Wwow. That's the first Accent I've ever seen with a 1/8" gap between the string anchor and the tailpiece. Gives us an idea of the forces involved. The center (spring steel) piece is rather brittle, So I'd be on the lookout for cracks over time.
Two questions:
Does it return to pitch?
What's next--a bass?
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
I have Pyramid flats on it tuned down one whole step (DGCFAD). The arm is REALLY close to the pickguard, but there's enough room for gentle but effective pushes and pulls. Seems to stay in pitch. I'll know better tomorrow once it's settled in a bit.
John, send me the piece and I'll widen the grooves for you.
That's a gauntlet. Thrown down.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
What's the big deal? The only downside to the Accent to me seems to be the foam pads marring the paint underneath - but that's only after a long period of use. I'm just going to do it as a novelty and take it off 10 minutes later.