Iron Maiden...the musical review

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phlemmy

Iron Maiden...the musical review

Post by phlemmy »

My introduction to Maiden was Run to the Hills, which I'll assume was the way it happened with most metalheads older than 35 in the USA. I had seen their album covers in stores but wasn't able to buy albums at that time as my parents were starting to think that metal was of the devil :twisted: . But I heard Run to the Hills and thought it was a cool song but never heard anything else from Number of the Beast. I remember when Piece of Mind came out and Circus magazine had given it a great review. Right after I read that review I heard the Trooper on the radio. I hated it and still do. Because of that, I never gave the album a chance (Yes, I am a fool). 1984 rolled around and my Mom and I flew to Pittsburgh to see some relatives. At the Pittsburgh airport I bought Powerslave and Bark at the Moon on cassette but couldn't listen to them because it seemed that no one in my extended family up there had a working cassette player. After I returned home, I popped Powerslave in the player and was hooked. It is my favorite album of all time by any band. I've owned several copies on vinyl and cassette as I kept wearing them out. Now follows an album by album review of my favorite band of all time (1980-1988 anyway).

Iron Maiden - 1980
Raw, powerful, Di'Anno is on fire. It is a bit goofy in places but what metal band wasn't in 1980? I don't like the instrumental at all and Running Free, Sanctuary and the title track bore me a bit. I adore the rest of it, expecially Strange World and Prowler. It's a damn fine debut by a band.
6/10

Killers - 1981
I'm no fan of instrumentals in general and don't like the ones on this album although I know them by heart after listening to this album so many times. I don't even skip them as I feel that this album needs to be played in its entirety to get the full feel of it. Standout tracks are Killers, Purgatory, Murders in the Rue Morgue and Drifter. The addition of Adrian Smith was a good move. He and Dave just seem to fit well together. Steve's bass work on this LP is probably his best ever. I love the production, so raw. As with the S/T LP, I don't like Clive's style that much. He likes to repeat his drums fills over and over within the same song. Drives me crazy. This is probably my #2 favorite Iron Maiden record.
10/10

The Number of the Beast - 1982
Damn! Who is this guy? Bruce Bruce! As with the above 2 records and Piece of Mind, I was in backtracking mode after hearing Powerslave. I basically bought all four of them at one time. Whatever, back to this LP. There's not a stinker in the bunch although Run to the Hills has been played to death and I could probably live without Invaders (incredible bass work). My faves are certainly 22 Acacia Avenue (duh), Children of the Damned and The Prisoner. I love Adrian's influence on this album. I ranted a while back about Iron Maiden including Total Eclipse in the recent re-release versions. Granted, it may very well be my favorite Maiden song, but after listening to that album for 20+ years and hearing that song in between Gangland and Hallowed Be Thy Name, it just doesn't work for me. I don't own that version and don't plan on ever owning it.
9/10

Piece of Mind - 1983
Does Iron Maiden think they are Kiss? That's a lot of records in 4 years! This album is awesome. Damned near perfect if it wasn't for The Trooper. What was worse was that all of us cover bands in the 80s always wanted to play it. Beyond that song, perfection. Still Life (), Revelations, Sun and Steel, To Tame a Land, everything. Totally badarse. The is probably Maiden's most powerful record. I do love how they took a Christian hymn and made Revelations out of it. Growing up in church, my best friend and I found it in our hymnal and used to always put notes in the offering plate to see if the preacher would actually put it on the list to be sung one Sunday. It never happened. I think he was on to us. Not to mention the addition of Nicko McBrain. That man is awesome and was the reason I wanted to become a drummer. He was probably the greatest influence on my playing and getting to meet him in 1988 and play his kit was awesome.
9.9/10 (The Trooper hurt the rating)

Powerslave - 1984
I don't know how much more I need to go on about this one. I hear people throw the term filler when talking about this record quite often, but whatever. Dorks. Even the instrumental is tolerable. I love it, actually. The album is perfect although I always thought the production was lacking a little.
11/10

