Has Everyone Given Up On Pyramids?
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- melibreits
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I love 'em on my 1967 365.... Wonderfully jangly tone, and they do indeed last forever....
But I tried Pyramids on a 360/12 and I couldn't stand 'em--they felt like razor wire under my fingers, and it was absolutely miserable to play--they only lasted on that guitar for a few days.
But I tried Pyramids on a 360/12 and I couldn't stand 'em--they felt like razor wire under my fingers, and it was absolutely miserable to play--they only lasted on that guitar for a few days.
"Once I've held and played the best, baby, I won't settle for less!"
- jingle_jangle
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The main point of this long diatribe is that "Optimum Gauges" should have a slight linear increase in tension as the strings get thicker:
Unfortunately, this guy's speaking in generalities and fails to consider that there's many ways to construct strings that greatly affect tension. The direct relationship between tension at pitch vs. gauge really only exists for a theoretical plain string.
The idea of increasing tension as the gauge gets larger is an old one, and not completely a bad idea, in that it reduces the need for relief since the higher tension keeps the larger strings from vibrating too widely. However, that usually requires a re-balancing of the pickups for an instrument not designed for these sets in order to have any reasonable evenness of volume, and of course it's problematic to adjust the neck straight with unequal tension on each side if you only have one truss rod.
My impression is that this guy is the Ed Roman of strings.
Unfortunately, this guy's speaking in generalities and fails to consider that there's many ways to construct strings that greatly affect tension. The direct relationship between tension at pitch vs. gauge really only exists for a theoretical plain string.
The idea of increasing tension as the gauge gets larger is an old one, and not completely a bad idea, in that it reduces the need for relief since the higher tension keeps the larger strings from vibrating too widely. However, that usually requires a re-balancing of the pickups for an instrument not designed for these sets in order to have any reasonable evenness of volume, and of course it's problematic to adjust the neck straight with unequal tension on each side if you only have one truss rod.
My impression is that this guy is the Ed Roman of strings.
- jingle_jangle
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"My impression is that this guy is the Ed Roman of strings."
...and the Gandalf of Guitars, too.
...and the Gandalf of Guitars, too.
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
- jingle_jangle
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George, are you talking about Pyramids or Zachs? If Pyramids, bring 'em on!!
“I say in speeches that a plausible mission of artists is to make people appreciate being alive at least a little bit. I am then asked if I know of any artists who pulled that off. I reply, 'The Beatles did.”
― Kurt Vonnegut
― Kurt Vonnegut
There are no easy give-aways. The ball end has a plain brass-colored tube-gizmo at the end, the silk is red and the color of the flat winding is a little bit greyish, rather than a bright silver. TI's actually look very similar as do some other brands. When tuned to pitch, the Pyramids are pretty darned stiff though, and you might be able to feel it.
The Pyramids are rougher compared to the TIs. Actually they were not nearly as smooth as I expected.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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