Acoustic Variations

Vintage, Modern, V & C Series, Signature & Special Editions

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jsm610
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Post by jsm610 »

2006 vs. 2002/2005
ImageImage
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charlyg
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Post by charlyg »

That pickguard harkens to the eagle claw of the man that designed the guitars....
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johnhall
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Post by johnhall »

....the man that designed the guitars....

"Designed" is a bit of a strong word in this case, as they had fairly well been "designed" by the time of his arrival. His contributions lay more in the area of improvements and methods employed in their construction.
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jsm610
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Post by jsm610 »

""Designed" is a bit of a strong word in this case, as they had fairly well been "designed" by the time of his arrival. His contributions lay more in the area of improvements and methods employed in their construction."
So Manea gets credit for the improvements. Who gets credit for the original designs?
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jingle_jangle
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Post by jingle_jangle »

The pickguard on the Aquaglo Minutaglio 700C is my own design, adapted from the guard on the Jim Reeves "Blue Boy" acoustic.
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charlyg
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Post by charlyg »

Cool, it just reminded me of his logo. I wasn't sure which word to use for his contributions.....
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jsm610
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Post by jsm610 »

"Aquaglo Minutaglio 700C" - compression killed that photo.... Too many colors for 35K I guess... Image
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elysrand
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Post by elysrand »

Hey, JM, I still think your Aquaglo paint job is gorgeous, and is PW at or near his pinnacle of extreme artisanship Image

I would be grateful if you could email-attach me some high-resolution 8-bit color (or higher) versions of your photos, so I could see the work in the greater detail worthy of this guitar!!! Please?? Image Image
Do unto others as you would have them do unto you, and sit in with the band whenever you can, to keep your chops up!
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jingle_jangle
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Post by jingle_jangle »

John has some lovely high-res pictures of this one, Elys...he's kindly sent me some a couple of months ago.

I have two more nearly ready to ship. I'll post pics. One is very traditional, the other is...
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
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rick_ovic
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Post by rick_ovic »

Here are some comparison shots of my '04 700C FG. The afternoon sun peeking out behind clouds wreaked havoc on the color consistency of the photos:-

ImageImage
ImageImage
'59 425, '59 335, '60 335, '60 360, '60 335F, '60 345F, '64 RM 1999, '65 RM 1998, '65 360-12, '66 335, '67 450-12, '72 4001 '72 4001, '75 4000, '75 4000CS, '00 700S, '01 700C, '01 700S-12, '01 730S-FH, '06 660 DCM
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Post by admin »

That's the kind of havoc I would like to have around my place Darren.
Life, as with music, often requires one to let go of the melody and listen to the rhythm

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rick_ovic
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Post by rick_ovic »

It's the sweetest sounding guitar I've ever played, Peter Image
'59 425, '59 335, '60 335, '60 360, '60 335F, '60 345F, '64 RM 1999, '65 RM 1998, '65 360-12, '66 335, '67 450-12, '72 4001 '72 4001, '75 4000, '75 4000CS, '00 700S, '01 700C, '01 700S-12, '01 730S-FH, '06 660 DCM
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jsm610
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Post by jsm610 »

That FG looks good on the jumbo.

If you look at the FG '04 vs. the MG '02/05 you can see again the fingerboard placement over the soundhole variation that Paul described...

DT: do you have a good headstock picture of that one? Did you put a pickup in it?

Image
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rick_ovic
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Post by rick_ovic »

John, I'll arrange for a headstock photo tonight. I have not put a pickup in it yet, but I'd love to at some point Image
'59 425, '59 335, '60 335, '60 360, '60 335F, '60 345F, '64 RM 1999, '65 RM 1998, '65 360-12, '66 335, '67 450-12, '72 4001 '72 4001, '75 4000, '75 4000CS, '00 700S, '01 700C, '01 700S-12, '01 730S-FH, '06 660 DCM
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Post by kennyhowes »

Sorry, kids, these links are dead now.

You can see some better ones on my MySpace page.
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