Somewhere in Time - 1986
I was so excited when I read about the release date of this album in Circus magazine. I knew the owner of Unicorn Records really well and back then they would get new releases a week or so before the actual release dates. I went in the day before this was to come out and he sold me a copy. I almost cried. I was itching to hear it (the rash subsided). I put it in the cassette player of my 66 Nova 4-door and drove around listening to it. I didn't know what to think. It was so very different than any other Maiden album and it took me quite a while to digest it all. But after a few listens, I fell in love with it. Wasted Years, Sea of Madness, Deja Vu and Heaven Can Wait are definitely my favorites. There are no songs that I don't like but Alexander the Great does get skipped every now and then. Unfortunately this is where Maiden really started repeating the choruses way too much.
8/10

Seventh Son of a Seventh Son - 1988
WTF? I also got this one prior to its actual release date and it was such a let down. The repetition, the weak songs and the sheer whimpyness of this album left me flat. Moonchild and Infinite Dreams are tolerable. I only listen to it about once a year now and it's mainly for nostalgia reasons. I don't like it, I never will. I saw the tour, however, and it was awesome.
3/10

No Prayer for the Dying - 1990
Janick Gers? Who? What do you mean Adrian left? Honestly, I think I may have cried when I read about "H" quitting the band. My memory is hazy though. I bought this album with a lot of reluctance. Overall it's a silly record. Hooks in You? Bring Your Daughter...to the Slaughter? Holy Smoke? Ewww. Again. WTF? I do like Run Silent Run Deep, Mother Russia, The Assassin and Fates Warning but the rest blows. Gers blows. I saw the tour and was disappointed. Gers blows.
2/10 Gers blows

Fear of the Dark - 1992
Why did I buy this? I knew what I was in for yet I still bought it. Curiousity killed the cat. WTF? I actually just had to go to Wikipedia to see the tracklisting for this. Judas Be My Guide was OK. Terrible album cover.
-4/10 Gers blows

The X-Factor - 1995
Blaze Bayley? I had Wolfsbane's debut and thought it was decent, but I couldn't see him as a fit for my Iron Maiden. While I commend Steve for going out on a limb and trying something different (unlike Priest did with Ripper), it was a failed experiment. The album sucked. You know what? It still does. I listened to a CDr version a while back and it's horrible. Another rotten cover.
-10/10 Gers blows

Virtual XI - 1998
This one ranks very higly! On the suck scale, that is. I can't even talk about it.
-3,456/10 Gers blows

Brave New World - 2000
Adrian is back! Bruce is back! Gers is gone! Oops. They're keeping him? Really? Three guitarists? C'mon, man. Do they think they are a southern rock band now? Whatever. I was excited about the aforementioned prodigal sons. Other than their patented chorus repetitions, it was a decent album overall but I rarely listen to it.
5/10 (psst...Gers still blows!)

Dance of Death - 2003
What's with the album cover? Rainmaker was an OK song and I sort of like Gates of Tomorrow but overall this album reeks!
1/10 (see final comment for Brave New World)

A Matter of Life and Death - 2006
I didn't want to hear it but I bought it out of sheer curiousity. Man, what a surprise! I love this one. I think people hate this one more than any of the Bayley albums. I love it and still listen to it often. Bruce sounds great. It's a very different sounding album for them. The crazy Steve Harris bass licks aren't there, but they don't need to be.
8.5/10 (even Gers doesn't annoy me too much on this one...but he still blows)
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sloop_john_b
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Re: Iron Maiden...the musical review

Post by sloop_john_b »

So what's your preference , Sean - DiAnno or Dickinson?
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rickenbrother
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Re: Iron Maiden...the musical review

Post by rickenbrother »

It took me a while to get used to Dickensons voice. I thought he over did the vibrato for being in a metal band, but he worked it out .
JETGLO should officially be renamed JETGLO ROCKS! :-)
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incubus2432
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Re: Iron Maiden...the musical review

Post by incubus2432 »

Powerslave and Piece of Mind are great but I prefer DiAnno's Iron Maiden, Killers and Maiden Japan......probably because that's the original voice I heard with the band and just seems quintessential lineup (IMO). My favorite Steve Harris era is from the first few Dickenson offerings however (FWIW).
phlemmy

Re: Iron Maiden...the musical review

Post by phlemmy »

sloop_john_b wrote:So what's your preference , Sean - DiAnno or Dickinson?
Bruce Bruce.

