
latest Rosewood
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latest Rosewood
Anyone else notice the rosewood coloring of the recently shipped guitars, I know its getting harder to find, and can vary drastically, I have seen quite a few like my Dec, 09 620/12, with light wood with dark graining, I don't mind it, but it is quite a bit different than the older models such as the 3 yr old 360 also seen


Re: latest Rosewood
I just got a new one, the fretboard is much more pale with not much grain, and some white speckles, whereas the older ones are more dramatic and colorful. I never even noticed the fretboard before, until I saw the difference with this new one. Still great, still a beauty ...
Re: latest Rosewood
Someone correct me if I'm wrong, but I think the fretboards are Bubinga, not Rosewood.
Re: latest Rosewood
You're right, but Bubinga is also called African Rosewood...collin wrote:Someone correct me if I'm wrong, but I think the fretboards are Bubinga, not Rosewood.
I have NO idea what to do with those skinny stringed things... I'm just a bass player...
Re: latest Rosewood
Only a couple models are "spec"ed as bubinga, most are "spec"ed as rosewood, which could mean any variety of rosewood types
http://www.mangore.com/rosewood_names.html
http://www.mangore.com/rosewood_names.html
- jingle_jangle
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Re: latest Rosewood
Theoretically true; however, Rickenbacker fretboards (at least since about 1962) have been of one of the types of bubinga generally known as "African Rosewood".
The only way to be specific about which variety of "African Rosewood" bubinga is actually being used, is to use the Linnaean taxonomy, which is a two-part name uses a genus name and a specifier, in either Latin or Greek.
Although there are 13 species of "bubinga", only 5 are commonly known as "African Rosewood". My guess for which one RIC has been using is Guibourtia demeusei.
Variations in the wood you're seeing have to do with regional differences and different suppliers, in addition to the usual variations that happen from tree to tree or forest to forest.
The only way to be specific about which variety of "African Rosewood" bubinga is actually being used, is to use the Linnaean taxonomy, which is a two-part name uses a genus name and a specifier, in either Latin or Greek.
Although there are 13 species of "bubinga", only 5 are commonly known as "African Rosewood". My guess for which one RIC has been using is Guibourtia demeusei.
Variations in the wood you're seeing have to do with regional differences and different suppliers, in addition to the usual variations that happen from tree to tree or forest to forest.
Re: latest Rosewood
Can someone enlighten me on what African rosewoods are protected by the Lacey Act? I understand one is Madagascar rosewood. Is there going to come a time when all rosewood will disappear from guitars?
---------------------------------------------------------------
Music is too important to be left to professionals.
Music is too important to be left to professionals.
Re: latest Rosewood
My former '68 4000 looked way different than recent fretboards.
"The best things in life aren't things."
- jingle_jangle
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Re: latest Rosewood
The Lacey Act/Madagascar issue is a complicated one; I would refer those interested, to this explanation:
http://www.aphis.usda.gov/plant_health/ ... Primer.pdf
The above is the best information on the Act and its implementation. Note the emphasis on Linnaean names! They're the best way to distinguish one species from another.
Below is lookup information for various species:
http://www.aphis.usda.gov/plant_health/ ... tion.shtml
Below are some dense and boring papers with more detail:
http://www.aphis.usda.gov/plant_health/ ... -may08.pdf
http://www.aphis.usda.gov/plant_health/ ... ceyAct.pdf
http://www.aphis.usda.gov/plant_health/ ... 3-2009.pdf
http://www.aphis.usda.gov/plant_health/ ... onPlan.pdf
This page will tell you more about details on the recent extension to the 100-year-old Lacey Act (originally intended for wild fauna and flora protection; now amended to include illegal trafficking in wood species, too, with some exceptions):
http://www.eia-global.org/lacey/P6.EIA.LaceyReport.pdf
The Lacey Act puts the resources of the US Government behind the regulation of importation of illegal species; it's in addition to the CITES Treaty (which is worldwide in scope) and independent from it.
The Madagascar Rosewood issue, which bit Gibson in the nether regions, also involves Madagascar ebony. There was at least some attempt to control the exportation of both these woods under Madagascar's former President, Marc Ravalomanana, who was overthrown in a military coup in March, 2009. The enforcement vacuum which followed, saw armed poachers invading plantations and attempting to export--sometimes successfully--logs of the indigenous rosewood and ebony species through brokers in the French protectorates of Mauritius and Reunion. These logs were exported to China, France, and Germany. It was a shipment of rosewood which passed through Germany that got Gibson into hot water. The penalties can be large, but for now the shipment has been confiscated.
Meanwhile, Madagascar's interim President, Andry Rajoelina, has stepped up and arrested 13 of the poachers/exporters in an attempt to stanch the illegal export trade.
The issue of trade in protected woods and other materials (including ivory) is complex and affects all of us whether we know it or not, because vintage instruments must theoretically be certified and permitted before they are allowed to move between countries. For instance, if you're traveling with your '60s Martin D-28, it has two CITES Appendix I (regulated) materials used in its construction: Brazilian Rosewood and African Ivory. Uh oh.
Stay tuned.
http://www.aphis.usda.gov/plant_health/ ... Primer.pdf
The above is the best information on the Act and its implementation. Note the emphasis on Linnaean names! They're the best way to distinguish one species from another.
