NAMM NOTES
Moderator: jingle_jangle
- jingle_jangle
- RRF Moderator
- Posts: 22679
- Joined: Wed Dec 22, 2004 6:00 am
- Contact:
NAMM NOTES
On to the topic.
We arrived at NAMM at noon on Thursday. The RIC booth (where I've been spending 90% of my time) is slightly different, but not in terms of product. There is some slatwall painted in black, upon which are mounted product groups (i.e., the "Vintage" line are mounted on the wall by the conference room). But most of you are aware of this already.
There's no real buzz about the "discontinued" models. So far, RIC has seen no decrease in workload, and in fact, it looks as though orders might be slightly up. Working two years ahead does have its advantages. There have been no order cancellations, according to John Hall, and about three times an hour, somebody comes by wanting to be a dealer, only to be told that the factory is working at capacity and applications for dealerships are not being accepted.
I saw some intriguing things at the factory yesterday morning, and got to play Chris Squire's original RM for a few gentle minutes. It's in for a refret. I have never felt a slimmer (front-to-back) Rick bass neck...and me not primarily a bass player...so I suppose if you've got any questions that are not too dimensional, I could help. It's in beautifully-patinaed shape.I did not plug it in (despite the presence of a Transonic 200 in the next room!), but the neck is faaaassst, though action is about what you'd expect with a very thin neck and roundwound strings (don't know what brand or weight...
The switch over to UV-curing of all finish steps except color (which doesn't need it) is very close to complete, and most of the instruments shown at NAMM sported UV-cured 100% solids clearcoats, as well as UV-cured grain filler and sealer. Advantages are primarily that there is no VOC (no solvents) and undetectable shrink-back. I met briefly with the UV systems guy while there and could possibly be putting one into my own shop for new finishes and touch-ups.
NAMM's a hoot for a newbie like me (only my third time) addicted to people watching. The swag is way down this year for just about everybody...last year, Gretsch Good Guy and Marketing Manager, Joe Carducci, treated Juliana and I to some great Gretsch Gear (a baseball jersey for me, a tank top for her); this year Joe was handing out lanyards for passes...Fender has clamped down, responding like any corporate behemoth would to bad economic tidings--with a knee-jerk overreaction. Word is that Gibson sales in Japan (a sore point with their Marketing guys for some time) was down 90% last year, which number has little to do with the economic crisis and lots to do with a general crisis of confidence with Gibson in Japan and the way the Japanese have been treated in the past. Gibby's booth is actually open to show grunts like yours truly this year--a sure sign of the democracy of desperation. The last couple of years, you neede special passes or an escort, which I was lucky enough to have last NAMM, only to find much ado about a buncha reissues as Gibby got onto the Vintage Bandwagon too late...
The Rick guys and gals materialized yesterday afternoon from points near and far. Near saw us graced with the presence of Paul who's-yer-father A, Joey and Diane Vasco, Gary Clauson, and Dane Wilder; far saw Graham where's-yer-bar Griffiths, John Biscuti, and Chris Clayton. Apologies to any whom I've forgotten momentarily; I spoke to lots of people and it's the early hour and bad memory that does this, not any intention to slight personally.
Brian Wilson stopped by yesterday and I was finally able to get a photo with him after all these years, which made Juliaa a bit envious, since she picked yesterday to go shopping. (Brian's "What I Really Want for Christmas" is on rotation at the house, year-round...he lit up when I mentioned her love of this track).
Today, I'll wander and take some photos.
We arrived at NAMM at noon on Thursday. The RIC booth (where I've been spending 90% of my time) is slightly different, but not in terms of product. There is some slatwall painted in black, upon which are mounted product groups (i.e., the "Vintage" line are mounted on the wall by the conference room). But most of you are aware of this already.
There's no real buzz about the "discontinued" models. So far, RIC has seen no decrease in workload, and in fact, it looks as though orders might be slightly up. Working two years ahead does have its advantages. There have been no order cancellations, according to John Hall, and about three times an hour, somebody comes by wanting to be a dealer, only to be told that the factory is working at capacity and applications for dealerships are not being accepted.