However I loved Dianno's 1st 3 solo albums, especially the 2 Battlezone records.
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dean712
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Re: Iron Maiden...the musical review

Post by dean712 »

Man, I love Iron Maiden.

I've never been in a metal band where I had an opportunity to cover them, but Steve Harris is definitely a top-10 influence on me as a bassist.

My first Iron Maiden experience, like so many others (especially those of us in the Midwest USA) was "Number of the Beast." It's a metal masterpiece. As a weird aside, (and probably due to when it came out and was popular and what I was listening to), I put it in the same sphere and reverence as "Back In Black" by AC/DC - just perfect, timeless rock. They're different, but somehow there's a link for me.

My favorite Maiden albums, though, are:
"Seventh Son of a Seventh Son"
"Somewhere In Time"
"Powerslave"

I spun a lot of Maiden in the 80's, and those are just *sacred* albums for me.

After that, I also really like:
"No Prayer For The Dying"
"Fear of the Dark"
...partly because those were the two tours I got to see them on, but also I still listen to the albums and love them.

There are no bad Iron Maiden albums, but those are my favorites. I like the live ones, too, and probably have all of them.

It's fun to see your ratings, Sean. We differ in places, but some (ie. Powerslave, Number of the Beast) are such masterpieces that there's a lot of agreement.

Anybody who loves great bass playing and hasn't listened to much Iron Maiden should find "Powerslave" or any of the others and take a listen - Steve Harris is a rare talent and one of the greats.
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rickenbrother
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Re: Iron Maiden...the musical review

Post by rickenbrother »

Hey Dean, it's been a long time since your last post. Welcome back!
JETGLO should officially be renamed JETGLO ROCKS! :-)
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Re: Iron Maiden...the musical review

Post by nattiep »

Iron Maiden - Counter Review. I've learned every song from the start up to Seventh Son. Lotta fun stuff there, so I may add props to a song that sucks, but it's fun to play. Tough. Also I have to give props to the pure metal that is Dave Murry. He is soooo fast and it doesn't sound like ****.

Iron Maiden - 1980
Excellent debut record. A bit under produced, but whatddya want, they're poor. Contains many Maidens greatest Di'Anno songs. High points - Strange World (the greatest overlooked Maiden song, one where Paul really sings) and Phantom of The Opera (prolly one of the best they ever did). Low points - who the hell is that guy on guitar?! And remaster putting the b-sides on the album... Women In Uniform? Invasion? WTF?!
7/10

Killers - 1981
Enter Mr. Smith. Finally a guy who's name I can remember! Better production value, but songwriting is somewhat weaker than the first album. Also the beginning of Steve and the triplets. High points - Genghis Kahn and Innocent Exile. You try playing those songs.. damn. Low Point - Another Life.
5/10

The Number Of The Beast - 1982
Ah yes, The Air Raid Siren. Listen to that man go. Still one of the three greatest voices in metal from that time (the others are Rob Halford and Geoff Tate). Not really a bad song on here... well Gangland isn't all that amazing, but still. I'm the opposite of Sean. I'm used to this record with Total Eclipse in the record. I made sure I got that version. It's not too bad. I don't like listening to it at the end, Hallowed is the end song. High points - ALL OF IT! Higher points - Children Of The Damned and Hallowed be Thy Name. Low points - where?
10/10

Piece Of Mind - 1983
Enter Old Flatnose. Another perfect record. Bruce is on the top of his game here. Nicko has only improved the band. Harris shines on this album. Songwriting is great and the bass playing is disgusting. Triplets everywhere and To Tame a Land has parts that I still can't figure out even years later. Also there's a mojor change in production with more guitar layers. High Points - Flight Of Icarus. Listen to that man scream. God damn. To Tame A Land. Low point - The Trooper. Sure, greatest hit material but the song without a chorus. no wait, my bad, the chorus without lyrics. Sun And Steel. Just because Bruce like fencing doesn't mean the rest of us like sword fights.
11/10

Powerslave - 1984
Wow. So much metal in so little time. My brain is hurting now. And I think I have carpal tunnel. DAMN YOU HARRIS!!! Sognwriting is great, although there's more sword fighting songs. Bah. Only album I know of besides the debut with a lack of triplets from Steve. Man actually wrote songs instead. High points - Powerslave. way to write a song in a minor key Bruce. Awesome. the eastern flavor is very interesting. Back In The Village. Go Adrian. Wow. Low points - The sword fighting songs. You'll figure them out just from the names.
10/10

