I bought a BST 1000 new in 1980. It was an OK guitar, but had about as much sex-appeal as a Yamaha electric. I think Gretsch was blowing these out the door back at the bitter end of the Booneville, Arkansas factory. Gretsch had a lot of dubious designs back then, like the Broadkaster solidbodies and the Committee guitar and bass (never did figure out who the committee was!) Starting with the Super Chet/Deluxe Chet, they thought they had come up with a new classic body shape- the "cutaway-and-a-half". This design feature was carried over to their Super Axe/Atkins Axe and Beast series guitars. There seemed to be a trend at Gretsch late in the Baldwin era to do away with their classic features, starting with the famous (and tremendously cool) "T-Roof Logo". With the Beasts, they used a new funky-looking Gretsch logo, horrible Quan-styled Badass bridge knockoff and cheesy overseas humbuckers. Some BST 1000s had DiMarzios, but to me, a BST 1000 with DiMarzios is kind of like a teenager adding cragar mag wheels to his hand-me-down AMC Ambassador. My BST 1000 actually served me well in one respect, I was able to use it as a trade-in for a Fender Super Reverb
