Acoustics?

Setup, repair and restoration of Rickenbacker Instruments

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RicukStu
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Re: Acoustics?

Post by RicukStu »

A guy in the UK who runs the Rickysounds website has a few acoustics for sale, a 700/12 Comstock, and two 700/6 Comstock.
clementc3
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Re: Acoustics?

Post by clementc3 »

I think this is the relevant Rickysounds webpage, for those of us who are curious (I was): :D

http://www.ricsrus.com/700%20series.html

No price listed for the 700/12 and one of the 700/6 but he will listen to offers; 7,000 British pounds (= mucho US dollars) for the other 700/6.

Judging by the year of manufacture (all 2001?) these were made by the company prior to discontinuing factory production and licensing Paul Wilczynski to make Rickenbacker acoustic guitars.
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marc61
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Re: Acoustics?

Post by marc61 »

Here's some pics of mine taken 2 days ago. Bold, fast and bright.

Paul, the tuning pegs seem to be pitting a little bit.What is the proper way to clean them?
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jingle_jangle
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Re: Acoustics?

Post by jingle_jangle »

These are Schaller's best, and I've not heard of this happening before.

Try using a bit of wax on a soft cloth to protect them. Nothing abrasive, though.
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marc61
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Re: Acoustics?

Post by marc61 »

yeah you can see it on the photo of the headstock. Maybe from the kid using his greasy fingers on them? :shock:

i will try an wipe with a non-abrasive cloth then apply a tiny drop of wax
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weemac
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Re: Acoustics?

Post by weemac »

8mileshigh wrote:That is a fabulous colour. I think it would look amazing on the 4005/8 :wink:
What 4005/8?

Eden.
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8mileshigh
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Re: Acoustics?

Post by 8mileshigh »

Looks like someone's hijacked your auction Marc?!?! :shock:

http://cgi.ebay.com/Rickenbacker-700C-C ... 3a60c50371

I've reported it to Ebay :twisted:
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marc61
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Re: Acoustics?

Post by marc61 »

Good looking out Graham..thanks!
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kennyhowes
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Re: Acoustics?

Post by kennyhowes »

The 12-string fishtail is a cool idea, hadn't seen that one yet. :)
RS812
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Re: Acoustics?

Post by RS812 »

I saw a blue fishtail for sale recently

6 string

Very beautiful
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jingle_jangle
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Re: Acoustics?

Post by jingle_jangle »

Ah, Venezia...

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Grey
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Re: Acoustics?

Post by Grey »

I want to like it but those headstocks just give me bad Dean flashbacks and I can't stand them. :lol:

Love the color though.
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jingle_jangle
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Re: Acoustics?

Post by jingle_jangle »

Dean headstocks are to these what a chili dog belch is to a whiff of Shalimar... :mrgreen:

Besides, these came first. :lol: :lol:
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Grey
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Re: Acoustics?

Post by Grey »

The fish-tail-ish headstock fits well with the color scheme of the guitar, at least.

So i'm curious, I notice you're using the Plexi-style TRC's, is that just a matter of preference? It seems like the older plexi-style TRC's have alot of variations in the shape whereas the raised-letter (assumingly moulded plastic) types are all very consistent, I assumed that's why they changed. I like the way the clear plexi looks though.
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jingle_jangle
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Re: Acoustics?

Post by jingle_jangle »

Spike- wrote:The fish-tail-ish headstock fits well with the color scheme of the guitar, at least.

So i'm curious, I notice you're using the Plexi-style TRC's, is that just a matter of preference? It seems like the older plexi-style TRC's have alot of variations in the shape whereas the raised-letter (assumingly moulded plastic) types are all very consistent, I assumed that's why they changed. I like the way the clear plexi looks though.
Oh, you mean "fish-tail=blue"? I suppose, literally-speaking, that could be considered true. But this style headstock looks great in ANY color, not to mention it's also been called "Batwing" (Jetglo, perhaps?), "Gullwing" (Gray or Silver?), "Steerhorn" (Schittbrindle Brown?), and "Dagwood" (Plaid? :mrgreen: ).

It's a lovely, flamboyant shape that has a nice vintage feel to it. I typically pair it with a square neck heel, though not always. It's like no other acoustic headstock, and, as in most things in product design, it's the subtleties that give it its character. In the case of the 12 string version, getting the dimensions just right to capture the proper proportions and be functional with the tuners and TRC, presented quite a challenge when I made the patterns for routing and drilling!

As far as the TRCs go, these are engraved and are unique to the acoustics, with radiused and polished edges as well. Most are gold with satin platinum script, but this one looked best as charcoal over white MOP to match the pickguard.
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