Somewhere In Time - 1986
Yup, carpal tunnel for sure. Caught Somewhere In Time has got to be one of the hardest songs I've ever learned. Not from crazy left hand stuff but lightning speed two finger triplets for 7 minutes. Sweet zombie jesus. unfortunately the rest of the album is ****! They put out too much good stuff in a row and the big *** tour they did before this record burned them out. Bruce's voice is shot, the band resorts to cleche progressions (Wow, E C D again?!) and what's with the guitar synths? Sure, I can see their point of view, you can go to hell if you don't like it, we like it stuff, but still. High Point - I've said it already. Low points - The Lonliness Of The Long Distance Runner aka The Longness Of The Long Distance Run On Song. Also this is where Maiden's b sides stopped being good alternate songs and turned into comedy. Sure, The Sheriff Of Huddersfied is hilarious (I can pick up five nappies on the end of a shovel!) but it's not a true song. And Juanita. ohh a song about screwing skanks. I'm never goin down on Juanita, nooo oohhh.
4/10

Seventh Son Of A Seventh Son - 1988
Excellent record. Bruce knows his limitations now and works well within them. Songwriting is standard Steve but the lyrics shine. Well most of them. High Points - Infinite Dreams. Dayum. The Prophecy. So crooked but so good. Too short unfortunately. Low Point - The Evil That Men Do goes on and on (and on and on..... and on). Writers block there Steve?
8/10

No Prayer For The.. ya know what, this record sucks. Only thing I like is Tailgunner. But really it's another Aces High.
Also, Gers blows! But I have reasons. He belongs in Whitesnake. What a poser! Look at that big poufy hairdo. Yuck. And he spends more time showing of how he can flip his guitar around than actually playing it. His gutar sound is so processed it sounds like a machine is playing. And not a good machine either. It's awful.
0.5/10 Gers really really blows.

Fear Of The Dark - 1992
Still sucks, but Be Quick Or Be Dead is an excellent start fo rthe record. It's really in your face and promises great things to come.. but they broke that promise. Bastards! High Point - The title track. This is more vintage Maiden sounding than anything else they did with Gers. Damn you to hell Gers.
4/10 Gers blows.

The X Factor - 1995
Enter Blaze. He's not too bad. He doesn't work with the back catalogue at all but his stuff isn't too bad. my only problem is he sings flat the entire record. It'd be good if he wasn't lazy. Also Steve may have gotten James LaBrie (Dream Theater)instead of Blaze. Thank the Metal God (thanks Rob!) that he didn't. I do have to say, while they did what Priest did later they didn't find another Bruce. High Point - Sign Of The Cross. Excellent song no matter who is singing it. Low Points - Aftermath. Dumb song that could've been done by any band.
3/10 There are two settings on a vaccuum. Suck and Gers. The second only to be used in industrial situations.

Virtual XI - 1997
The Hell? Futureal is ok but the rest. Meh. Standard ****. This is No Prayer but with a different singer. Also there's a song with Steve playing everything on it. The song was so bad the rest of the band wouldn't do it. Steve, we know you pretty much are Iron Maiden, but that's takin it a bit far. High Points are at the tops of mountains. I'm kidding, The Clansman is good. None here. Low points - Iron Maiden.
-7/10 Hurricane Katrina has got nothin on Gers.

Brave New World - 2000
Welcome back Bruce and Adrian! Although I have a problem with Adrian. He's friggin lazy. I'll be rhythm guitar instead! Let Mr. Wind Tunnel (Get it? He blows! Hahahahah) play all the solo's. But Bruce is back, that's good right? Yes it is. High Points - Ghost Of The Navigator. Blood Brothers. Hey, an orchestra with Iron Maiden. Who'da thunk it? Apparently Maiden. Low Points - Brave New World. The song is good, but it's really just The Lonliness Of The Long Distance Runner part two. Way To use the same chorus guys!
6/10 Gers is still in the band? That blows!

