings and a good set of ears.
I know the old recording stuff would change the tuning. I dont really remember if it was sharp or flat or what. I just heard it would screw with it. And It made dubing a pain too. Gotta love the digital world I guess. But is this what you guys are talking about?
So whats all this tuning stuff? I rarely ever look at a tuner. I normally just pluck until I think it sounds right or the tension feels right, then I tune to myself. Im normally playing alone tho. In group settings I normally tune to the guitarist. Simply because I figured I have fewer strings and a good set of ears.
I know the old recording stuff would change the tuning. I dont really remember if it was sharp or flat or what. I just heard it would screw with it. And It made dubing a pain too. Gotta love the digital world I guess. But is this what you guys are talking about?
In my case....our songs are built with guitar and drums . Drums to establish tempo and guitar for vocal pitch reference . Once those are recorded I choose among 10 basses for the one that ads character to the style of the song . Most of the time I choose my 64 Fender P . That bass never sounds sharp in the mix . I set it up to intonate with a foam mute under the old bridge cover . I think that's why it works so well . But......I wanted my 77 4001 on some of the recordings and everytime I played it back it was sharp . No mute . Tuned with the sustain method . Now I can tune it to the " pick attack " and it records in pitch . I will also be recording with my 5 string 4004 / toasters . That bass rocks with a mean roundwound growl . I think this has been a challenge mainly because of the way the guitar has been tuned for these recordings .
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