John?weemac wrote:John Camp!
Eden.
It's A Mod Mod Mod Mod World!
Moderators: rickenbrother, ajish4
Re: It's A Mod Mod Mod Mod World!
Re: It's A Mod Mod Mod Mod World!
jps wrote:John?weemac wrote:John Camp!
Eden.![]()
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Re: It's A Mod Mod Mod Mod World!
Is the handrest original or not? 


Re: It's A Mod Mod Mod Mod World!
I guess it is an original RIC partberth wrote:Is the handrest original or not?
- bassduke49
- Senior Member
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Re: It's A Mod Mod Mod Mod World!
No pickup under the "handrest." Apparently, when you are used to the treble pickup cover being there and rely on it for a handrest, you gotta have it. Lemmy either installed, or requested to have the surround and cover installed on his 4004LK a few years back. This instrument was "in the shop" at RIC during a tour for Forumites at either the 2005 SoCalCon or during the 2006 75th Anniversary tour -- I forget which. At any rate, it's just the cover and surround screwed to the face of the bass.
Author: "The Rickenbacker Electric Bass - 50 Years As Rock's Bottom"
Re: It's A Mod Mod Mod Mod World!
heinpete wrote:Enough pots and switches?
who is that?
- jingle_jangle
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Re: It's A Mod Mod Mod Mod World!
Nope...heinpete wrote:Enough pots and switches?

- cassius987
- Senior Member
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Re: It's A Mod Mod Mod Mod World!
If it's a fake, it sounds miraculously good. You can hear it on the Triple Play live album. "Take Five" is a good single.antipodean wrote:Josh - is that actually a Ric? The skunk stripe looks rather wide.... Either thats a weird paint job or it's a fake!
Re: It's A Mod Mod Mod Mod World!
I'm a collector of various things (books, computing equipment and toys from the 70's/80's) as well as stringed instruments, so I can totally identify with the all-original, mint-in-package urge that makes one cringe when seeing massive, non-reversible mods to a valuable and beautiful vintage guitar. However...
My brother and I got a chance to see this exhibit the week it opened in Milwaukee last summer, and among other things, it really changed the way I look at guitar "mods":
http://www.discoveryworld.org/lespaul.php
There was some fairly interesting stuff about Les Paul's life and career, some cool vintage recording equipment, and some exciting new sound technologies that were showcased, blah, blah, blah. But the real attraction for me was the guitars -- there were two large rooms full of glass cases of guitars, a mix of heavily-modded and/or celebrity-played Les Pauls, as well as a dozen or so franken-prototypes that were hand-built by the (young) man himself. Some of these had nearly as many switches as the thing Paul posted just above me here; some of them had been made partly from household items and/or other "butchered" guitars. It was the most desperate quest for analog "tone" that I'd ever seen, and it was cool as hell. I've got some pics somewhere I might dig up if anyone is interested.
Anyway, I was profoundly affected by seeing the lengths to which this player went (in a non-digital era) to get the sound he wanted. I've never owned a Gibson and don't personally care for the feel/heft of the Les Paul standard body, but I've got a much greater appreciation for the designer now, and for other players who aren't about to be held back from the sound they want by a little bit of routing.
My brother and I got a chance to see this exhibit the week it opened in Milwaukee last summer, and among other things, it really changed the way I look at guitar "mods":
http://www.discoveryworld.org/lespaul.php
There was some fairly interesting stuff about Les Paul's life and career, some cool vintage recording equipment, and some exciting new sound technologies that were showcased, blah, blah, blah. But the real attraction for me was the guitars -- there were two large rooms full of glass cases of guitars, a mix of heavily-modded and/or celebrity-played Les Pauls, as well as a dozen or so franken-prototypes that were hand-built by the (young) man himself. Some of these had nearly as many switches as the thing Paul posted just above me here; some of them had been made partly from household items and/or other "butchered" guitars. It was the most desperate quest for analog "tone" that I'd ever seen, and it was cool as hell. I've got some pics somewhere I might dig up if anyone is interested.
Anyway, I was profoundly affected by seeing the lengths to which this player went (in a non-digital era) to get the sound he wanted. I've never owned a Gibson and don't personally care for the feel/heft of the Les Paul standard body, but I've got a much greater appreciation for the designer now, and for other players who aren't about to be held back from the sound they want by a little bit of routing.
- rickenbrother
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Re: It's A Mod Mod Mod Mod World!
It was at the time of the 2005 SoCal Con.bassduke49 wrote:This instrument was "in the shop" at RIC during a tour for Forumites at either the 2005 SoCalCon or during the 2006 75th Anniversary tour -- I forget which.
JETGLO should officially be renamed JETGLO ROCKS! 
Re: It's A Mod Mod Mod Mod World!
My modded '69 4000 / 4001 Conversion
Guard by Pickguardian
Short Pole toaster
Wiring harness with push/pull tone pot done by John Allgaier
Before After


She turns the big 4-0 this month, btw!
Guard by Pickguardian
Short Pole toaster
Wiring harness with push/pull tone pot done by John Allgaier
Before After


She turns the big 4-0 this month, btw!
Re: It's A Mod Mod Mod Mod World!
Kevin: What a lovely transition. Certainly a classic look.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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Please join the Official RickResource Forum Facebook Page https://www.facebook.com/groups/379271585440277
Re: It's A Mod Mod Mod Mod World!
He is Derek Mo Moore the bass player of "Nektar" an old psychodelic rock band.jaymi wrote:heinpete wrote:Enough pots and switches?
who is that?
Re: It's A Mod Mod Mod Mod World!
Outch!!!jingle_jangle wrote:Nope...heinpete wrote:Enough pots and switches?
