Rickenbacker Combos

Vintage, Modern, V & C Series, Signature & Special Editions

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Rickenbacker Combos

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Here is a nice photo of David McLaughlin's Rickenbacker Combos. Thanks for the photo David. Please take the time to discuss the history of these instruments to your heart's content.

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Life, as with music, often requires one to let go of the melody and listen to the rhythm

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leftybass
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Post by leftybass »

Nice couch, David. LOL Image
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Post by admin »

Lefty: Certainly a pretty "combonation."
Life, as with music, often requires one to let go of the melody and listen to the rhythm

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sir_andrew_of_left_coast
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Post by sir_andrew_of_left_coast »

Looks like the two on the right are without strings... Perhaps there's something wrong with them? I'll be generous... $100 for both of 'em, no questions asked.

Well... I can dream, can't I?
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leftybass
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Post by leftybass »

I believe the two w/o strings date from 1957..
combo850
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Post by combo850 »

Yes, the two on the left are from 1958. The two on the right are from 1957. You can see the different knob positioning. Also, the ones made in '58 are much lighter because of a deeper carve around the edge, and more wood routed out under the pickguard. The 1957 850 with the lighter shade, has retained its light natural, un-yellowed color because it has been in its case most of its life and has hardly ever been exposed to light.
mortivan

Post by mortivan »

Heh heh! Image
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beatlefan
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Post by beatlefan »

I believe the two on the right were the first "air guitar" prototypes.....
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mortivan

Post by mortivan »

Sir Andrew, you're looking for a good price with no strings attached?
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sir_andrew_of_left_coast
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Post by sir_andrew_of_left_coast »

LOL... good one, Mortivan!

Yes, I thought I might try to "pickup" a good deal. I mean, with a horseshoe like that, it would be quite a "steel."
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wim
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Post by wim »

Beautiful...

I want one *sniff*
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Post by admin »

Mortivan and Left Coast: I see that you, along with David are drumming up some enthusiasm behind the scene for the 850 Combo.
Life, as with music, often requires one to let go of the melody and listen to the rhythm

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