I saw some intriguing things at the factory yesterday morning, and got to play Chris Squire's original RM for a few gentle minutes. It's in for a refret. I have never felt a slimmer (front-to-back) Rick bass neck...and me not primarily a bass player...so I suppose if you've got any questions that are not too dimensional, I could help. It's in beautifully-patinaed shape.I did not plug it in (despite the presence of a Transonic 200 in the next room!), but the neck is faaaassst, though action is about what you'd expect with a very thin neck and roundwound strings (don't know what brand or weight...
The switch over to UV-curing of all finish steps except color (which doesn't need it) is very close to complete, and most of the instruments shown at NAMM sported UV-cured 100% solids clearcoats, as well as UV-cured grain filler and sealer. Advantages are primarily that there is no VOC (no solvents) and undetectable shrink-back. I met briefly with the UV systems guy while there and could possibly be putting one into my own shop for new finishes and touch-ups.
NAMM's a hoot for a newbie like me (only my third time) addicted to people watching. The swag is way down this year for just about everybody...last year, Gretsch Good Guy and Marketing Manager, Joe Carducci, treated Juliana and I to some great Gretsch Gear (a baseball jersey for me, a tank top for her); this year Joe was handing out lanyards for passes...Fender has clamped down, responding like any corporate behemoth would to bad economic tidings--with a knee-jerk overreaction. Word is that Gibson sales in Japan (a sore point with their Marketing guys for some time) was down 90% last year, which number has little to do with the economic crisis and lots to do with a general crisis of confidence with Gibson in Japan and the way the Japanese have been treated in the past. Gibby's booth is actually open to show grunts like yours truly this year--a sure sign of the democracy of desperation. The last couple of years, you neede special passes or an escort, which I was lucky enough to have last NAMM, only to find much ado about a buncha reissues as Gibby got onto the Vintage Bandwagon too late...
The Rick guys and gals materialized yesterday afternoon from points near and far. Near saw us graced with the presence of Paul who's-yer-father A, Joey and Diane Vasco, Gary Clauson, and Dane Wilder; far saw Graham where's-yer-bar Griffiths, John Biscuti, and Chris Clayton. Apologies to any whom I've forgotten momentarily; I spoke to lots of people and it's the early hour and bad memory that does this, not any intention to slight personally.
Brian Wilson stopped by yesterday and I was finally able to get a photo with him after all these years, which made Juliaa a bit envious, since she picked yesterday to go shopping. (Brian's "What I Really Want for Christmas" is on rotation at the house, year-round...he lit up when I mentioned her love of this track).
Today, I'll wander and take some photos.
Re: NAMM NOTES
Paul, thanks for the report. I'd be curious to see how the neck on Chris's bass compares with the really thin profile on the '67-'69 era basses...I know Mark Walker's '68 is super thin, and the '69 I just bought is as well.
After meeting Brian I'd think I'd just have to go outside and soak up the sun, live in the moment for a while
.....Glad everyone is having a good time nonetheless, and I send hello's to all from a freezing Shenandoah Valley... 0 F this morining when I woke up... 
After meeting Brian I'd think I'd just have to go outside and soak up the sun, live in the moment for a while
Re: NAMM NOTES
Great little notes, Paul. Gives one a sense of what was going on around the place. Glad you got your 'photo op' with Brian. He actually looks pretty good. Much better than I would have imagined.
Re: NAMM NOTES
Paul: Thanks for this very nice review that gives us a sense of the excitement that you are experiencing at NAMM.
You have once again treated us to your freewheeling, anecdotal and extemporaneous style that fosters such enthusiasm that we are thirsty for more.
I look forward to any photos that you may be able to add to your observations.
You have once again treated us to your freewheeling, anecdotal and extemporaneous style that fosters such enthusiasm that we are thirsty for more.
I look forward to any photos that you may be able to add to your observations.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
Please join the Official RickResource Forum Facebook Page https://www.facebook.com/groups/379271585440277
Please join the Official RickResource Forum Facebook Page https://www.facebook.com/groups/379271585440277
Re: NAMM NOTES
Hurry up and get back Paul..we got practice Tuesday

Re: NAMM NOTES
You may need to get a new guitarist, as I heard Brian Wilson and Paul are working on a deal.kenposurf wrote:Hurry up and get back Paul..we got practice Tuesday![]()
![]()
Re: NAMM NOTES
Enjoyed reading your report, Paul.... looking forward to pics and more.
