Paupers and Princes

General Rickenbacker discussion

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firstbassman
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Post by firstbassman »

Oh, yeah, it is a great shape and a great looking guitar type.
Can anyone picture BB without Lucille?
The pic does look cool Jerry.

Well, OK, I get it. If a major criteria is distinctive meaning unique, then ok, 335 does not make the first cut.
I would understood that.

But why then does the Strat make the top of the list?
As we have discussed here many times, no guitar shape has been copied more often.
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lars
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Post by lars »

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lyle_from_minneapolis
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Post by lyle_from_minneapolis »

Isn't that why it WOULD make the top of the list? It's the icon.

Wait, maybe you meant "why then DOESN'T the Strat..."
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jingle_jangle
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Post by jingle_jangle »

Yeah, I'm a bit confused, too...it made the list because it was the first, radical for its day and still attractive today.

Lars--although the Firebirds were and remain quite radical, they are not really iconic--just different.


The Warholian splendoriferous quadraphonic spectacle above doesn't sway my opinion, but it does emphasize how innately disproportionate these guitars are. But, man, I love (was it Jeff's?) Fenderbird.

I remember that while the Beach Boys were the height of cool with their Oly White Fender trio, the Four Seasons played burst F-Birds. I remember thinking at age 15, how klutzy! Those guys oughta get some style! (LOL) F-Birds just were not very hip back in the day...
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Post by johnashfield »

Can't agree more about the comments on all the guitars...

One guitar I've always had a fondness for, although I've never seen one in person is the Ovation Breadwinner! Ever since seeing Keith Partridge (ok David Cassidy) play one on the partidge family as a kid.

They probably play terrible and sound yucky, but a white breadwinner looks kinda cool to me.
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jingle_jangle
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Post by jingle_jangle »

John, a white Breadwinner would look like a rubber glove for a giant frog...
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Post by johnallg »

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Post by johnashfield »

That's it!

Well... I wanna get it, but I have more rickenbacker guitar stuff coming up in the budget!

I do wonder what they play and sound like though. If the neck feels like a typical Ovation...yuck!

Usually I hate Ovations... for skinny people they may be fine, but for a person of "stature" such as myself, (ok, with a big belly, ok big) they are a nightmare. That round back... UGHHH!
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Post by johnashfield »

And you are right Paul! It does look like a giant rubber frog glove! But it is kinda groovy!
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sloop_john_b
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Post by sloop_john_b »

John, i'm skinny and I still find them terribly awkward!
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Post by johnashfield »

Ha! So it isn't just me!
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Post by johnallg »

Me too - I played a roomies acoustic Ovation years ago (when I was slim! :D ) and I found it awkward and uncomfortable too. I always wondered how the plastic/wood interface would hold up over the years also.
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Post by jimk »

I've been told that the chief advantage of Ovation guitars is that they bounce good.

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Post by sharkboy »

Don't you also think they would go really well with GWARs attire? If you go away from thinking of them as frog gloves, you can then think of them as nerf battle axes or something.
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Post by stubby »

I have an Ovation acoustic shallow back, a staple that I've played for about 15 years, and I really like the neck. Then again, I'm very small and the neck suits me great. It's black and looks a lot like the one Paul Simon has played for some time. My problem with this guitar is how the sound has deteriorated over the years. It never sounded great acoustically. But when I plugged it in, at one time, it was magical. Not the same experience over the last 5 years or so. It seems the electronics have failed me in some way lately. What could be wrong?
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