Dance Of Death - 2003
Did someone cut Brave New World in half and release it as two seperate albums? These sound excatly the same. High points - Dance Of Death (Blood Brothers part two. It's just a little repetitive! It's still good, it's still good!). Interesting that BRuce doesn't end the song on the note you expect. Oh yeah and Paschendale. Low Point - BNW part two.
7/10 Gers still blows for bein in the band but The Trooper has an awesome thrid harmony live!

A Matter of Life and Death - 2006
Oh, the long lost third chapter of Brave New World! WOW! Where'd they dig that up? Songs are a bit long. I have to say I don't want to give this record a set score because I've heard it only one and a half times. The half was me complaining it sounded like the last two efforts and I turned it off.
Pending/10 NASA could save a lot of money on rocket fuel by putting Gers unerneath the shuttle.
phlemmy

Re: Iron Maiden...the musical review

Post by phlemmy »

Love the write up, Nate!

I would like to comment on a few of your comments. Songs like Juanita and the like are cover songs. Most of their B-side tracks throughout the years were covers. Maiden loved paying tribute to their favorite bands. I have the 1995 Castle reissues of the Maiden CDs that have the bonus tracks on a separate disc. I cannot bring myself to own the new version of NOTB, even if Steve intended to have Total Eclipse on there to start with.

My favorite B-side tracks would be:
Reach Out - Adrian on lead vox and Bruce backing him up...awesome!
King of Twilight - Awesome cover of a Nektar song. They nail it.
Rainbow's Gold
Mission from 'arry - HILARIOUS...Nicko is king
I've Got the Fire - Montrose cover...listen to the original sometime. Not sure whose version I like best.
Cross Eyed Mary - super intense cover of a Tull classic
Total Eclipse - one of the greatest metal songs ever recorded
Invasion
Burning Ambition
I've got the Fire
Massacre - Brilliant Thin Lizzy cover
Black Bart Blues - I really only like the drum work in this
Kill Me Ce Soir - a pretty nifty cover of a Golden Earring classic
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nattiep
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Re: Iron Maiden...the musical review

Post by nattiep »

Sure they were covers, but at first they took them seriously. I've Got The Fire blows away the original, as does Crosseyed Mary, and there were the great live versions too. Withthe exception of those first 3 songs (Burning Ambition, a total hair metal song if I ever heard one, Women In Uniform, same thing, with prerequisite sexual double-entendre, and Invasion, which is just a bad song no matter how you look at it) they were pretty good. Then came The Stand Up Comedy of Bruce Dickinson! Sure Sheriff is good, but its not serious. Reach Out is OK but its pretty cheesy. Juanita is a cover, but they picked it for comedy value. Then came Black Bart Blues, which is over 50% joke content. The song is only a small part of the track. Redemption came partially with 7th Son (except for Bart), because they did the long needed re-recording of DiAnno songs. They should have just re-recorded the first 2 albums all along with good production values and Bruce. They then began covering overplayed classic rock tunes like any other band, not the obscure stuff they did before. And the comedy factor remained. Hocus Pocus. Age Of Innocence... How Old.
phlemmy

Re: Iron Maiden...the musical review

Post by phlemmy »

Another thing to take into account is the era in which they were doing these things. That which some find goofy now was not so goofy back then. especially for the guys who were doing it.
phlemmy

Re: Iron Maiden...the musical review

Post by phlemmy »

By the way, did you ever hear Adrian's solo album with the band A.S.A.P.?

Brilliant rock with Adrian singing and Zak Starkey on drums.

http://en.wikipedia.org/wiki/ASAP_%28band%29
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Re: Iron Maiden...the musical review

Post by uffe »

phlemmy wrote:Another thing to take into account is the era in which they were doing these things. That which some find goofy now was not so goofy back then. especially for the guys who were doing it.
iron maiden and killers are not, and will never be goofy, they are the most timeless records they did. The production on Iron maiden kind of hinders the songs, if you make a compilation of live versions of the tracks on iron maiden it is by far the best record they've ever done. Rock n roll.

PS I love no prayer for the dying. bruce kills on it.
phlemmy

Re: Iron Maiden...the musical review

Post by phlemmy »

LIVE AFTER DEATH DVD released today! I'm watching it right now.
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