It took me a ridiculously long time after I received it to get it installed... between rehearsing and performing and all the other little obstacles life puts in the way (like work), it wasn't until last weekend I could finally take my 4001 apart.songdog wrote:Well, I got a strange urge to check the boutique today during lunch break at work, and caught it while I could still place an order!
I thought I'd share the adventure. Sorry 'bout the cheesy cell phone pictures, every time I think about buying a real camera, I buy some bass gear instead
Here's what I started with. The DiMarzio Jazz pickup went in, oh, several decades ago when I learned the hard way that you shouldn't turn the "adjustable pole pieces". I wired it with a four-way selector switch, volume and tone. The punk rock look is sooo last century....
So out it all came. In the neck p/u route was written: "FIRE". In the bridge pickup route: "DONE". In the control cavity: "NANCY" and something that looked like "Check" and maybe initials "MDA".
Some assembly required. Oh. My. God. Am I going to get this thing together in time to play it tonight?
Yes! (pun intended
The sharp-eyed among you will doubtless notice the switch placed between the tone controls. That's the bypass for the .0047 cap. I drilled that hole in my foolish youth (just before I turned the screws on the original pickup), thinking "I'll never sell this bass, who cares about the resale value?" Unlike some decisions I made at that time in my life, that one was right on! This bass is a keeper, and a player.
You might notice there's no picture of the neatly wired controls on the pickguard... let's just say my work wasn't very photogenic, and move along. A little bit of electrical tape solved the shorting problem
I think the RIHS sounds like a hotter pickup than a vintage toaster. My ohmmeter agrees (about 10.5k vs. 7.7k). Has anyone else had this experience?
Next project: make up some cables to wire my tube preamp into my Ampeg's effects loop, and use the newly restored Ric-o-sound!
