which is the rarest "Standard color production" ?
Moderators: rickenbrother, ajish4
which is the rarest "Standard color production" ?
Hi there,
as far as i know, the "standard" colors for Rickenbacker basses production are (and always been) Fireglo, Mapleglo and Jetglo.
They produced every year the same quantities of F M and J or the color choice was based on the customers requests ?
And if so what is the rarest between the three ?
Thank you
as far as i know, the "standard" colors for Rickenbacker basses production are (and always been) Fireglo, Mapleglo and Jetglo.
They produced every year the same quantities of F M and J or the color choice was based on the customers requests ?
And if so what is the rarest between the three ?
Thank you
Re: which is the rarest "Standard color production" ?
Mattia: A very good question and we can provide a reasonable estimate bassed on the data from the Register. After approximately 9,000 instruments posted Fireglo comes in at 28%, Jetglo at 23% and Mapleglo at 17%. Our sampling is biased in a number of respects but with this many data points I consider that we are fairly close to the truth with regard to answering your question.
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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Re: which is the rarest "Standard color production" ?
+1admin wrote:Mattia: A very good question and we can provide a reasonable estimate bassed on the data from the Register. After approximately 9,000 instruments posted Fireglo comes in at 28%, Jetglo at 23% and Mapleglo at 17%. Our sampling is biased in a number of respects but with this many data points I consider that we are fairly close to the truth with regard to answering your question.
As a scientist, I would expect the data in the Register to be a representative sample of the total population, within a reasonable certainty (e.g., maybe 90-95%).
It is better, of course, to know useless things than to know nothing. - Seneca
- deaconblues
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Re: which is the rarest "Standard color production" ?
Maybe. IMO, the fact that the members aren't randomly chosen skews the data to some extent.doctorwho wrote: As a scientist, I would expect the data in the Register to be a representative sample of the total population, within a reasonable certainty (e.g., maybe 90-95%).
Re: which is the rarest "Standard color production" ?
Without a doubt the bias is there, Dan. It raises some interesting questions. Are enthusiasts and collectors more inclined to purchase and collect one of the "big three finishes" or perhaps they want something different? Do our data over or under-represent the proportions of these finishes overall?
Life, as with music, often requires one to let go of the melody and listen to the rhythm
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Re: which is the rarest "Standard color production" ?
Perhaps it might be more valid to look only at the CI entries since these are probably more random samples taken from places like ebay...
I have NO idea what to do with those skinny stringed things... I'm just a bass player...
Re: which is the rarest "Standard color production" ?
Wouldn't it be Midnight Blue?
Okay... okay....
Okay... okay....
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route66guitars
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Re: which is the rarest "Standard color production" ?
One would expect it to be MapleGlo, of the ‘standard’ colors, as it was actually considered a custom finish for many years.
Re: which is the rarest "Standard color production" ?
IMO, just how much bias there is to the Register is not clear, so everyone is correct, depending on the initial assumption about the heterogeneity of the sample (Register entries) of the larger population (all Ricxklenbackers manufactured).
To me, it's the "glass half full/half empty" thing. Just a matter of perspective and opinion.
To me, it's the "glass half full/half empty" thing. Just a matter of perspective and opinion.
It is better, of course, to know useless things than to know nothing. - Seneca
- paologregorio
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Re: which is the rarest "Standard color production" ?
My vote would be for AZ Blue, but asided from the big three finishes, I've actually seen about ten basses in AZ blue, so it's probably not that rare of a standard color.
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route66guitars
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Re: which is the rarest "Standard color production" ?
The glass the wrong size, and quite likely the wrong color, as well.doctorwho wrote:IMO, just how much bias there is to the Register is not clear, so everyone is correct, depending on the initial assumption about the heterogeneity of the sample (Register entries) of the larger population (all Ricxklenbackers manufactured).
To me, it's the "glass half full/half empty" thing. Just a matter of perspective and opinion.
Re: which is the rarest "Standard color production" ?
+1. Think of Jim Glen!dpowell wrote:Maybe. IMO, the fact that the members aren't randomly chosen skews the data to some extent.doctorwho wrote: As a scientist, I would expect the data in the Register to be a representative sample of the total population, within a reasonable certainty (e.g., maybe 90-95%).
- FretlessOnly
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Re: which is the rarest "Standard color production" ?
Well, I'm a scientist too (and I use statistics regularly), and I don't see how one can claim that the members aren't randomly "chosen." In fact, they are not chosen at all (which to me is irrelevant to this point); it is a voluntary thing that depends upon two factors:dpowell wrote:Maybe. IMO, the fact that the members aren't randomly chosen skews the data to some extent.doctorwho wrote: As a scientist, I would expect the data in the Register to be a representative sample of the total population, within a reasonable certainty (e.g., maybe 90-95%).
1. interest in a particular brand; and
2. access to the internet.
Neither of these two population characteristics would seem to me to favor a particular finish, and further, neither would seem to favor a proclivity toward registering or not registering an instrument here. If anything, actually choosing a sample from the RIC population at large would be more likely to produce skew than would the voluntary joining of this website and registering one's instrument(s). To me, anyway.
I would agree that the members here who have registered their instruments may have a greater liklihood to own more rare finishes such as desert gold, azureglo, blue boy, teal, etc., but as to the big three, I think that our registry sample on these must be fairly representative of the population as a whole.
Can we have everything louder than everything else?
Re: which is the rarest "Standard color production" ?
This is my professional assessment, too.FretlessOnly wrote: I would agree that the members here who have registered their instruments may have a greater liklihood to own more rare finishes such as desert gold, azureglo, blue boy, teal, etc., but as to the big three, I think that our registry sample on these must be fairly representative of the population as a whole.
We seem to have ardent admirers of all of the big three, as well as people who were drawn to Ricks because of Macca (FG, later MG-ish), Geddy (JG), Lemmy (err ... MG, I guess?), Cliff Burton (BG), and many others ... I can't see any reason to assume systemic bias in the register when it comes to the major colors.
- deaconblues
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Re: which is the rarest "Standard color production" ?
In a real scientific survey, they would be randomly chosen. I'm just saying that anyone who extrapolates production totals from the data without knowing the effects of those variables is at risk of error. YMMV.FretlessOnly wrote: Well, I'm a scientist too (and I use statistics regularly), and I don't see how one can claim that the members aren't randomly "chosen." In fact, they are not chosen at all (which to me is irrelevant to this point); it is a voluntary thing that depends upon two factors:
1. interest in a particular brand; and
2. access to the internet.
Neither of these two population characteristics would seem to me to favor a particular finish, and further, neither would seem to favor a proclivity toward registering or not registering an instrument here. If anything, actually choosing a sample from the RIC population at large would be more likely to produce skew than would the voluntary joining of this website and registering one's instrument(s). To me, anyway.
I would agree that the members here who have registered their instruments may have a greater liklihood to own more rare finishes such as desert gold, azureglo, blue boy, teal, etc., but as to the big three, I think that our registry sample on these must be fairly representative of the population as a whole.
