The paramount importance of rhythmic with chords Tangos 3

[rubendiaz]

Here is lesson 3 on “Tangos”
-for advanced level-, based on the Paco De Lucia’s techniques and style, hence in order to learn properly how to accompany the flamenco singer or ¨Cante¨ (as well as to play any flamenco style in general), one has to first learn the rhythmic structure while playing with muted strings
(an innovation by Paco de Lucia) that is called ¨tapado¨ and is the basis of all the flamenco cotemporary stuff, once a player learns that, which include how to play the ¨remate¨ or end of phrase etc, then one can proceed to learn the chords and harmonies, and after that comes the melodies on guitar called ¨falsetas¨ (as opposed to learning first chords or melodies like in other styles of music.)


So here are the rhythm and the chords together (step 2)


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