The_Running_Man wrote:fatcat wrote:
Running Man: don't overlook flat wound strings in the quest for the tone.
I do tend to use Rickenbacker strings on the Burns 12 (even given their price, I still use them) and have recently bought 10 sets of GHS 9-42 Precision Flatwound strings which up to now I have only used on my ES335 and not on any of my Ric 6's, all my other guitars get Super Slinkys or D'Addarios in 9-42.
Do you have any recommendations on string makes and string gauges I could try in my quest for (in my case 60's Mersey Sound and Byrds) tonal excellence? I suspect heavier than 9's 'cause in the 60's you were very lucky to even get 10's, I remember using Black Diamond and La Bella tape wound strings on my Tele in the late 60's (either them or whatever they had in the shop at the time), I have no idea what gauge they were 'cause you just bought 'em, put 'em on and if required you would file the nut slots wider 'till the strings fitted... all very technical... NOT.
Also what about plain 3rd vs wound 3rd?
Cheers
Gareth
I especially must use flats on the 370-12 RM as the hotter toasters combined with the onboard processor made rounds sound too lively,(twangy or nasaly sounding).I tried several different brands, not happy with them and then someone suggested flat wounds.
4 years ago the Pyramids were about the only quality flat string sets that were available, but they were too stiff and tension was too high.
To try to solve that,I made up a mutt set mixing TI Js 110s with the octave strings from a Ric set.
BINGO! Great sound and tolerable tension.
Nowadays, nearly the same thing is available from POTR as a made-up set.
And all in one set with no mix/matching.