Mitch has THE tone I love!
Moderators: rickenbrother, ajish4
WAYCOOL!
Welcome, Mitch!
Please feel free to share anything you like about pretty much anything at all! We all love to hear more about Ricks, & many other subjects for that matter.
I'd like to pass along an invite to Ms. Hunter to check this place out. I'll send an email, but I know I don't open, much less respond to emails from people I don't know, so I won't expect a response.
My guess would be the old cap in the bass being responsible for the fuzzy low end.
There's an easy fix for that on those basses that have it.
Welcome, Mitch!
Please feel free to share anything you like about pretty much anything at all! We all love to hear more about Ricks, & many other subjects for that matter.
I'd like to pass along an invite to Ms. Hunter to check this place out. I'll send an email, but I know I don't open, much less respond to emails from people I don't know, so I won't expect a response.
My guess would be the old cap in the bass being responsible for the fuzzy low end.
There's an easy fix for that on those basses that have it.
Plus five minus five!
- chronictown
- Veteran RRF member
- Posts: 791
- Joined: Sun Nov 26, 2000 12:09 pm
Wow! Thanks for everybody's comments, and here are some answers to the questions: It was Richard Barone, of the Bongos, who led me to getting my 1st Rickenbacker. I had played a MapleGlo 360 at Reliable Music in Charlotte, NC when I was first in bands and I vividly recall how lovely and classy it was, but the times being what they were, and my bandmates' tastes being what they were, I wound up with an SG which can be seen in a funny picture which I think is on my MySpace site! I never forgot that sound, though, and when I worked with Richard and saw his guitar up close, I knew that was what I needed! What I got was a new AzureGlo 330, from Guitar Trader in NJ. It seems like it cost about $550.
I did work with Monuments Galore! They were great. The singer actually owned a copy of the Slade in Flame film!
The funny low end on Faye's 4001 seemed to be lots of confusing overtones, so that the fundamental was there but surrounded by too much other stuff. Maybe it was electronic. There was plenty of bottom, but when I borrowed a friend's ratty old 70s Jazz, it was so much clearer. It seems like 4001/3 basses do vary a bit. Jon Heames, who was in Let's Active awhile, had a really good one, a 4003, I guess.
That 360 OS belonged to Angie Carlson, and it was unbelievable. I wonder whatever happened to it. It was a '66, and was a sort of light translucent powder blue-turquoise burst, over lovely bird's eye maple. Actually, it was a 365 OS. I played it quite a bit on the Someloves record, which is a great sort of ultra powerpop record from Australia. Yeah, I wish I had that one. I've always wondered if it's the "other" finish guitar cited in the production totals in The Rickenbacker Book. It is surely a one-of-a-kind. There was a tag on the case that said Quigley Music Center, I think. We got it in Hollywood at Guitars-R-Us, maybe? The guy at the store said it had been bought new by somebody who was child actor on TV. So there's maybe a bit of a story on this guitar, although the pieces are mostly missing...
I did work with Monuments Galore! They were great. The singer actually owned a copy of the Slade in Flame film!
The funny low end on Faye's 4001 seemed to be lots of confusing overtones, so that the fundamental was there but surrounded by too much other stuff. Maybe it was electronic. There was plenty of bottom, but when I borrowed a friend's ratty old 70s Jazz, it was so much clearer. It seems like 4001/3 basses do vary a bit. Jon Heames, who was in Let's Active awhile, had a really good one, a 4003, I guess.
That 360 OS belonged to Angie Carlson, and it was unbelievable. I wonder whatever happened to it. It was a '66, and was a sort of light translucent powder blue-turquoise burst, over lovely bird's eye maple. Actually, it was a 365 OS. I played it quite a bit on the Someloves record, which is a great sort of ultra powerpop record from Australia. Yeah, I wish I had that one. I've always wondered if it's the "other" finish guitar cited in the production totals in The Rickenbacker Book. It is surely a one-of-a-kind. There was a tag on the case that said Quigley Music Center, I think. We got it in Hollywood at Guitars-R-Us, maybe? The guy at the store said it had been bought new by somebody who was child actor on TV. So there's maybe a bit of a story on this guitar, although the pieces are mostly missing...
The guitar- road to ruin?
- lyle_from_minneapolis
- Advanced Member
- Posts: 2530
- Joined: Sun Nov 19, 2006 7:13 pm
Why does Billy Mumy's name suddenly leap to mind...?
Here is where I hide my music:
http://www.soundclick.com/MarkKaufman
http://www.soundclick.com/MarkKaufman
- sloop_john_b
- Rick-a-holic
- Posts: 13843
- Joined: Tue Jan 25, 2005 6:00 am
-
janglerocker
- Member
- Posts: 405
- Joined: Wed Dec 20, 2006 1:07 am
- sloop_john_b
- Rick-a-holic
- Posts: 13843
- Joined: Tue Jan 25, 2005 6:00 am
Hi Marc-
But you returned to a 4001, eh? I think Richard's effect on me was more of a soft sell- he just sounded so great, and the guitar looked so great. He didn't have to say anything about it! Hey, are you in touch with Donna, Frank, et al? If you are please give them my best regards!
About other important Rickenbackers, well, there are some tracks on my recent disk which feature a 650 Atlantis to good effect, if I do say so. Two tracks are really fuzzy, so probably nobody would associate these sounds with Rickenbackers. I sold the 650 awhile back because I couldn't quite figure out how to use it in a band situation, but of course now I see this is a failure of imagination! Oh well. If anybody has this disk, the songs are "I Want a New Scene" and "To Be, Cool Thing". I think it's the clean tremolo guitar on "Love Slaves to Paradise Lost". Another important one to me is a '68 365JG, which has that dainty neck and the classic "toaster" sound. This one has seen a lot of action in the past 8 years or so. Probably the 1st recording I did with that one was my epic cover of Crazy Elephant's "Gimme Gimme Good Lovin'" on this bubblegum/pop compilation called Teenster. OK, kidding about the "epic" part. The guitar did great, though. It was so fun to have a vibrato bar on a Rickenbacker!
But you returned to a 4001, eh? I think Richard's effect on me was more of a soft sell- he just sounded so great, and the guitar looked so great. He didn't have to say anything about it! Hey, are you in touch with Donna, Frank, et al? If you are please give them my best regards!
About other important Rickenbackers, well, there are some tracks on my recent disk which feature a 650 Atlantis to good effect, if I do say so. Two tracks are really fuzzy, so probably nobody would associate these sounds with Rickenbackers. I sold the 650 awhile back because I couldn't quite figure out how to use it in a band situation, but of course now I see this is a failure of imagination! Oh well. If anybody has this disk, the songs are "I Want a New Scene" and "To Be, Cool Thing". I think it's the clean tremolo guitar on "Love Slaves to Paradise Lost". Another important one to me is a '68 365JG, which has that dainty neck and the classic "toaster" sound. This one has seen a lot of action in the past 8 years or so. Probably the 1st recording I did with that one was my epic cover of Crazy Elephant's "Gimme Gimme Good Lovin'" on this bubblegum/pop compilation called Teenster. OK, kidding about the "epic" part. The guitar did great, though. It was so fun to have a vibrato bar on a Rickenbacker!
The guitar- road to ruin?
- sloop_john_b
- Rick-a-holic
- Posts: 13843
- Joined: Tue Jan 25, 2005 6:00 am