Below is lookup information for various species:
http://www.aphis.usda.gov/plant_health/ ... tion.shtml
Below are some dense and boring papers with more detail:
http://www.aphis.usda.gov/plant_health/ ... -may08.pdf
http://www.aphis.usda.gov/plant_health/ ... ceyAct.pdf
http://www.aphis.usda.gov/plant_health/ ... 3-2009.pdf
http://www.aphis.usda.gov/plant_health/ ... onPlan.pdf
This page will tell you more about details on the recent extension to the 100-year-old Lacey Act (originally intended for wild fauna and flora protection; now amended to include illegal trafficking in wood species, too, with some exceptions):
http://www.eia-global.org/lacey/P6.EIA.LaceyReport.pdf
The Lacey Act puts the resources of the US Government behind the regulation of importation of illegal species; it's in addition to the CITES Treaty (which is worldwide in scope) and independent from it.
The Madagascar Rosewood issue, which bit Gibson in the nether regions, also involves Madagascar ebony. There was at least some attempt to control the exportation of both these woods under Madagascar's former President, Marc Ravalomanana, who was overthrown in a military coup in March, 2009. The enforcement vacuum which followed, saw armed poachers invading plantations and attempting to export--sometimes successfully--logs of the indigenous rosewood and ebony species through brokers in the French protectorates of Mauritius and Reunion. These logs were exported to China, France, and Germany. It was a shipment of rosewood which passed through Germany that got Gibson into hot water. The penalties can be large, but for now the shipment has been confiscated.
Meanwhile, Madagascar's interim President, Andry Rajoelina, has stepped up and arrested 13 of the poachers/exporters in an attempt to stanch the illegal export trade.
The issue of trade in protected woods and other materials (including ivory) is complex and affects all of us whether we know it or not, because vintage instruments must theoretically be certified and permitted before they are allowed to move between countries. For instance, if you're traveling with your '60s Martin D-28, it has two CITES Appendix I (regulated) materials used in its construction: Brazilian Rosewood and African Ivory. Uh oh.
Stay tuned.
Re: latest Rosewood
Just for the record Brian i think your 620/12 neck looks great much better than your 360.
Re: latest Rosewood
jingle_jangle wrote:The Lacey Act/Madagascar issue is a complicated one; I would refer those interested, to this explanation:
The Lacey Act puts the resources of the US Government behind the regulation of importation of illegal species; it's in addition to the CITES Treaty (which is worldwide in scope) and independent from it.
The Madagascar Rosewood issue, which bit Gibson in the nether regions, also involves Madagascar ebony. There was at least some attempt to control the exportation of both these woods under Madagascar's former President, Marc Ravalomanana, who was overthrown in a military coup in March, 2009. The enforcement vacuum which followed, saw armed poachers invading plantations and attempting to export--sometimes successfully--logs of the indigenous rosewood and ebony species through brokers in the French protectorates of Mauritius and Reunion. These logs were exported to China, France, and Germany. It was a shipment of rosewood which passed through Germany that got Gibson into hot water. The penalties can be large, but for now the shipment has been confiscated.
Meanwhile, Madagascar's interim President, Andry Rajoelina, has stepped up and arrested 13 of the poachers/exporters in an attempt to stanch the illegal export trade.
The issue of trade in protected woods and other materials (including ivory) is complex and affects all of us whether we know it or not, because vintage instruments must theoretically be certified and permitted before they are allowed to move between countries. For instance, if you're traveling with your '60s Martin D-28, it has two CITES Appendix I (regulated) materials used in its construction: Brazilian Rosewood and African Ivory. Uh oh.
Stay tuned.
Thanks, Paul. It's all pretty convoluted. I couldn't quite get the Gibson issue until finding out they had imported the Madagascar material through illegal means. At the same time I'm trying to figure out how Martin is using Madagascar rosewood on certain models.
It spins the head. But since it's a Federal law it explains the confusion.
Like you said, stay tuned. A lot of material used for guitars, primarily fretboards and acoustic bridges, may be in jeopardy in the future.
---------------------------------------------------------------
Music is too important to be left to professionals.
Music is too important to be left to professionals.
Re: latest Rosewood
scotty wrote:Just for the record Brian i think your 620/12 neck looks great much better than your 360.
Thanks, Oh yeah, I really like it, no problem there, It 's just is a different look than I'm used to on other Ricks, and also I was wondering if it is more typical of the recent batches
Re: latest Rosewood
Brian, when I order boards from LMI, they vary a great deal within each type of wood. They tend to look more like your 620 than a normal RIC board.
Paul, RIC boards have always seemed very consistent in grain and color, and have their own look to them. Do they have someone who hand picks the boards, or a buyer who does this for them?
Paul, RIC boards have always seemed very consistent in grain and color, and have their own look to them. Do they have someone who hand picks the boards, or a buyer who does this for them?
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Re: latest Rosewood
Dave, I couldn't answer this question conclusively, but I can say that they have close relationship with their hardwood vendors which shows in the nice wood we see.xcoyle wrote:Brian, when I order boards from LMI, they vary a great deal within each type of wood. They tend to look more like your 620 than a normal RIC board.
Paul, RIC boards have always seemed very consistent in grain and color, and have their own look to them. Do they have someone who hand picks the boards, or a buyer who does this for them?
BTW, figured bubinga is pricey! About $12/bd ft depending on vendor, timing, quantity.
I recently purchased a 6 foot long by 1 foot wide (6 bd ft) plank of highly figured bubinga for fretboards. The price? Over $200.00, or about $35.00/bd ft. But this stuff's got curl from end to end...
Re: latest Rosewood
Paul, it sounds nice. How thick is the board?
