Back to the old bridge

Vintage, Modern, V & C series, Fretless, Signature & Special Editions

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jps
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Re: Back to the old bridge

Post by jps »

dog wrote:After 40 years of pounding loud rock'n'roll through my ears, ....... sounds the same to me. :|
You have that problem, too? :lol:
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falconfixer
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Re: Back to the old bridge

Post by falconfixer »

What? I SAID - WHAT? :lol:
My Gear:
1982 MapleGlo Now JetGlo 4003
2004 Martin BC-15E Accoustic Electric Bass
2002 Peavey G Bass with Carbon Fiber neck
Peavey 300 Combo practice amp
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dog
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Re: Back to the old bridge

Post by dog »

:lol: :lol: :lol: :lol: :lol: :lol: I knew I wasn't alone. I just couldn't hear anyone creeping up on me. :shock:
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gearhed289
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Re: Back to the old bridge

Post by gearhed289 »

I didn't go back to the stock bridge, but I DID swap out my original brass Hipshot for an aluminum one. HUGE difference in weight, and a very noticeable difference in tone. The brass gave the bass a much darker tone, which I didn't really have a problem with for the most part. My reason for the change to aluminum was the weight. But I have to say, I'm very happy with the tone having more of a classic Ric quality to it now. I've got a '92 "hot" toaster at the neck, and a '06 high gain with adjustable pole pieces in the treble spot on my '89 4003S. Those combined with the adjustability of the Hipshot bridge saddles makes for a very awesome bass! Not to mention the neck... :D
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rickenbrother
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Re: Back to the old bridge

Post by rickenbrother »

VRICKY63 wrote:The Hipshot is so superior to the RIC ...............I can not even comment.
Apparently it's not for every Rick bass owner.
JETGLO should officially be renamed JETGLO ROCKS! :-)
rickfan63
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Re: Back to the old bridge

Post by rickfan63 »

I'm considering trying the Hipshot on my C64 only because tail lift is starting to become an issue. It's strange though when I had my 4003, that bridge/tailpiece was pretty solid, but the lift on the C64 is pretty noticeable and my V63 is getting there.
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aceonbass
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Re: Back to the old bridge

Post by aceonbass »

It shouldn't come as a surprise that the C64 tailpiece is lifting since it has two less screws holding it down. I can fix that, as well as all of the other issues this part has for less than the price of the Hipshot, while maintaining the original appearance of the bass.
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bobcat
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Re: Back to the old bridge

Post by bobcat »

So when people say the brass bridge is "darker" sounding than the aluminum or stock bridge, what does that mean? Like more thumpy? Less clanky? I'm not really sure what "dark" is, tonewise.
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aceonbass
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Re: Back to the old bridge

Post by aceonbass »

A dark tone usually refers to a tone heavier in bottom and lower mids due to the higher mass and density of the brass Hipshot and it's superior contact with the body.
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qwezirider
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Re: Back to the old bridge

Post by qwezirider »

Jake Bartalone and I had this discussion several weeks ago when I bought his brass HS and swapped my aluminum HS out. These were recorded through a very clean preamp (Great River ME-1NV) with no eq at all. A 2008 4003. Fair warning before you download, they are each about 2.3MB in size and .wav files. I did not want to lose anything converting to .mp3's.

http://www.brucealan.com/projects/HipshotAluminum.wav
http://www.brucealan.com/projects/HipshotBrass.wav

Those give an idea how the darkness comes into play. Quite a boost on the lower mids that just wasn't a frequency I generally like to have boosted when recording a Rick.
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dog
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Re: Back to the old bridge

Post by dog »

Great side by side comparison. Maybe my ears aren't ruined after all. :) Glad I bought aluminum. :wink:
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jps
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Re: Back to the old bridge

Post by jps »

dog wrote:Maybe my ears aren't ruined after all. :)
Ron, it's not going high enough in frequency to test your hearing. :mrgreen:
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cassius987
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Re: Back to the old bridge

Post by cassius987 »

Oh, there is definitely a difference in tone between the HS and the stock bridge. That's why I want back to stock! Ha. I like a really clean fundamental tone and the HS was too muddy for me. Also, I didn't mention this, but my bass sustained worse with it than with the stock bridge. I'm not certain but I feel like that extra mass may just "lose" a lot of the string vibration rather than promoting it--the physics aren't as simple as the boys and girls in marketing make them out to be. And as for intonation, I don't mind the stock model, because you only have to do it once a year if even that. Some might say once every ten depending how stable your bass is.

In any case I just wish people would put this issue to bed. Some prefer one, some the other... and that's just fine. Making broad generalizations about which one is better seems goofy. It's difficult to be scientific about it, and often many of us find the science exposes a truth uglier than we imagined. On another forum, that was very pro-Badass bridge, somebody did an A-B test between a stock P-Bass and the same bass with a Badass II. Guess which bridge won unanimously? That's right, the stock Fender bridge. Not dissing aftermarket stuff at all, but just because it claims to be better doesn't mean it is. It really comes down to individual players and their needs. So no more sweeping generalizations please...
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jps
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Re: Back to the old bridge

Post by jps »

...everybody should have Magnepan speakers in their home stereo system as they are the best sounding speakers, without a shadow of a doubt. I have them, so all people should have them, too.

How's that for not generalizing, Joshua? :mrgreen:
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johnallg
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Re: Back to the old bridge

Post by johnallg »

jps wrote:...everybody should have Magnepan speakers in their home stereo system as they are the best sounding speakers, without a shadow of a doubt. I have them, so all people should have them, too.

How's that for not generalizing, Joshua? :mrgreen:
Yeah, but you were still sweeping! :lol: :lol: :lol:
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