I’m not doing anything with the 4.7nF cap. I was just testing the order of things a while back.
Standard sequence in which the signal meats the different components is:
PU => tone cap+pot > inline cap > volume pot => out
If those three components are ordered differently, it will change things in ways I could not predicted with my limited understand of electronics.
At the moment I’m just looking at the order of the tone cap and tone pot in the standard wiring, and was thinking..
In standard wiring, the full signal meats the tone cap. How much of what comes through the cap goes to ground is regulated by the pot.
If the order is changed, the pot will regulate how much of the original signal meats the cap, and all that comes through the cap goes to ground.
Would that make a difference?
Thing is.. I like the standard 47nF tone cap on the bridge pickup. Rolled down it gives it a nice mellow tone (which I like). However, I also like to use a 22nF cap on the bridge pickup. All the way down a 22nF cleans up the sound without touching much of the punchy midrange from the bridge pickup. At the moment I use push/pull to select 22nF or 47nF, but I got an idea of how to get rid of that push/pull.
Open the pot and cutting the resistive tract close to the upper lug. In effect disconnecting that lug from the track, and making it into a no-load pot. Then the upper lug can be used for a 22nF cap. In practice the tone knob will work as normal with a 47nF cap, almost all the way to the top. At the very top the viper will leave the resistive track, switching out the 47nF cap. The viper then moves to the upper lug, engaging the 22nF cap. If I could also make some kind of detent just before the 22nF is coupled in..

I thought I had to reverse the order of the cap and the pot to do this, but now I see that is of course not necessary.
