I guess that the oddball in the Rickenbacker line has to be the 430 series and the 3000 series bass. From the time that Former Fender man Forest White worked for Rickenbacker.
I guess he tried to widen the appeal of Rickenbacker by offering a guitar line with Bolt on necks and simpler electronics.
But now I want to know how these stand up to the 600 series and the 300 series.
Any love for the most Fender-like Rickies?
"The stronger one gets the stronger one smells." - Son Goku, Dragonball Z.
These types of Fender style Ricks came out in 1974 when I worked there. Forest White was no longer with the Company to my knowledge. From what I know an Ex Fender employee, Terry Deason and Brian Carman had a lot to do with these designs.
Not exciting in the least, though a 430 in Mahogany is my lowest-purchase-price Rick (not "Ricky"---he was Lucy's husband) to date, at $325.00 plus postage.
It might not be exciting to look at, but it's very sturdily-made and the sound is hi-gain heaven. Mine has a B5, and was abused for many years by a punk rocker, but keeps on tickin'.
It seems to be a child of the union between a Tele (the square edges) and a pregnant Strat (the silhouette, sorta), filtered through the eyes and ideals of a Bulgarian hydroelectric plant engineer.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
This was most certainly WAS the brainchild of Forest White! And I had no problem to resurrect the basic body shape in subsequent guitars like the System 490 and 200 Series.
I have to say that some of the prototypes, the 220/260, and especially the System 490, with bound bodies, do look MUCH better. I'm not a fan of the natural mahogany (not the prettiest wood IMO) or some of the basic plain bodies.
The mahoganies are supposed to be rarer than the maples in this model...my plan was to bind this puppy and paint it something outrageous, as a bit of dressing does the shape a world of good, as some of the later 200 series prototypes show.
Oh, how does it play? You're referring to the neck, I suppose. It does feel like a bolt-neck guitar, and not like a Rickenbacker. And at least on mine, the neck feels about like a Tele or Strat, generally speaking.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
???? That mental movie is gonna keep me up tonight! ????
I can't really complain, y'know. I just bought a nice 260 and a 450/12 myself (numbers 99 and 100 in the collection so far). I believe in Equal Opportunity RAS.....
Do unto others as you would have them do unto you, and sit in with the band whenever you can, to keep your chops up!
I bought one and gave it to my daughter about 5 years ago. She's 20 now and still loves it. Its Mahogany. I thought about having it finished in Pink but changed my mind, lol. It will stay stock.
Too many Fenders around to get the least bit excited about Yet Another Lookalike
That's about the way I feel about it, Elys. And truth to tell, one of the biggest reasons I never even half seriously considered plugging in until I discovered Rickenbackers.
The Mahogany body instruments might have looked somewhat better if they'd used a different species or grade. As it was, it looked like the outhouse door of a tuna clipper. The remainder of that one and only load of wood currently resides in the workbench in my garage.
It does resemble that Weed of the Orient, "Phillippine Mahogany" (Lauan), which is bettered in appearance by nearly every other species, including printed woodgrain. Hence my desire to cover it up.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut