Your studio/stage setup?

Non-Rickenbacker Guitars & Effects

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iamthebassman
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Re: Your studio/stage setup?

Post by iamthebassman »

I have a studio in my home so for STUDIO, anything and everything.
For LIVE(bass),

Hofner Beatle
Ric 4001S
Fender Jazz
and whatever bass I bring for the 3rd set
*
Yellow Submarine Bass Preamp
*
Ampeg Rocketbass 100(DIed to PA)

LIVE(electric sitar)

Jerry Jones Master Electric Sitar
*
Vox Pathfinder(miced to PA)

Both amps seen here:
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paologregorio
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Re: Your studio/stage setup?

Post by paologregorio »

Nice Ronn!

I should add that my home jamming setup is quite different; I usually don't bother with the pedal board at home, preferring to go straight into one of my amps (could be an AC 30, a Twin Rev or Super Rev), or else the AC 30 headphone amp.
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iamthebassman
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Re: Your studio/stage setup?

Post by iamthebassman »

Oh yeah, on Sundays(when The Eggmen aren't out of town) I play with my church's praise band and I use:

Either a Fender Jazz, Ibanez GSR 200, Peavey Millenium, Dee Murray's Steinberger, or Eastwood EEB-1. And sometimes my Dean electric upright.
*
SansAmp Bass Driver DI(to PA)
*
Marshall BS65 bass combo.
You can see the Marshall and the Ibanez bass in this photo
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whojamfan
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Re: Your studio/stage setup?

Post by whojamfan »

Nice setup Ronn, you've got just about all of the bases covered there :D
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goofyfoot
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Re: Your studio/stage setup?

Post by goofyfoot »

Several permutations, based on guitar/amp combos. Currently.....

Ric >> JB2 >> VOX AC-15 TB (w/Weber Blue Dog).
G&L ASAT Semi-Hollow >> Cesar Diaz Texas Ranger >> Rivera Sedona.

Play on, pick often, jam with any Rickenbacker, and prosper.
fireglo67

Re: Your studio/stage setup?

Post by fireglo67 »

This is the pedalboard I use for gigs at the moment.

I run this into a 1968 Vox AC30 top boost.
IMG_4037.JPG
Boss DD6 - Ibinez Tube screamer - Vox Over The Top Boost - Janglebox - Boss TU3 tuner.

I use the DD6 mainly for it's reverse feature, but it also has a nice setting that makes my 6 string sound like a 12 string!
The tube screamer is for the full on overdrive, though I'm not totally happy with the sound.
The Vox Over The Top Boost is great for some lovely cruchy gain.
The Janglebox does what it says on the tin.
And the TU3 is a nice little tuner.

:)
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FretlessOnly
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Re: Your studio/stage setup?

Post by FretlessOnly »

Bass goes ---> Gallien-Krueger 700RB-II and Neo 212-II cabinet using Speakon cable. Side chain loop is: Sansamp VT Bass ---> cheap phaser pedal ---> Boss Bass Chorus ---> Boss Digital Delay/Pitch Shifter ---> Alesis 3630 Compressor. Sometimes I add a fOXX fuzz/wah/volume before the compressor.
Can we have everything louder than everything else?
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jimk
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Re: Your studio/stage setup?

Post by jimk »

Here's my current
JimK
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Music Man 110 RD-Fifty mfg. 1976
Music Man 110 RD-Fifty mfg. 1976
L to R; Boss BF-2 Flanger, MXR Carbon Copy analog delay, Jangle Box JB-1 compressor/sustain, Music Man Reverb/Distortion foot switch
L to R; Boss BF-2 Flanger, MXR Carbon Copy analog delay, Jangle Box JB-1 compressor/sustain, Music Man Reverb/Distortion foot switch
Last edited by jimk on Thu Mar 11, 2010 1:03 am, edited 1 time in total.
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jps
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Re: Your studio/stage setup?

Post by jps »

I just added a Universal Audio LA-610 to the front end of my bass/recording rig! :D
thedanielwilliams
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Re: Your studio/stage setup?

Post by thedanielwilliams »

Looks like I'm the solid state odd man out: I play a 620 into a Dyna Comp, then a homemade BSIAB2 pedal, then a Roland Jazz Chorus. No one is jealous...
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8mileshigher
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Re: Your studio/stage setup?

Post by 8mileshigher »

I recently picked up two mint condition pedals -- a Boss Acoustic Simulator pedal and a Turbo Tube Screamer on Craig's List.

Now my pedal board sequence is:

Ric >
Cry Baby Wah >
Janglebox Compressor >
Ibanez Turbo Tube Screamer TS9DX >
Boss Phase Shifter PS3 >
Boss Acoustic Simulator AC3 >
Boss Distortion DS1 >
Boss Super Octave OC3 >
Vox amp
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jimk
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Re: Your studio/stage setup?

Post by jimk »

thedanielwilliams wrote:Looks like I'm the solid state odd man out: I play a 620 into a Dyna Comp, then a homemade BSIAB2 pedal, then a Roland Jazz Chorus. No one is jealous...
Eh....not quite, Daniel. I'm learning more and more about the solid state Kustom K200 "Frankenstein" amp and cab I have as time goes by.
JimK
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gibsonlp
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Re: Your studio/stage setup?

Post by gibsonlp »

paologregorio wrote:One of my Vox AC30s, and the world's 2nd largest pedal board (Biscuti's is 1st), plugged into one of my Ricks, and a Gretstch Silver Jet. On rare occasion, I'll run a second amp/stereo in the form of a Fender BF Twin Rev RI. :D
I think this title belongs to our guitarist... :)
boss dd6
boss tr2
proco turbo rat
dod flanager fx75-c
artec se-adl (analogue delay)
artec turbo compressor se-cmp
mxr phase 90
mxr zak wylde overdrive
digitech whammy-4
digitech digiverb
korg tuner
shin ei fuzz replica
fender starcaster chorus
boss ls2.
So long and thanks for all the fish!
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whojamfan
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Re: Your studio/stage setup?

Post by whojamfan »

thedanielwilliams wrote:Looks like I'm the solid state odd man out: I play a 620 into a Dyna Comp, then a homemade BSIAB2 pedal, then a Roland Jazz Chorus. No one is jealous...
Don't sell yourself short, that JC-120 is an industry standard staple for a reason. I love mine, and there isn't a finer stereo chorus out there that I've ever heard. Sure the on board distortion is pretty awful, but whose wasn't in those days? If you get a chance, the Radial Classic Overdrive is an awesome pedal to put in front of this amp, and the tube really warms things up in the distortion department.
thedanielwilliams
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Re: Your studio/stage setup?

Post by thedanielwilliams »

whojamfan wrote:Don't sell yourself short, that JC-120 is an industry standard staple for a reason. I love mine, and there isn't a finer stereo chorus out there that I've ever heard. Sure the on board distortion is pretty awful, but whose wasn't in those days? If you get a chance, the Radial Classic Overdrive is an awesome pedal to put in front of this amp, and the tube really warms things up in the distortion department.
Yeah, I am a bit overcritical of it at times, but it's definitely served me well through the years. I don't think I've ever used an amp less prone to breaking during travel, either, which is a big plus in my opinion. And the onboard distortion is SO bad that it has a weird character of its own... I've been trying to write stuff that sounds good despite it.
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