The owner turned up at the RIC booth at NAMM and tried to talk Ben Hall into displaying it in the "RIC Museum", whatever that might be. I recall he had quite a long rap concerning all the people who signed it.
The L. V. Beethoven signature was over the top, however, IMO.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
Is the bass salvagable? If all the garbage on top was sanded off and it was refinished? And are those wide inlays on the fretboard?
Paul, I visited L.A. in 1998 and I called the RIC Corporate Offices and asked about the hours for the "RIC Museum" which was described in the Smith book, I believe... At that time I was told that the "Museum" had closed and was no longer open to the public. But I remember seeing something about it in the Smith book and I was a little bit disappointed to find out that I couldn't go over there and drool over some vintage and rare guitars and basses... Maybe Mr. Hall will take pity on me, and give me a private tour on my next visit to the L.A. area.
"This is the big one, Elizabeth, I'm coming to join ya, honey!"
He probably means May to July which was the period where CB and small inlays coexisted. Joey has an Aug. 73 with that combo, only one I've seen.
73 Feb 4001, 73 March 4001, 73 April 4001, 73 May 4001, 73 June 4001, 73 July 4001 04 MM Bongo 5HSp, 07 MM Bongo 5HS, 09 MM Bongo 5HS, 09 MM Bongo 5Hp, 11 MM Bongo 5H
I have an April '73 with the full length "transitional" inlays, and a May '73 with the "new" inlays (below). As you can see, checkerboard binding continued a bit further into 1973 than the full width inlays..