LOTS OF PROJECTS NEARING COMPLETION...
Moderator: jingle_jangle
Re: LOTS OF PROJECTS NEARING COMPLETION...
I doubt if even Tony would turn his nose up at this one. 
All I wanna do is rock!
- paologregorio
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Re: LOTS OF PROJECTS NEARING COMPLETION...
If I bought one that needed resto work I'd have the headstock shaved and slot-topped vintage tuners installed without thinking twice about it.ozover50 wrote:Agree, John. I'm oh sooooo tempted to have mine shaved down.jwilli wrote:Love everything about the SH Ltd. Ed. ......except the fat headstock. Meh. It never stopped me from buying one though! I've had two of them and currently own a SH look-a-like. One of the overrun models.
Er... the headstock, that is!!![]()
There is no reason to ever be bored.
...why yes, I suppose I do have a double bound guitar fetish...
"Uh, I like the double bounds. . . ."
...why yes, I suppose I do have a double bound guitar fetish...
"Uh, I like the double bounds. . . ."
- jingle_jangle
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Re: LOTS OF PROJECTS NEARING COMPLETION...
That's my preference, too. However, this owner wanted 100% originality.
I recently completed shaving (a headstock!) on a JG 360/12. My own double-bound Ruby 360 had the widest canoe paddle I'd ever seen. It was built during the '80s transition from Grovers to Schallers and back again. It had Grover Rotomatics--which have to be the world's ugliest darned tuners ever, plugged into holes drilled for longer-shafted Schallers, so the tuning keys barely cleared the headstock. Result was badly-chipped paint around each tuner, to match the badly-chipped paint everywhere else. Badly-chipped so-called "glamor" colors look worse than other colors...
When I refinned it, I retrofitted it with new vintage Klusons and shaved the headstock about 1/4" each side, and shortened the headstock 3/16" to keep the proportions palatable. It looks 100% better. The 360/6 received the same treatment.
I recently completed shaving (a headstock!) on a JG 360/12. My own double-bound Ruby 360 had the widest canoe paddle I'd ever seen. It was built during the '80s transition from Grovers to Schallers and back again. It had Grover Rotomatics--which have to be the world's ugliest darned tuners ever, plugged into holes drilled for longer-shafted Schallers, so the tuning keys barely cleared the headstock. Result was badly-chipped paint around each tuner, to match the badly-chipped paint everywhere else. Badly-chipped so-called "glamor" colors look worse than other colors...
When I refinned it, I retrofitted it with new vintage Klusons and shaved the headstock about 1/4" each side, and shortened the headstock 3/16" to keep the proportions palatable. It looks 100% better. The 360/6 received the same treatment.
Re: LOTS OF PROJECTS NEARING COMPLETION...
Paul, pics !
- jingle_jangle
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Re: LOTS OF PROJECTS NEARING COMPLETION...
Well, of course I've been busy with Rick work, and pictures are forthcoming, along with a surprise update on my YouTube channel.
However, I do occasionally spend some time on my own projects, and this is one of them--completed a couple of weeks ago after three years plus, and two paint jobs. First I refinished it in Aquaglo, but wasn't really happy with it, so...
It started out as a purchase from Proton (George B.) back when we were in NOM together. I paid less than $250 for it, in sorry shape, but I've always wanted one. The polyester black paint came off in sheets, revealing a poplar body with maple top cap. I gave it a three-tone burst, redid all the hardware and wiring, including new pickups (old ones were dead), and had to patch in the fretboard extension, as it was missing. A refret in smaller frets was done, the neck and headstock rebound, and the Charvel logo on the headstock was cut out of white sign vinyl from Illustrator artwork that I generated, on our CNC vinyl cutting machine. It was applied and covered with a half-dozen coats of conversion varnish. It's crisper than silkscreened! Last, I made a new pickguard in TORT to replace the shrunken and distorted MOTS original.








These are just the coolest combination of Fender offset with Rick-ish details. Sound and playability are solid and excellent. Some folks complain about the neck, as it's kind of 660-ish, but it feels just fine to me.
Glad I got that itch scratched!
However, I do occasionally spend some time on my own projects, and this is one of them--completed a couple of weeks ago after three years plus, and two paint jobs. First I refinished it in Aquaglo, but wasn't really happy with it, so...
