This is as I remember it, Ben, the last time we spoke. UV filler and sealer were in production use, but conversion varnish was still being used as a topcoat, now to be replaced by UV topcoats "in a matter of weeks". Great news!RIC_FACTORY wrote:jingle_jangle wrote:The white in the fretboards is from the old filler that was used. The new UV-cure filler is translucent.paologregorio wrote:You can also console yourself with the fact that your guitar will be finished with the new UV coatings, which look amazing, especially the Jetglo; more depth, no shrinkage, and no white in the grain on the fretboards.
As of August, the new UV system was not yet being used on a production basis. Has it since come on-line, Paul?
UV coatings have been used in production for over a year now. The primer coats are UV cured and superior to our old vinyl sealer in that they are much higher in solids, thus less shrinkage. The only use we have for vinyl these days is as a washcoat that we are able to spray quickly and scuff up to smooth the surface for UV coatings. This process is de rigeur for every instrument manufacturer that sprays UV.
Moreover, I expect to see UV top coats replace conversion varnish in a matter of weeks. In our most recent test, it beats the conversion varnish for durability and glossiness by a mile.
Thanks for the clarification. The UV topcoat will be a huge step forward.