Cheers!
H
Cheers!
H
"Never eat more than you can lift." - Mr. Moon
Re: NAMM NOTES
Great reporting and writing, Paul.
Priceless!the democracy of desperation . . .
Re: NAMM NOTES
I don't know if this is the place to post stories about Brian Wilson, but I have met him on a few occasions ans he is a gentleman in every sense of the word. His humility is truly endearing. If anyone is interested in a couple of BW stories I can post hear or pm you.leftybass wrote:...After meeting Brian I'd think I'd just have to go outside and soak up the sun, live in the moment for a while.....Glad everyone is having a good time nonetheless, and I send hello's to all from a freezing Shenandoah Valley... 0 F this morining when I woke up...
Re: NAMM NOTES
simer4001 wrote:I don't know if this is the place to post stories about Brian Wilson, but I have met him on a few occasions ans he is a gentleman in every sense of the word. His humility is truly endearing. If anyone is interested in a couple of BW stories I can post hear or pm you.leftybass wrote:...After meeting Brian I'd think I'd just have to go outside and soak up the sun, live in the moment for a while.....Glad everyone is having a good time nonetheless, and I send hello's to all from a freezing Shenandoah Valley... 0 F this morining when I woke up...
Post away Brian!
It's great to hear about hour hero's ESPECIALLY when they turn out to be REALLY nice people!
Re: NAMM NOTES
My wife and I were in LA at a listening party for a McCartney album. It was at the House of Blues and the main entrance was the VIP entrance. At the end of the evening we were standing near the driveway trying to get a glimpse of McCartney when I saw Brian walk out of the main entrance. I told my wife that the man standing in all black with sunglasses at 11pm was Brian Wilson. The guy standing next to my wife heard me and he and his friend started yelling out to Brian. When Brian didn't respond they became belligerant and moved in closer. My wife, who never raises her voice, yelled out "leave him alone. He is just trying to leave after a show". Then she reached out and grabbed one of the guys arms and pulled him back. I finally made my way in and grabbed the guy by the shirt and pushed him back. A few others jumped in and the hecklers left. Apparently Brian was watching because when his limo pulled up he walked down the steps and right over to Cheryl and grabbed her arm and said thank you. He then offered us a ride. Now, I was ready to jump in the limo, but our hotel was across the street from the House of Blues. You could actually see our room from where we were standing, but who cares. I would have had them take us to Hollywood and Vine. But my dear sweet wife says '"that's ok, we are just across the street". Brian smiled, reached out and squeezed her hand. Then off he went. I couldn't believe she screwed that up. I'll share another encounter with BW later. Halftime is over.
FYI: That same evening we met Phil Everly, Denny Seiwell and Ringo.
FYI: That same evening we met Phil Everly, Denny Seiwell and Ringo.
- beatlefreak
- Senior Member
- Posts: 6160
- Joined: Wed Jun 14, 2006 5:45 am
- Contact:
Re: NAMM NOTES
Great accounts, Brian and Paul. Thanks!
Re: NAMM NOTES
Yes, I'm enjoying Paul's insights and accounts from the Life of Brian.
Keep it up! Paul, how are your acoustics being receieved at the show?
Best,
Timbo
Keep it up! Paul, how are your acoustics being receieved at the show?
Best,
Timbo
Re: NAMM NOTES
Paul, thanks for the report.
'96 1997 LH MG
'98 360 LH MG
'00 360/12 Carl Wilson LH FG
'07 730S Shiloh LH
'98 360 LH MG
'00 360/12 Carl Wilson LH FG
'07 730S Shiloh LH
- CrestingWave
- New member
- Posts: 50
- Joined: Sun Nov 09, 2008 1:42 pm
Re: NAMM NOTES
Thanks for keeping us back home "in the loop," Paul.
JR
JR