It started out as a purchase from Proton (George B.) back when we were in NOM together. I paid less than $250 for it, in sorry shape, but I've always wanted one. The polyester black paint came off in sheets, revealing a poplar body with maple top cap. I gave it a three-tone burst, redid all the hardware and wiring, including new pickups (old ones were dead), and had to patch in the fretboard extension, as it was missing. A refret in smaller frets was done, the neck and headstock rebound, and the Charvel logo on the headstock was cut out of white sign vinyl from Illustrator artwork that I generated, on our CNC vinyl cutting machine. It was applied and covered with a half-dozen coats of conversion varnish. It's crisper than silkscreened! Last, I made a new pickguard in TORT to replace the shrunken and distorted MOTS original.








These are just the coolest combination of Fender offset with Rick-ish details. Sound and playability are solid and excellent. Some folks complain about the neck, as it's kind of 660-ish, but it feels just fine to me.
Glad I got that itch scratched!
Re: LOTS OF PROJECTS NEARING COMPLETION...
I think those Charvels look great; the pickguard shape, to me, is nicer than that on the Jackson equivalent. The saw add a very nice touch to that photo near the top. 
Re: LOTS OF PROJECTS NEARING COMPLETION...
Nice job Paul! That thing looks incredible! I have owned several different electric 12's over the years and currently have my FG 330, a MIJ Fender Strat XII, and a Dano 6/12 doubleneck. I've played a few of the Charvels and liked them. Just never came across one for the right price-like YOU did.
Congrats!
Congrats!
- jingle_jangle
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Re: LOTS OF PROJECTS NEARING COMPLETION...
It's a reminder that to sawdust they all return...jps wrote:I think those Charvels look great; the pickguard shape, to me, is nicer than that on the Jackson equivalent. The saw add a very nice touch to that photo near the top.
Yes, Skip--and George was also kind enough to bug the guy who sold it to him, for the neckplate, which was missing. The guy actually located it and sent it in...blew my mind!elreydlp wrote:Nice job Paul! That thing looks incredible! I have owned several different electric 12's over the years and currently have my FG 330, a MIJ Fender Strat XII, and a Dano 6/12 doubleneck. I've played a few of the Charvels and liked them. Just never came across one for the right price-like YOU did.
Congrats!
Re: LOTS OF PROJECTS NEARING COMPLETION...
Paul, a perfect surfcaster guitar. Great for your band. Beauty.
Best,
Best,
Manta (Tim Rock)
http://www.mantaraymusic.com
1993 Plus FG, 730L-12, 4001FL, Danelectro 6/12, Storyboard Strat
http://www.mantaraymusic.com
1993 Plus FG, 730L-12, 4001FL, Danelectro 6/12, Storyboard Strat
Re: LOTS OF PROJECTS NEARING COMPLETION...
Looks nice!
- electrofaro
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Re: LOTS OF PROJECTS NEARING COMPLETION...
Posts are getting mighty short here - if I didn't know better I'd say some people were trying to reach their 30 posts so they can enter the trading section
I'm not that familiar with the Charvel models - did it originally have that soundhole?
I'm not that familiar with the Charvel models - did it originally have that soundhole?
'67 Fender Coronado II CAB * '17 1963 ES-335 PB * currently rickless
- paologregorio
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Re: LOTS OF PROJECTS NEARING COMPLETION...
Killer job! I've always thought it slightly odd that the top edge of the the p/g didn't follow the body contour on this model Charvel.
There is no reason to ever be bored.
...why yes, I suppose I do have a double bound guitar fetish...
"Uh, I like the double bounds. . . ."
...why yes, I suppose I do have a double bound guitar fetish...
"Uh, I like the double bounds. . . ."
- jingle_jangle
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Re: LOTS OF PROJECTS NEARING COMPLETION...
Yes, the soundhole is a standard feature.
I think the offbeat top pickguard line, along with the stiffened offset profile and slab body with no arm or tummy cut, are part of the design genius of this guitar. It's sort of "anti-Fender", and no doubt a conscious effort by whoever penned this classic. Brilliant, IMO.
I think the offbeat top pickguard line, along with the stiffened offset profile and slab body with no arm or tummy cut, are part of the design genius of this guitar. It's sort of "anti-Fender", and no doubt a conscious effort by whoever penned this classic. Brilliant, IMO.
- electrofaro
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Re: LOTS OF PROJECTS NEARING COMPLETION...
What did you do with the powersaw in the picture then?jingle_jangle wrote:Yes, the soundhole is a standard feature.
'67 Fender Coronado II CAB * '17 1963 ES-335 PB * currently rickless
