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Vintage, Modern, V & C series, Fretless, Signature & Special Editions

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elysrand
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Post by elysrand »

Careful! You are letting your Heinlein show now Image
Do unto others as you would have them do unto you, and sit in with the band whenever you can, to keep your chops up!
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jingle_jangle
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Post by jingle_jangle »

I keep my Heinlein well-hidden. Love his fiction, but his views are too, er, atavistic for my taste. Try finding and reading "And He Built a Crooked House"...written in '46. Will mess with your mind a bit.

Tony, I do like the two you just posted, bottom one especially. Wouldn't buy them, but they are fine to look at. But the one on top does have the proportions of an old crapper seat.

That Spider thing is just an Explorer/Dean pastiche, I think. And I fail to see the added value in a white spiderweb appliqué. Might as well be a pink teddy bear.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
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elysrand
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Post by elysrand »

I usually keep my Heinlein in a box, together will all the toys that he always said were safer.....

Someday I simply must rout the edges and add CB to that toy box, double-bound of course Image
Do unto others as you would have them do unto you, and sit in with the band whenever you can, to keep your chops up!
relayer4u
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Post by relayer4u »

There is a bit of difference between white spiderweb applique' and inlaid sterling silver spiderweb Paul!

imho, of course.
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ajish4
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Post by ajish4 »

Thanks John!

Wise A@@! LOL!

That's NOT QUITE what I had in mind!

Paul, "proportions of an old crapper seat" I love it! You have a very special talent to create a vivid visual picture with your descriptions!

THANK YOU, the bottom one is or WAS mine. Walnut again. I LOVE WALNUT! That bass had a fantastic sound, balanced well and only cost $1300.00, USED of course. The ONLY problem was the NECK was made for KING KONG. NINE PIECES OF MAPLE made up that monster. The width at the 12th fret was 3 1/2"! I could land 747's on that baby!

I like the more traditional models myself, but part of the ALEMBIC deal is they will make ANYTHING you want, so long as you have the cash that is!

My problem is that I love the exotic woods, and the QUIET electronics of an Alembic, but I love the feel, balance, weight and sound of a RIC. For some reason, when I'm playing my RIC's, I almost never have to look where my hand is on the neck. My fingers just know where to go. I've played a lot of basses, and that ONLY happens on a RIC. I don't have to THINK when I'm playing one, where as, on my Alembics, I do.
"Freedom of expression is important, but I have learned that people want to know how much you care before they care how much you know."
The only time a bass player gets noticed is when he stops playing.
relayer4u
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Post by relayer4u »

Was the OX's bass the one with the actual note letters for fret markers or was that one of Greg Lake's Alembics?
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jps
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Post by jps »

"I fail to see the added value in a white spiderweb appliqué. Might as well be a pink teddy bear."

The spiderweb is a hand made sterling silver inlay.
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ajish4
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Post by ajish4 »

Ray,

The OX had the note letters on his bass, Greg Lake owned an 8 string SCORPION bass which is said to have been purchased by the OX years after Greg Lake stopped using it due to neck issues.
"Freedom of expression is important, but I have learned that people want to know how much you care before they care how much you know."
The only time a bass player gets noticed is when he stops playing.
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charlyg
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Post by charlyg »

His, or the bass's?

Too much money for a slab of wood, a few bits of wire, and a microphone!
relayer4u
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Post by relayer4u »

Was that the one in the Fanfare for the Common Man video Tony?

Love that Vid!
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woodyng
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Post by woodyng »

"Too much money for a slab of wood, a few bits of wire, and a microphone!" ----priced a 4005 lately? it is all relative-i never cared much for alembics in rock,(except for joe macre!),but in stanley clarke's hands-whoa! nothing sounds better.
'74 4000 White
'98 4004Ci
'04 4004Cii MG Fretless conversion
'04 4004 Laredo FG 4002v57 Custom
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charlyg
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Post by charlyg »

"priced a 4005 lately?" Yes, and my statement STILL stands!!
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ajish4
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Post by ajish4 »

Yes Ray,

That's the one!
"Freedom of expression is important, but I have learned that people want to know how much you care before they care how much you know."
The only time a bass player gets noticed is when he stops playing.
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wints
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Post by wints »

I love Alembics.

In the right hands they really impress. There is no greater bang for your buck. You can buy a good used one for less than four figures!

I do agree with Paul, some designs are way OTT and the fancy inlays are not always in the best taste, but a vintage quilted Series 1 is truly a magnificent bass.

Here's a classic...

http://www.youtube.com/watch?v=aCjmtW7FEYI
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atomic_punk
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Post by atomic_punk »

I never thought I would hear the words "bang for your buck" and Alembic in the same sentence!
GREAT basses....but Whoa, are they pricy!!
"They make great f***'n basses". - Lemmy, NAMM 2009
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